combined for a deeply reported, critical look at New York Gov. Andrew Cuomo’s handling of coronavirus outbreaks in his state, which has suffered the most nursing home deaths in the country. The AP story was followed the next day by Cuomo announcing major changes addressing concerns raised by AP’s reporting.https://bit.ly/2WLPDmIhttps://bit.ly/2WYHU55
In the course of covering protests and a memorial service for George Floyd in Minneapolis, AP race and ethnicity writer Aaron Morrison started thinking about other cases that began over minor offenses and ended with a black person dying. Morrison visited the scene where Floyd took his last breaths, talked to members of Floyd’s family and interviewed protesters with this question in mind:
What is a black life worth?
AP video journalist Noreen Nasir, also in the Twin Cities, was picking up on the same theme in her own reporting. Joined by New York-based photographer Bebeto Matthews, the team took a deep and unflinching look the at the circumstances behind Floyd’s death, and what many see as a pivotal moment in the struggle against institutional racism. Their story led the AP News site, was featured at the launch of the Facebook’s News Feed and was widely used by AP members.
For sharp reporting and analysis that cast George Floyd’s killing in light of systemic issues of race inequality, Morrison, Nasir and Matthews win AP’s Best of the Week award.
The story of George Floyd’s death will likely endure as a pivotal moment in civil rights and police accountability, but his life – from a start in Houston public housing to his death in Minneapolis, where he hoped to start a new chapter – wasn’t lived in a spotlight.
In a uniquely AP collaboration across states and disciplines, AP journalists turned to people who knew Floyd from his childhood through his adult years, weaving together his story in all formats, enhanced by existing video of the man. The result was a revealing, deeply reported profile, including Floyd’s brief turns as a football player, rapper and bouncer, time in prison and days spent trying to help mentor kids to avoid his mistakes.
For persistent, collaborative and creative storytelling that goes to the heart of the tragedy that unfolded in Minneapolis, the multiformat team of Luis Andres Henao, Juan Lozano, Nomaan Merchant, Adam Geller, John Mone, David Phillip and Aaron Morrison shares this week’s Best of the States award.
Calls for police reforms after George Floyd’s death in Minneapolis have echoed the calls to action after a wave of killings of young black men by police in 2014.
So what happened after those killings?
Ohio statehouse reporter Julie Carr Smyth, working with AP colleagues around the country, found that while nearly half the states have since enacted some type of reform, only a third passed legislation limiting use of force. The reporting revealed that contributions from politically influential police unions were a key factor in stalling legislation, while a separate analysis by the data team showed that Minneapolis police disproportionately used force against blacks when compared with other racial groups.
The day Smyth’s story moved, a number of states made proposals to limit the use of deadly force.
For quickly reporting out and leading a national look at what reforms have taken place in the last six years, Smyth wins this week’s Best of the States award.
With contact tracing in the spotlight as one of the keys to stopping the spread of the coronavirus, journalists across the AP have sought access to the investigators, only to be rebuffed for privacy concerns. But Utah-based correspondent Brady McCombs convinced a county health department that he and photographer Rick Bowmer could show the world how contact tracing is conducted, while protecting private details.
Once they were in the door, the curtain rolled back. The pair spent parts of five days shadowing investigators as they talked, commiserated and cajoled people to comply with tracing – something simply unseen in other coverage or descriptions of contact tracing.
And in a major break, McCombs used social media to identify one of the subjects of tracing, getting exclusive all-formats access to tell the story of a family on the other end of a tracer’s call.
For a timely and revealing package on a vital element of the pandemic response, McCombs and Bowmer share this week’s Best of the States award.
The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.
This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.
As the COVID-19 pandemic raged across the world last week, and the confirmed U.S. death toll approached 100,000, AP photographers on two continents found unusual and meaningful ways to bring home the tragedy of lives lost. They were:
– Photographer David Goldman, who met with the families of COVID-19 victims at a Massachusetts soldiers’ home, literally projecting veterans’ images onto the exterior of the families’ homes for a series of arresting, ghostly and emotion-laden scenes.
– And Rodrigo Abd, who spent weeks with Venezuelan migrants collecting bodies in a poor area of Lima, Peru, showing the abject desperation of that city’s victims. Also honored is Lima reporter Franklin Briceño who accompanied Abd, documenting for text and video the funeral home workers on their grueling rounds.
Both projects had immense impact online and in print, drawing praise from readers and editors. For intrepid and creative multiformat storytelling emphasized by unforgettable images, Goldman, Abd and Briceño share AP’s Best of the Week honors.
secured exclusive access to take a camera into an ICU in a working class city north of Rio. With Brazil suffering the most COVID-19 cases and deaths in Latin America, media outlets have clamored for access to hospitals, without success. Fisch worked associates and contacts, finally convincing a city health secretary to grant access to the Sao Jose municipal hospital. She made the most of an hour inside the unit on Saturday, working among medical staff to produce all-formats content that was well-received by clients. Her video was the most-used on AP Video Hub for the weekend.https://bit.ly/2AQ81Uqhttps://bit.ly/3e8tRRc
Thousands upon thousands of funerals, many not related to COVID-19, are being held during the global pandemic. Washington photographer Jacquelyn Martin provided a very personal look at one of them.
Martin spent weeks getting to know the family whose mother had died, gaining their trust. But the family’s plans for an elaborate funeral were interrupted by the pandemic and social distancing rules. More weeks passed before the funeral home said it could go ahead. Martin was ready, poised with her camera and notebook, given extraordinary access to a family’s very private moment.
Her moving text and photos captured the essence of the funeral and the family's grief – and its celebration of a life. “Beautiful images shown with so much dignity,” one person wrote.
For her heartfelt account and elegant images, Jacquelyn Martin receives AP’s Best of the Week honors.
Telling the stories of people who have suffered devastating losses is difficult at the best of times, but with this story, focused on one predominantly black rural county in southwestern Georgia where the pandemic is hitting hardest among some of America’s most exposed, the all-formats team of Claire Galofaro, Brynn Anderson and Angie Wang also had to cope with the challenges of reporting in a pandemic.
The journalists knew they would have to take cautious risks to tell this important story, while also dealing with the emotional and ethical issues of potentially putting the people they spoke to in danger. They spent much of their time sorting out how to best protect their sources, while also getting a story worthy of the risk those sources were taking to tell it.
That story, intimately told and richly illustrated, connected with readers, some of whom said it made the pandemic finally feel real. Many said it inspired them to act, and others wrote to compliment the journalism.
For a significant, poignant package that reveals in personal terms the already deep inequities exploited by the pandemic, Galofaro, Anderson and Wang are recognized with this week’s Best of the States award.
On April 6 – the day when the COVID-19 death toll in New York City exceeded the toll of the Sept. 11 attacks – a team of AP journalists fanned out to tell the stories of average New Yorkers navigating the pandemic.
From the bodega owner whose remaining customers are often funeral home workers, to a paramedic worried about the way the onslaught of cases was eating away at him and other first responders, the stories provided a vivid account of a city bent, but not broken, by the virus. “The Fight for New York” was a testament to the AP at its finest: smart planning and collaboration leading to 11 impactful text and video stories, more than two dozen photos and nine social edits, all delivered to customers with remarkable speed.
The package immediately resonated with readers, viewers and customers, winning strong play on the websites of most major news organizations.
For extraordinary teamwork, planning and execution, the team of journalists behind “The Fight for New York” wins AP’s Best of the Week award.
examined how the nation’s nursing home industry is pushing states for protection from lawsuits tied to coronavirus outbreaks that have killed 20,000. The team looked at both sides of the argument for legal immunity and revealed how one well-connected lobbying group even wrote the measure in New York, the nation’s leader in care home deaths. https://bit.ly/2zhWv3a
AP teams in Europe and the U.S. put together packages looking separately at the issues and concerns facing nursing homes during the coronavirus outbreak.
The European team produced three all-formats exclusives taking a searing look behind the scenes of nursing homes in Britain in France, exposing the pain that residents, families and medical staff are suffering as COVID-19 cuts a deadly path through homes for the elderly, killing thousands.https://bit.ly/3d0c3Yahttps://bit.ly/2VMG2Nc
In the U.S., New York staffers exposed the lack of coronavirus testing in U.S. nursing homes with two strong pieces, one finding only a third of such facilities have access to tests despite more than 13,000 deaths, and another on an outbreak in Brooklyn in which none of the 55 residents listed as dying from COVID-19 had ever been tested.https://bit.ly/3d18LE0https://bit.ly/2KMU630
With coronavirus infection and death rates mounting, hospitals in the New York City area imposed strict guidelines allowing only a small handful of media outlets limited access. After weeks of reaching out to hospitals, St. Joseph’s in Yonkers agreed to give the AP access to its emergency room and screening tent.
But only one journalist would be allowed into the hospital. Versatile New York staff photographer John Minchillo was an easy choice.
Once inside in full protective gear, Minchillo connected with the hospital staff, who also granted access to the intensive care unit. He made the most of the next four hours, working in all formats to capture the mundane and the extreme, including the dramatic moments when a COVID-19 patient in cardiac arrest was saved. Turned around virtually overnight, Minchillo’s all-formats package was heavily played by major media outlets.
For his powerful, comprehensive all-formats storytelling that takes us inside medical workers’ daily fight save lives against the coronavirus, John Minchillo wins AP’s Best of States Award.
A scathing letter sent in early April by doctors in Italy’s Lombardy region provided the first tangible inkling that something had gone terribly wrong in its fight against the coronavirus.
With Lombardy accounting for roughly half of Italy’s 27,000 deaths, chief Rome correspondent Nicole Winfield set out to document how the virus overwhelmed a medical system long considered one of Europe’s best.
Over the next three weeks, Winfield methodically collected details, conducted interviews, pored over government reports and briefings, and referenced AP’s vast reporting on the pandemic to craft the first explanatory account of the missteps and failures that allowed the virus to become so pervasive in northern Italy.
Winfield’s story quickly became one of the most-read on the AP News and was picked up by outlets globally.
For crafting a thorough, compelling and heartbreaking account of how COVID-19 got a pervasive, deadly grip on Lombardy, Winfield wins AP’s Best of the Week honors.
gathered and analyzed state and local data to find that nearly one-third of those who have died in the COVID-19 outbreak are African American, with black people representing about 14% of the population in the areas covered in the analysis. And beyond the data the team’s all-formats story looked into the lives of people personally affected. https://bit.ly/2S4NZLshttps://bit.ly/2VUjJEo
used the power of the AP to highlight an almost unfathomable fact – the federal government and many states have not publicly tracked coronavirus infections and deaths in individual nursing homes – and their story was followed very quickly by policy changes. A day after their story appeared, New York announced it would indeed release a list of individual nursing homes and how many deaths each one had. And less than a week later, the federal government announced it would begin the same process.https://bit.ly/2VRcP2Khttps://bit.ly/2yAhgaf
found themselves in a city that had gone to ground. Faced with the challenge of photographing the absence of life in a city normally teeming with it, they took more than a dozen motorcycle trips through a New York virtually emptied by the virus, making raw, “drive-by” images. They recorded ghostly pedestrians, lone workers, eerie post-apocalyptic streetscapes and shrouds of fog. And while the virus is unseen, the threat of it appears in the eyes of the people still on the street.https://bit.ly/2Vz99nlhttps://bit.ly/3bxhKMIhttps://bit.ly/2S2pnmuhttps://bit.ly/3bBvfen
requested data on racial breakdowns for the COVID-19 disease in states, cities and counties nationwide, ultimately analyzing data from eight states, six major U.S. cities and six of Florida’s largest counties. The result was one of the first and most deeply reported examinations of the racial disparities of U.S. cases and deaths, reviewing more than 4,450 deaths and 52,000 COVID-19 cases across the country. https://bit.ly/2Xy7TSO
As New York, Chicago, New Orleans and other cities with large black populations began to emerge as hot spots for COVID-19, reporters Aaron Morrison and Jay Reeves decided it would be relevant to examine how black Americans have historically mistrusted the medical field.
The pair connected the skepticism in the black community in part to the aftermath of the notorious “Tuskegee Study,” in which roughly 600 poor black Alabama men were left untreated for syphilis to track the disease’s progress. The secret program was exposed in 1972 and ended, but its effects linger, well beyond Alabama.
With photography by Bebeto Matthews, the story received heavy play as the nation wrestled with the high rate of coronavirus infections among the black community.
For setting the AP apart with a timely examination of black Americans’ mistrust of the medical field, Morrison, Reeves and Matthews win this week’s Best of the States award.
