secured rare access to accompany paratroopers of the 82nd Airborne Division on a South American training exercise in partnership with Colombia, producing a compelling narrative in text, photos and video as the troops simulated the taking of an airbase.https://bit.ly/3dAdZaXhttps://bit.ly/3bn2Eci
revealed how pressure and politics have corrupted and delayed the scientific process, slowing the development of effective treatments against the coronavirus pandemic.Marchione reviewed studies that are underway and interviewed dozens of doctors, researchers, patients and policy experts as she looked at organizations trying to do rigorous science, as well as the issues undermining that research. Young found creative ways to tell the story visually, including a GoPro mounted on a medical cart. Together they document a Pennsylvania COVID-19 patient enrolled in a clinical trial.The story – challenging to report because of the fluid and chaotic nature of the subject itself – attracted readers and generated interest on social media, a strong showing for non-breaking news.https://bit.ly/2B1uyxRhttps://bit.ly/2CFLpqo
Video journalist Mstyslav Chernov and freelance photographer Evgeniy Maloletka used their extraordinary access to western Ukrainian hospitals to produce powerful images of medical workers desperately treating COVID-19 patients despite a medical system in crisis. They also visited one hospital’s makeshift morgue and a cemetery where families grieved over lost loved ones. Chernov had driven 2,500 kilometers (1,600 miles) across three countries, then worked tirelessly to earn the trust of medics who eventually gave him and Maloletka rare access to document the dire situation. The play was impressive among AP customers and across media in Ukraine. One foundation even reached out to the pathologist who had set up an outdoor morgue, supplying the medic with protective gear, disinfectants and a tent.https://bit.ly/2LmvBKuhttps://bit.ly/2WsZdvWhttps://bit.ly/2WwwUNb
gave a 94-year-old British World War II veteran a new reason for hope despite the isolation brought on by the pandemic, with an exclusive all-format package about his pen-pal relationship with Normandy teenagers grateful to veterans like him who saved France from the Nazis 75 years ago. AP was the first media organization to cover the uplifting story, which brought Bill Ridgewell attention in his hometown paper, on BBC and around the world. “When he realized he was all over the U.S. and Canada, to say nothing of Sumatra, he was actually lost for words,” read his daughter’s letter to AP. “I think you have probably given him at least another year of life.” https://bit.ly/2zF8oQThttps://bit.ly/2WUIIId
Telling the stories of people who have suffered devastating losses is difficult at the best of times, but with this story, focused on one predominantly black rural county in southwestern Georgia where the pandemic is hitting hardest among some of America’s most exposed, the all-formats team of Claire Galofaro, Brynn Anderson and Angie Wang also had to cope with the challenges of reporting in a pandemic.
The journalists knew they would have to take cautious risks to tell this important story, while also dealing with the emotional and ethical issues of potentially putting the people they spoke to in danger. They spent much of their time sorting out how to best protect their sources, while also getting a story worthy of the risk those sources were taking to tell it.
That story, intimately told and richly illustrated, connected with readers, some of whom said it made the pandemic finally feel real. Many said it inspired them to act, and others wrote to compliment the journalism.
For a significant, poignant package that reveals in personal terms the already deep inequities exploited by the pandemic, Galofaro, Anderson and Wang are recognized with this week’s Best of the States award.
delivered exclusive coverage of the end of the lockdown in Wuhan. Live video, including footage of a surprise midnight light show, was accompanied by still images both before and after China lifted the lockdown in the city where the pandemic began.https://bit.ly/3crWIiRhttps://bit.ly/2Vy1dBjhttps://bit.ly/3bdTwXMhttps://bit.ly/2XCNtYM
On April 6 – the day when the COVID-19 death toll in New York City exceeded the toll of the Sept. 11 attacks – a team of AP journalists fanned out to tell the stories of average New Yorkers navigating the pandemic.
From the bodega owner whose remaining customers are often funeral home workers, to a paramedic worried about the way the onslaught of cases was eating away at him and other first responders, the stories provided a vivid account of a city bent, but not broken, by the virus. “The Fight for New York” was a testament to the AP at its finest: smart planning and collaboration leading to 11 impactful text and video stories, more than two dozen photos and nine social edits, all delivered to customers with remarkable speed.
The package immediately resonated with readers, viewers and customers, winning strong play on the websites of most major news organizations.
For extraordinary teamwork, planning and execution, the team of journalists behind “The Fight for New York” wins AP’s Best of the Week award.
When a South Carolina Army veteran died last month, his family decided to invite The Associated Press to take one of the few spots the funeral home would allow for people at the service. His loved ones knew this funeral and their mourning would look different from the usual rituals, and they wanted to share that with other families faced with grief in the coronavirus outbreak.
North Carolina-based journalist Sarah Blake Morgan took on the delicate task. She shot photos and video from an appropriate social distance, not only to stay safe but out of respect for the family. In her images and words, she painted a picture of a ritual that once brought people comfort but now brings new tension and challenges.
For her sensitive work delivering a moving Only on AP package on a human angle of the virus outbreak, Morgan wins this week’s Best of the States award.
spent weeks searching for patients to put faces on two clinical trials testing COVID-19 treatments: One was a coronavirus survivor who opted to donate her blood for research; the other was a doctor turned patient who decided to join a study testing an experimental biotech drug. The stories were part of AP’s ongoing effort to tell the behind-the-scenes stories of people affected by the pandemic.https://bit.ly/2JQKbcwhttps://bit.ly/2XlHOWQ
“No.”
“Never.”
“Not possible.”
“Can't be done.”
Photographer Felipe Dana and video journalist Renata Brito were told in no uncertain terms that Spanish hospitals and their intensive care units in particular would not allow access to journalists reporting on the coronavirus pandemic. And in New York, the all-formats team of John Minchillo, Robert Bumsted and Jake Seiner was given largely the same answer when they tried to get into a funeral home to document the surge of victims literally piling up.
Neither team took no for an answer. Both teams produced haunting images and text documenting the stark reality wrought by the pandemic.
The tenacity, skill and bravery on display from both teams was the difference between getting the story out to the world and revealing the human cost of the crisis – or not. It’s the latest example of AP journalists proving that “No. Never. Not Possible,” does not apply to them. And it is why Dana, Brito, Minchillo, Bumsted and Seiner share AP’s Best of the Week award.
for outstanding live video and photo coverage from Barcelona’s airport and beyond as police clashed with Catalans protesting the verdict against leaders of the failed 2017 bid for independence. The team of five, ably supported by editors and colleagues in the region, produced the strongest visual coverage from the first day of the protests and held their advantage in subsequent days as clashes, marches and rallies continued in the Catalan regional capital.https://bit.ly/363QQK9https://bit.ly/31Ly1rC
The world had been waiting for this moment: the start of a clinical study searching for a vaccine for the new coronavirus – but no one knew when exactly the first shots would be given. AP reporters in Washington, D.C., learned where and when it would take place, laying the groundwork for an all-formats team to witness the start of the experiment in Seattle.
The result: AP was the only news organization present, sending updates in real time as the first participants received an experimental COVID-19 vaccine. The newsroom at AP’s New York headquarters erupted in cheers when the exclusive crossed the wire; text, photos and video swept play worldwide.
For ensuring AP was the only news organization in the room at a critical juncture of the coronavirus pandemic response, and for delivering distinctive journalism to customers worldwide, the team of Lauran Neergaard, Ted Warren, Carla K. Johnson, Michael Ciaglo, Federica Narancio and Marshall Ritzel wins AP’s Best of the Week award.
dominated coverage in all formats as a former security guard took hostages during a standoff at a Manila shopping mall. AP was first on the scene with live video and sharp, resourceful handling of text and photos. AP’s video was ahead of the competition on all the key developments, and we were the only agency still broadcasting live when authorities tackled the hostage taker as he spoke to the media.https://bit.ly/2U0rNm2https://bit.ly/2Qbby4t
for quickly and methodically jumping from the story of fatal twin avalanches to another major breaking news story: the crash of a Turkish airliner in Istanbul. The all-formats team ensured AP stayed ahead of the competition from the initial urgent phase to the aftermath, including fast filing of text and photos, live video from the scene and powerful survivor interviews from the hospital.https://bit.ly/2vxCp3mhttps://bit.ly/38pP46Uhttps://bit.ly/31Vdant
for following the money given to Libya to prevent migration. What they found was startling: The money has spawned a web of thriving and highly lucrative businesses that profit off the misery of migrants – funded by the European Union and enabled by the United Nations. The AP team came to this conclusion through interviews with more than 50 migrants and confidential information from internal United Nations emails and high-level sources, including senior Libyan officials. https://bit.ly/2QGAuBHhttps://bit.ly/2R2aq2D
for reacting quickly to put AP ahead of all competition on the breaking news of an active shooter at Pearl Harbor, and maintaining the competitive advantage with tremendous collaboration in all formats, including live video, throughout the day. https://bit.ly/34bHpGk
for a series of scoops in the investigation of the Pensacola naval station shooting, keeping AP ahead of national and local media in the days that followed. From Farrington’s report that investigators believed the shooter hosted a dinner party where participants viewed videos of mass shootings, to Balsamo’s confirmation of the shooter’s nationality and name, the three led coverage of one of the week’s top stories. On Monday, at least 10 Florida newspapers had the AP coverage on their front pages, including the Miami Herald, Tampa Bay Times and Orlando Sentinel. https://bit.ly/35leT6o
Jolted out of bed by the 6.4-magnitude earthquake just before 4 a.m., correspondent Llazar Semini in Tirana knew immediately he was dealing with a major story. Communications networks were shaky, but he managed to reach colleagues in other formats by phone, triggering what would become a virtual sweep of the disaster coverage.
The quick decisions made in the early hours resulted in a compelling all-formats report and gave AP the clear advantage over competitive agencies. Nowhere was that advantage more evident than in live video – AP picked up live video within an hour of the quake, and several hours before any of the competition.
Coverage was just as impressive in text, photo and video edits. AP’s dominance continued with drone video, and all-formats coverage of dramatic rescue efforts and anguished survivors.
For resourceful work that powerfully conveyed the human toll and devastation while delivering a dominant competitive performance, the multinational all-formats team of Llazar Semini, Visar Kryeziu, Hektor Pustina, Amer Cohadzic, Erion Xhiabati, Florent Bajrami, Sylejman Klokkoqi and Petros Giannakouris shares AP’s Best of the Week.
for an all-formats AP interview from Morocco with Ivanka Trump, a rare moment in which she addressed the impeachment inquiry at length, scoring blockbuster play for video, text and photos, including a sweep of the morning TV shows.https://bit.ly/32S5d17https://bit.ly/2pjmN0nhttps://bit.ly/2qewxtm
for exclusive photos and video of flooding outside Tokyo. Lee, on assignment in Japan for a PGA golf tournament, was heading back to the hotel on a shuttle bus after rain washed out the second day of the tournament. When he noticed a flooded street in an area east of Tokyo that had been hit hard by a recent typhoon, he reacted quickly, stopping the shuttle bus and leaping out into knee-high flood waters to shoot exclusive photos, video and, later, call in details for the print story. The images were used widely in Korea and Japan, including by major Japanese papers. https://bit.ly/2Pt7ywJ
