for being first to report the findings of the state of Montana’s investigation into the deaths of 14 children, and how lawmakers missed a chance to fix the problem: http://bit.ly/2iVA9Zd
Baton Rouge-based reporter Michael Kunzelman was reporting on the police killing of a black man outside a convenience store last summer when a source called to encourage him to look into a case in front of a federal judge that had been mysteriously reassigned. It wasn’t the easiest time to be chasing down tips: the Alton Sterling shooting was swiftly followed by the killings of three law enforcement officials and then catastrophic flooding in Louisiana’s capital.
But Kunzelman didn’t forget about it.
When he was free, he began an investigation into the performance of U.S. District Judge Patricia Minaldi, work that would take months and aggressive use of public records. It culminated with the discovery last week she’d been ordered to seek treatment for alcoholism so severe that a colleague believed she couldn’t take care of herself. For his work Kunzelman wins this week’s Best of the States award.
for a compelling exclusive about the odd, awful downfall of the one-time school librarian of the year, who ended up getting slashed to death in a New York City homeless shelter, detailing how his self-destructive behavior in the last three years of his life may actually have been due to an undiagnosed brain disorder. http://wapo.st/2otl6YO
What do reporters do when more than 300 war-ravaged miles separate them from an immense story – in this case, the gassing of civilians in Syria, allegedly by their own government? They work the phones, and the apps.
Which is how Beirut reporter Sarah El Deeb came to interview Abdel Hameed Alyousef, who lost his two children, his wife and other relatives in the attack on the northern town of Khan Sheikhoun. And how she persisted in finding ways to bring the family’s story to the world in all formats.
And it is how she won the Beat of the Week.
It began as an anniversary story, but one that would break news. With North Carolina’s hotly-contested “bathroom bill,” HB2, in place for nearly a year, AP’s Raleigh bureau was asked by the South Desk to assess the economic impact of the law limiting protections for the LGBT community.
Reporters Jonathan Drew and Emery Dalesio created a spreadsheet tallying the results of their digging, including searches of public records, among them previously unseen state calculations of lost business; they interviewed corporate leaders and state and local officials. And they were able to put a hard minimum figure on huge losses to the state economy even as legislators were negotiating a revision of HB2. “The deal was struck,” The New York Times noted, “days after The Associated Press reported that the backlash against the law would cost North Carolina at least $3.7 billion in business over 12 years.”
The timely exclusive by Drew and Dalesio is the Beat of the Week.
for breaking the news that China is banning the powerful and deadly synthetic opioid carfentanil, the latest in a series of AP beats detailing China’s role in the U.S. opioid epidemic. http://apne.ws/2kAwWgG
Among the many questions raised by President Donald Trump’s surprise executive order targeting predominantly Muslim nations was how his administration arrived at the seven “countries of particular concern.” Take Libya, for example. By making the list, one might think the country was sending waves of refugees pouring into the U.S. Not so, according to data analyzed and packaged on deadline for AP customers by data journalist Meghan Hoyer.
Hoyer’s analysis of federal data in the chaotic days that followed the Trump administration order provided tremendous value for AP customers across the country, allowing them to localize a story of international significance. Hoyer wins this week’s $300 Best of the States award.
It was just a coincidence: Emails from 2010, showing that the Atlanta Falcons were worried about the team’s reliance on painkillers, were quietly entered into the court record as the Falcons were making just their second Super Bowl appearance. But AP sports columnist Jim Litke was prepared, and the result was a Super Bowl week scoop.
Litke's story is the Beat of the Week.
Remember these images from the Inauguration: The new first couple dancing across a giant presidential seal at a ball? Faces in the crowd cheering or crying in the rain? The instant when Donald Trump took in the scene through an opening door before stepping onto the podium to become the 45th U.S. president?
Credit for those signature images, which appeared across the globe almost as they happened, goes to the skill and artistry of a hand-picked team of AP photographers and photo editors – and also to the cutting-edge, behind-the-scenes efforts of AP technicians working hand-in-hand with them to cover the intensely competitive event.
Their extraordinary work, a stream of 2,000 photos sent from daybreak until well after midnight, earns the Beat of the Week.
Last weekend, the greatest show at the AP was Tampa, Florida, reporter Tamara Lush’s exclusive. Drawing upon relationships she built over years with the company that owns the Ringling Bros. and Barnum & Bailey Circus, Lush was able to break the news: “The Greatest Show on Earth,” was folding up its tents after 146 years.
Circus owner Feld Entertainment approached Lush about what they said would be a scoop of “biblical” proportions. They reached out to her because of they knew and trusted her work.
Lush’s all-formats work earns the Beat of the Week.
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
for scoring an exclusive interview with the brother of the gunman in the deadly Fort Lauderdale airport shootings, in which he said U.S. authorities knew about the gunman’s mental state: http://www.lfpress.com/2017/01/06/airport-shooting...
for an all-formats exploration of the thousands of deaths of Nepali migrant workers in recent years. http://apne.ws/2ikIxjP
for exclusive reporting that Chinese officials questioned U.S. assertions that China is the top source country for synthetic opioids, and, in a separate story, for taking readers inside a DEA lab and letting them witness the discovery of a new synthetic opioid. http://apne.ws/2i8u4Lm http://apne.ws/2hbt6hv
for a joint investigation that revealed how drugmakers are aggressively pushing a new class of drugs as their answer to the opioid crisis. The formulations are highly profitable for the industry but have not been proven to reduce of overdoses or deaths. http://apne.ws/2hTNQpB
for being first with the final death toll in an Oakland warehouse fire, for using social media reporting to quickly tell the unusual story of the warehouse and its creator, and for drawing troubling parallels with a Rhode Island fire. http://bit.ly/2hjnIaH http://abcn.ws/2gxSGbm https://yhoo.it/2hu48H1 http://abcn.ws/2hqldE8
for being first to report the death toll of 160 in a church collapse and bring dramatic scenes of the tragedy to the world. http://nyti.ms/2gXgvdp
As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.
The Associated Press has aggressively covered the Dakota Access pipeline since even before construction began on the four-state pipeline to carry oil from North Dakota. The AP tracked the approval process and then was there every step of the way as the project spawned demonstrations from Native Americans and others who set up protest camps by the pipeline’s final piece near the Missouri River, saying construction would damage cultural artifacts and that a pipeline leak could pollute tribal water supplies. In the past few months, the AP has had coverage almost every day.
While Bismarck staffer James MacPherson had covered the story cross-format with the help of colleagues, a visually-focused enterprise project was in the works for December, bringing in staff from afar to provide video and photo elements of the largest camp to accompany a piece that was to explore the protest in the context of other issues being faced by Native Americans now and into the Trump administration. On Friday, Nov. 25, the news forced us to speed up our timeline for visuals as the Army Corps of Engineers gave a Dec. 5 deadline for protesters to get off the land.
for aggressive all-formats coverage of the plane crash that killed 71 people, including members of a Brazilian soccer team. The team worked in three nations, getting vivid photos and video of the wreckage in Colombia, unearthing detail on the plane’s owner and fuel capacity in Bolivia, and videotaping interviews of the families of the dead in Brazil. http://wapo.st/2hhrCBW