July 14, 2023

Best of the Week — First Winner

Follow-up reporting after Texas mass shooting reveals long-standing complaints about police response

When a Texas sheriff’s story about a mass shooting didn’t add up, Dallas-based reporter Jake Bleiberg dug in.  

During the four-day search for a man accused of fatally shooting five of his neighbors in April, San Jacinto County Sheriff Greg Capers told a crush of reporters that his deputies got to the scene in 11 minutes, but the suspect had vanished. Bleiberg was among the Texas reporters covering the shooting who heard from area residents that deputies rarely responded to calls faster than 30 minutes. As he worked the phone to get a fuller picture, Bleiberg connected with a source who provided him with the report of a police consultant who county officials hired to examine the sheriff’s office. Bleiberg quickly authenticated the document and headed down to the rural corner of East Texas to continue reporting along with video journalist Lekan Oyekanmi and freelance photographer Michael Wyke.  

They conducted more than 20 interviews with current and former deputies, county officials and residents. Bleiberg successfully pressed for the release of public records related to the shooting and obtained revealing court documents and evidence gathered in a whistleblower lawsuit against the sheriff. The reporting revealed that the latest inaccuracies were part of years’ worth of accusations against the sheriff, including neglecting basic police work, evidence of the improper seizure of tens of thousands of dollars of property, ignoring previous concerns over the alleged shooter, and his deputies failing to follow up on reports of 4,000 crimes — including sexual and child abuse.  

For a tireless effort to reveal years of corruption accusations and dysfunction previously unknown outside of the local area, Jake Bleiberg earns Best of the Week — First Winner. 

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July 28, 2023

Best of the Week — First Winner

AP’s Nairobi bureau delivers searing, all-formats look at police violence and cover-up

In Kenya, police brutality has long been criticized. But the violence this month against demonstrators still shocked. AP delivered an all-formats documentation of it, along with attempts to hide it.

As Kenyans protested new taxes and the cost of living, freelance photographer Brian Inganga delivered widely shared images of several people shot by police in one of Nairobi’s most volatile neighborhoods.

As rumors circulated about the number of people shot dead, AP confirmed that police received orders not to report the deaths, not even to their oversight authority, which is illegal. East Africa correspondent Cara Anna combined that with data from a medical-legal watchdog group to show that police had killed more than 30 people.

East Africa writer Evelyne Musambi wrote about one of the victims, a young man who carted water. Kenya’s president, William Ruto, had relied on the support of just these kinds of working class “hustlers” to win office, but they took the brunt of the violence. Video journalist Josphat Kasire was instrumental in finding the victim’s family through patient efforts at the morgue.

For showing the scale of violence that the police wanted to keep under wraps, all while protecting each other’s backs amid street violence, Inganga, Anna, Musambi and Kasire are this week’s Best of the Week — First Winner.

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Aug. 04, 2023

Best of the Week — First Winner

A photo and source work spark a compelling, emotional tale on migration

Migration-focused video journalist Renata Brito in Barcelona took note of a heartbreaking photo on social media to spark a story about the situation at the Tunisia-Libya border — and she used her years of source work, expertise on the border and help from around AP to confirm the story.

On July 19, the photo of a woman and child lying dead, barefoot and face down in the tawny desert sand began circulating on social media. It was retweeted by activists who accused Tunisia of abandoning migrants to their fates on the other side of Tunisia’s desert border with Libya.

But little was known about the photo or the stories of the two who had died.

On social media, some said the photo spoke to that growing crisis, but others insisted it was an old image from another country.

Three days after the photo surfaced, a source of Brito’s in Libya messaged her, saying he knew the woman and child in the photo. From afar, Brito had developed a relationship with the source for years. For this story, Brito asked the source: How did he know it was them? Could she speak to friends or family? With whom did they travel?

That resulted in a tale of dashed hope and tragedy as told to the AP by the late woman’s husband, with additional details and key context contributed by Elaine Ganley and Samy Magdy, who together are Best of the Week — First Winner.

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Feb. 02, 2024

Best of the Week — First Winner

AP scores with the kiss seen around the world

Hail Mary? Hail Julio. As swarms of players and media surrounded Taylor Swift and Travis Kelce after the Kansas City Chiefs’ AFC championship win, photographer Julio Cortez captured the perfect shot: the couple kissing on the field, Swift’s hand pressed against Kelce’s cheek. It was an intimate moment amid chaos, one that only Cortez — AP’s chief photographer for Texas and Oklahoma, temporarily returned to Baltimore — got. Other outlets made photos of the couple embracing, but Cortez had the singular — and viral — angle.

Before Sunday’s game, the only photos of Swift’s football attendee era were made in tunnels or from afar as she watched in luxury suites. But Cortez knew that if the Chiefs punched their ticket to another Super Bowl, players’ friends and families would end up on the field. With AP’s Matt Slocum, Alex Brandon and Nick Wass in their assigned on-field positions, Cortez called an audible, walking around the stage to find Swift. A believer in being “pushy but professional,” Cortez “sweet-talked” bodyguards to get into unique position. Swift and Kelce’s reunion was, well, swift. As Kelce “gave her the fastest kiss,” Cortez jumped in front of the NFL Films camera, raising his own over a guard’s head. About a minute after the photo was made, photo editor Mike Stewart knew it was the shot of the game, affixing the golden APTOPIX stamp. It was immediately picked up by hundreds, rocketing around the world with usage by customers ranging from The New York Times, People to India’s Hindustan Times and Argentina’s La Voz.

For an image that’s assuredly a first-ballot Hall of Famer, Cortez is Best of the Week — First Winner.

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