made AP the first agency to report from across India, delivering an all-formats package that tracked individuals over the course of three weeks to reveal how the world’s largest shutdown was affecting some of India’s poorest people.https://bit.ly/3av4o24https://bit.ly/2S5fmoNhttps://bit.ly/3bA1ivk
The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.
This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.
If the Navajo Nation were its own state, it would have the second highest per-capita rate of coronavirus cases in the United States, trailing only New York.
AP’s Felicia Fonseca, one of the preeminent reporters covering Native issues for any news organization, and photographer Carolyn Kaster reported from the heart of the crisis. Donning full protective gear and a healthy measure of courage, they documented families, doctors and volunteers, while national writer Tim Sullivan added further reporting and masterful writing assistance from afar.
The story and photos capture the vast beauty of the land and the intimate grief of the people, including one family that has lost four members to the virus. The package played heavily in the Southwest U.S. and was among AP’s most downloaded and viewed for several days.
For a revealing look at a Native community in the midst of the health crisis, Fonseca, Kaster and Sullivan share this week’s Best of the States honors.
gave AP the first national interview with a black woman who faced down an armed all-white group – led by a sheriff’s deputy – that tried to force its way into her home. The woman, Monica Shepard, had talked to two local television stations but was avoiding further media contact. Foreman, however, felt there was a deeper story to be told.
He eventually reached Shepard and her son through their attorney, arranging for an online interview to capture video. “I was vulnerable. They had the crowd. They had the weapons. I had nothing,” Shepard told Foreman. “I was standing before a crowd, but I had the faith.” Foreman’s compelling story gave AP the beat on other media that were trying to interview the family, and was used even by outlets that had previously covered the incident.https://bit.ly/2Xfxtdnhttps://bit.ly/2zl3sB5
Telling the stories of people who have suffered devastating losses is difficult at the best of times, but with this story, focused on one predominantly black rural county in southwestern Georgia where the pandemic is hitting hardest among some of America’s most exposed, the all-formats team of Claire Galofaro, Brynn Anderson and Angie Wang also had to cope with the challenges of reporting in a pandemic.
The journalists knew they would have to take cautious risks to tell this important story, while also dealing with the emotional and ethical issues of potentially putting the people they spoke to in danger. They spent much of their time sorting out how to best protect their sources, while also getting a story worthy of the risk those sources were taking to tell it.
That story, intimately told and richly illustrated, connected with readers, some of whom said it made the pandemic finally feel real. Many said it inspired them to act, and others wrote to compliment the journalism.
For a significant, poignant package that reveals in personal terms the already deep inequities exploited by the pandemic, Galofaro, Anderson and Wang are recognized with this week’s Best of the States award.
broke new ground for AP, creating popular new features for the court’s first-ever arguments by telephone with live audio. The pair revived the AP SCOTUS Twitter account @AP_COURTSIDE to live-tweet trivia, analysis and details during the arguments, they worked with the AP broadcast team to get AP pool access to the live audio, and they came up with a brand-new wire feature they also called “Courtside” – a more live-blog style of breaking news to help the public understand what they were hearing (including that weird toilet flush sound during one argument). That approach could become a model for covering future live news events.The features introduced by Sherman and Gresko attracted readers and followers, and complemented AP’s comprehensive stories on the court sessions.https://bit.ly/2WWadB9https://bit.ly/2YYAf9lhttps://bit.ly/2Wuubnk
With coronavirus infection and death rates mounting, hospitals in the New York City area imposed strict guidelines allowing only a small handful of media outlets limited access. After weeks of reaching out to hospitals, St. Joseph’s in Yonkers agreed to give the AP access to its emergency room and screening tent.
But only one journalist would be allowed into the hospital. Versatile New York staff photographer John Minchillo was an easy choice.
Once inside in full protective gear, Minchillo connected with the hospital staff, who also granted access to the intensive care unit. He made the most of the next four hours, working in all formats to capture the mundane and the extreme, including the dramatic moments when a COVID-19 patient in cardiac arrest was saved. Turned around virtually overnight, Minchillo’s all-formats package was heavily played by major media outlets.
For his powerful, comprehensive all-formats storytelling that takes us inside medical workers’ daily fight save lives against the coronavirus, John Minchillo wins AP’s Best of States Award.
A scathing letter sent in early April by doctors in Italy’s Lombardy region provided the first tangible inkling that something had gone terribly wrong in its fight against the coronavirus.
With Lombardy accounting for roughly half of Italy’s 27,000 deaths, chief Rome correspondent Nicole Winfield set out to document how the virus overwhelmed a medical system long considered one of Europe’s best.
Over the next three weeks, Winfield methodically collected details, conducted interviews, pored over government reports and briefings, and referenced AP’s vast reporting on the pandemic to craft the first explanatory account of the missteps and failures that allowed the virus to become so pervasive in northern Italy.
Winfield’s story quickly became one of the most-read on the AP News and was picked up by outlets globally.
For crafting a thorough, compelling and heartbreaking account of how COVID-19 got a pervasive, deadly grip on Lombardy, Winfield wins AP’s Best of the Week honors.
gathered and analyzed state and local data to find that nearly one-third of those who have died in the COVID-19 outbreak are African American, with black people representing about 14% of the population in the areas covered in the analysis. And beyond the data the team’s all-formats story looked into the lives of people personally affected. https://bit.ly/2S4NZLshttps://bit.ly/2VUjJEo
produced three moving photo essays that intimately portray the daily lives of two nurses and a doctor in northern Italy who agreed to not only let AP into their workplaces, but their homes. The team set out to capture with context and detail what a day was like for health care workers, showing their efforts – sometimes fruitless – to help patients survive the coronavirus, and the sacrifices they must make to avoid bringing the virus home to their families.https://bit.ly/3aBVgc6https://bit.ly/2zuerbfhttps://bit.ly/3eQyLUq
for following up on weeks of groundbreaking coverage on the 2020 U.S. Census with an offbeat story that was hiding in plain sight: the fact that everyone will have to identify the head of the household when they fill out the form.Anyone else who lives in the home has to be identified by how they are related to so-called “Person 1” – which is sure to spark some intriguing conversations. https://bit.ly/2wbGXg8
What and when did authorities in China know about the coronavirus’ initial spread and did they react fast enough? Those have become burning questions as COVID-19 tears a deadly and destructive path across the globe.
Among the toughest to answer, too.
The Associated Press cracked open China’s lockdown on information with an exclusive story – based on internal documents and expert testimony – revealing that top officials in Beijing knew about a likely pandemic, but held off on warning the public for at least six days – while tens of thousands attended a banquet in Wuhan and millions more travelled for Lunar New Year festivities.
The story’s byline – “By The Associated Press” – testified to the risks run by the reporter who secured and developed the major scoop.
For breaking through China’s tightly policed walls of information control about the critical first days of the pandemic, with a scoop secured in one of the world’s toughest media environments, the unnamed but not unsung AP reporter is this week’s Best of the Week laureate.
detailed – with the help of statehouse colleagues around the country – a dog-eat-dog marketplace where states have had to compete against each other, their own hospital systems, foreign countries and even the U.S. government for scarce protective gear and medical equipment. Would-be buyers would put down hundreds of thousands of dollars – even millions – only to be stiffed when someone else swooped in and offered more. Governors and hospital administrators said they had no choice, with lives on the line and the federal government refusing to nationalize purchasing. https://bit.ly/2RkNr3M
When a South Carolina Army veteran died last month, his family decided to invite The Associated Press to take one of the few spots the funeral home would allow for people at the service. His loved ones knew this funeral and their mourning would look different from the usual rituals, and they wanted to share that with other families faced with grief in the coronavirus outbreak.
North Carolina-based journalist Sarah Blake Morgan took on the delicate task. She shot photos and video from an appropriate social distance, not only to stay safe but out of respect for the family. In her images and words, she painted a picture of a ritual that once brought people comfort but now brings new tension and challenges.
For her sensitive work delivering a moving Only on AP package on a human angle of the virus outbreak, Morgan wins this week’s Best of the States award.
produced a creative and innovative package that gave young people around the world an opportunity to tell their own stories during the pandemic. Using contacts inside and outside the AP, Irvine asked people, ages 16 to 24, to talk about their experiences and film a bit about their lives. Her story, with the video compilation as the centerpiece, revealed the concerns the subjects have in common, as well as their unique circumstances.https://bit.ly/2JRBkHwhttps://bit.ly/2xeKvif
California's Bay Area is full of extremes: poverty and wealth; homelessness and opulence; high-end industry and the service workers who support it. Those extremes matter when it comes to weathering the shutdown in response to the coronavirus.
Jocelyn Gecker and Olga Rodriguez set out to show how that divide plays out, telling the stories of Rebecca Biernat, a San Francisco attorney, and Sonia Bautista, a hotel worker, and their families. With photographer Jeff Chiu they developed an intimate portrait of the two families – what they have in common and the differences in how they are adjusting to the shutdown.
For doggedly seeking out the right subjects, overcoming distancing restrictions and expertly weaving together two tales to tell a deeper story about inequality amid turmoil, Gecker, Rodriguez and Chiu earn this week’s Best of the States award.
With a powerful and evocative photo gallery, AP journalists in Italy captured the heroism of 16 Italian medical personnel on the front lines of the battle against the coronavirus pandemic.
Photo editor Alberto Pellaschiar proposed the idea, and hospitals – reassured by AP’s reputation for professionalism – permitted photographers Antonio Calanni and Luca Bruno and chief photo editor Domenico Stinellis to make photos of the doctors and nurses during breaks or as they finished their shifts.
The intimate portraits conveyed the fatigue and determination of the men and women working round-the-clock to save lives. Chief correspondent Nicole Winfield studied the portraits and interviewed some of the subjects to put their struggle into words.
The impact was tremendous – the stark, understated images and accompanying story riveted audiences around the globe.
For conceiving and executing a brilliant series of images that captures in human terms the battle against the disease, Pellaschiar, Stinellis, Calanni, Bruno and Winfield win AP’s Best of the Week.
told the story of New York City’s besieged emergency rooms, where overwhelmed nurses, doctors and paramedics face warzone-like conditions. The reporting team mined sources developed over the years and others on social media to reveal caregivers contending with a flood of sick and dying patients, equipment shortages and the impossible task of deciding who lives and who dies. With hospitals closed to cameras, photo staffers, notably Mary Altaffer and John Minchillo, documented the story with shots of exhausted-looking health workers and paramedics coming and going from hospitals amid makeshift morgues and lines of anxious people waiting for tests.https://bit.ly/2w423guhttps://bit.ly/2R7dY4F
raced to cover rapidly developing stories as dozens of sports leagues and federations around the globe made decisions affecting players, fans and entire seasons in reaction to the spread of the coronavirus.https://bit.ly/2IXA9Wehttps://bit.ly/3a1Vg5Khttps://bit.ly/2UoUAkehttps://bit.ly/3923lWVhttps://bit.ly/2U37Xru
Reporter Regina Garcia Cano took what could have been a dense, pro forma story on complaints about Baltimore’s “squeegee kids” and turned it into a layered piece about inequality in post-Freddie Gray Baltimore. The timing was perfect, as a way for AP to mark the end of 2020’s Black History Month.
She reviewed figures related to reports on the practice and found one squeegee kid in particular who was willing to open up about the daily grind of dashing into intersections to wash windshields, and how it helped him support his family.
For her keen eye, and a deft hand, on a complicated topic that would have most likely gone overlooked, Garcia Cano wins this week’s Best of the States award.
