AP broke the story of how the U.S. Drug Enforcement Administration’s second-in-command quietly stepped down after they had reported that he had previously done extensive consulting work for pharmaceutical companies, including the drug maker that became the face of the opioid crisis, Purdue Pharma.Read more
AP revealed that officials cut corners and relied on a pliant Supreme Court to carry out executions even when some — including Trump himself — agreed that there might be valid reasons not to proceed with them all.Read more
The Associated Press spent two weeks with a Ukrainian assault brigade for an intimate glimpse into the speed, direction and cost of the counteroffensive to regain Bakhmut.
Mstyslav Chernov’s reporting was unparalleled and gathered at great risk. He spent two weeks with members of the brigade and even accompanied a commander as he raised the Ukrainian flag in a village under shelling. Using self-shot material, drone footage and helmet camera video Chernov wove together the narrative of the brigade’s struggle. Viewers were taken on their journey and exposed to the stark realities of the war — foxholes, close-quarter gun battles, trauma and death.
Global investigations correspondent Lori Hinnant, reporting from Paris, brought this story alive in words with a gripping blow-by-blow account of what the men had to go through, while photographer Alex Babenko and producer Volodymyr Yurchuk also helped put the stunning package together.
The story’s timing was perfect, coming just as Ukrainian President Volodymyr Zelenskyy was trying to build support for the Ukrainian counteroffensive at the United Nations and was also among the most engaged of the entire week at a time, showing the importance of continuing to bear witness.
For securing unparalleled access and taking great personal risk to produce an intimate picture of Ukraine’s frontline, Chernov and Hinnant are awarded Best of the Week — First Winner.
Years of reporting on Libya from afar and a local freelancer’s willingness to travel treacherous roads allowed AP’s team to alert the world about a disaster of massive proportions, after heavy floods burst two dams above the city of Derna, washing away and killing thousands.
It took nearly 24 hours for news to emerge from Libya of the deadly floods. But with the country divided between rival governments with spotty records for accuracy, it was tricky to grasp the extent of the devastation.
When one of the governments reported more than 2,000 dead and counting, Libya video producer Adel Omran was the first to alert the team, after which Cairo reporter Samy Magdy called contacts in the health care and aid community, who confirmed that toll and said it was likely to rise.
Misrata-based freelance photographer Yousef Murad drove hours to the scene, sending an initial dispatch showing mass burials for the rising number of bodies. On the ground, Murad faced difficult conditions and lack of basic amenities as the stench of death overtook the city. His subsequent stories documented the immense recovery effort and the stories of survivors.
For their harrowing work revealing a complex story of disaster and recovery, Magdy, Murad and Omran are this week’s Best of the Week — First Winner.
Sam Metz had been on the job for four days. The newly appointed North Africa reporter had just arrived in Rabat, fresh from Utah, when Morocco’s strongest earthquake in more than a century hit late Friday.
As Metz got alerts and a story going, photographer Mosa’ab Elshamy knew exactly what to do. He organized a car and driver, and the duo headed to the epicenter hours away, navigating rubble-blocked roads. Their all-nighter paid off: AP had the first international journalists on-site.
Both Elshamy and Metz shot video from their phones as Brussels-based video journalist Mark Carlson rushed to get there with a LiveU and satellite phone. Freelancers helped keep AP ahead, while colleagues around the world pitched in on all formats.
AP had the first confirmed death tolls and stayed ahead throughout that crucial first day. Metz’s firsthand accounts and Elshamy’s photojournalism yielded exclusive stories that led websites beyond AP News and topped the Los Angeles Times print edition two days in a row. The Day 1 story was the third-most-viewed story on AP News for that week.
For fast and fearless work under complex circumstances, Metz, Elshamy and Carlson are this week’s Best of the Week — First Winner.
When reports emerged of a shooting in Jacksonville, Florida, AP quickly assessed that it was more than an ordinary shooting.Read more
AP reacted quickly to reports of a plane crash north of Moscow, both in Russia and around the world, to offer fast, accurate and solid reporting on the death of Wagner chief Yevgeny Prigozhin. AP’s exclusive video, photos and analysis dominated websites, front pages and newscasts as AP stayed in front of the quickly evolving story.
Amid conflicting reports, AP sent an alert on the crash at 17:00 Greenwich Mean Time, then another one three hours later confirming that Prigozhin was on board the plane that crashed; other outlets including the BBC had initially alerted Prigozhin was killed and had to walk back the claim before official confirmation.
Moscow news director Harriet Morris, photographers Alexander Zemlianichenko, Dima Lovetsky and Pavel Golovkin, video journalists Tanya Titova, Kostya Manenkov, Olga Tregubova and Kirill Zarubin, assistant Anatoly Kozlov, and reporters Dasha Litvinova, Emma Burrows, Volodya Isachenkov, Jim Heintz and Lori Hinnant all made major contributions, aided by Top Stories Hub editors Sarah DiLorenzo, Brian Friedman and Chris Sundheim.
For quick, exclusive coverage of a highly competitive story that gave our customers exactly what they needed, the Moscow bureau staff earn Best of the Week — First Winner.
On the eve of the first world track championships since Bowie’s passing, AP sportswriters Eddie Pells and Pat Graham teamed up to report exclusively on the mental health struggles of Tori Bowie that led up to the star athlete’s death April 23 from complications during childbirth at the age of 32.
The two had covered Bowie, who won three medals at the 2016 Rio De Janeiro Games, for many years and had heard whispers of her difficulties. A few weeks after her death, the autopsy listed the cause as “complications in childbirth.”
While other outlets pursued the angle that Black women suffer disproportionately from pregnancy complications, Pells opted to explore another dimension of her story, her struggles with mental health.
He sought out people at the U.S. Olympic and Paralympic Committee and within track and field, to find out how a world-famous champion, who was eight months into what would be considered an at-risk pregnancy, came to die alone at home without medical care or anyone to look after her.
For sensitively telling the story of a great athlete who became isolated from her peers and died tragically alone in part because of neglect of her mental health difficulties, Pells and Graham are Best of the Week — First Winner.
AP spent months reporting the issue of tornado deaths in mobile homes and why they still happen despite being known and avoidable.Read more
In Kenya, police brutality has long been criticized. But the violence this month against demonstrators still shocked. AP delivered an all-formats documentation of it, along with attempts to hide it.
As Kenyans protested new taxes and the cost of living, freelance photographer Brian Inganga delivered widely shared images of several people shot by police in one of Nairobi’s most volatile neighborhoods.
As rumors circulated about the number of people shot dead, AP confirmed that police received orders not to report the deaths, not even to their oversight authority, which is illegal. East Africa correspondent Cara Anna combined that with data from a medical-legal watchdog group to show that police had killed more than 30 people.
East Africa writer Evelyne Musambi wrote about one of the victims, a young man who carted water. Kenya’s president, William Ruto, had relied on the support of just these kinds of working class “hustlers” to win office, but they took the brunt of the violence. Video journalist Josphat Kasire was instrumental in finding the victim’s family through patient efforts at the morgue.
For showing the scale of violence that the police wanted to keep under wraps, all while protecting each other’s backs amid street violence, Inganga, Anna, Musambi and Kasire are this week’s Best of the Week — First Winner.
worked with colleagues across the United States when a historic blizzard whipped up devastation in Buffalo, New York. They combined to get real, on-the-ground stories and visuals of survivors. Thompson was snowed in at her home, but she was able to help run the story and report the chilling number of deaths in a city so accustomed to monster snowfall.Read more.
took a deep and unprecedented look at the rampant racism in soccer through the eyes of the players, the fans and the decision makers.Read more.
developed a relationship with Pat Robertson’s spokesman over several years that set AP up for a speed win on the religious and political figure’s obit.Read more.
National investigative race writer Kat Stafford had wanted to create a project about lifelong health disparities Black people face for quite some time. Taking inspiration from her reporting about the toll COVID-19 exacted upon Black Americans, she sharpened her idea and embarked on reporting a five-part series.
Driven by data and the experiences of several families, individuals and communities across five states and life stages, “From Birth to Death” examines five health crises: infant and maternal health, childhood asthma, mental health, high blood pressure, and Alzheimer’s disease.
Stafford, who is based in Detroit, teamed up with video journalist Noreen Nasir and photojournalist Maye-E Wong, both of New York, for the comprehensive project that captures the health journey of Black people in America over a lifetime. The trio — along with national education writer Annie Ma, data journalist Angeliki Kastanis, illustrator Peter Hamlin, project site creator Linda Gorman, and graphics journalist Kevin Vineys — told the stories in a compelling and human way using an innovative presentation. They centered the project around the often-underrepresented voices and perspectives of Black Americans — and not just the main characters, but also Black medical experts, researchers and historians. The families featured said they feel seen and heard for the first time.
In addition, an extensive social promotion plan created by Ed Medeles, Elise Ryan and Almaz Abedje enticed readers to delve into the project.
For an innovative series that gives a fuller picture of the health disparities Black people experience in a way that resonates with a broader audience, this team earns Best of the Week — First Winner.
burrowed into the case. Dale chronicled the acrimony on city council. She also dug into a church that Dwumfour was affiliated with.Read more.
Two years ago, Barcelona video journalist Renata Brito learned of a mysterious boat that had washed up in Tobago with dead men aboard. With that, she and colleague Felipe Dana, a photographer and video journalist, began a dogged quest to find out who the men were, what had happened to them, and what heartbreak and unresolved questions they had left behind. From Mauritania to France and Tobago, they found forensic evidence and built trust with a network of sources. By the end of their exhaustive journey, they knew who these men were and what led them to their deaths. They even confirmed one man’s identity with a DNA test.
Immersive storytelling’s Nat Castañeda worked with Brito and Dana to shape the project, including a 13-minute minidocumentary. Immersive developer Linda Gorman worked up a complex interactive, and an Audience Engagement team led by Sophia Eppolito spent weeks developing a social plan.
For compiling the compelling and tragic story of a group of doomed migrants who would otherwise have been forgotten, Brito, Dana, Gorman, Castañeda and Eppolito earn this week’s Best of the Week — First Winner.
A video in Burkina Faso showing men in military fatigues walking among the bloodied bodies of boys with their hands bound surfaced on social media in mid-February. A six-week AP project delivered a frame-by-frame analysis of the graphic, 83-second video of the killings and tracked down the relatives of one of the victims: Adama, a 16-year-old cattle herder, piecing together his final hours. A soldier smashed his head with a large rock.
Government officials denied involvement in the killings, but analysis by Global Investigative Reporter Michael Biesecker was able to show the soldiers were wearing uniforms and had vehicles consistent with members of the Burkinabe military. After West Africa Correspondent Sam Mednick got a tip, Biesecker was able to geolocate the killings to Camp Zondoma, a military base near Ouahigouya.
Mednick and her Ouagadougou translator located the teen’s family after people in the capital with ties to Ouahigouya connected them with Adama’s uncle, the first person willing to talk. The translator whose identity cannot be disclosed played a key role in getting the family to speak, despite great personal risk. Mednick persuaded the uncle to let her interview the boy’s mother, who was unaware that her son’s death had been filmed.
Visual journalist Marshall Ritzel produced a video highlighting the visual investigation and exclusive interviews with Adama’s family. An edit of the video by digital audiences producer McKinnon de Kuyper was among AP’s top social posts of the week.
For shining a spotlight on the sort of casual murder that takes place in countries around the world, Mednick, Biesecker, Ritzel, the anonymous translator in Ouagadougou and de Kuyper win this week’s first place best of the week.
produced the first story to nail down how China’s sudden exit from its zero-COVID strategy cost thousands of lives, which could have been saved with the more gradual reopening recommended by experts.
Read more.
teamed up on reporting from both sides of the border as AP took readers through the harrowing journey of a group of childhood friends on a fun trip to Mexico that ended up in kidnapping and death.Read more.
Vatican Correspondent Nicole Winfield's tenacious reporting has already delivered numerous exclusives over a two-decade career covering three popes. Yet an on-camera, sit-down interview with a pontiff had eluded the AP.
That changed dramatically Jan. 24. After years of lobbying, the pope sat down for an historic interview with Winfield, whom Francis has for years called the “prima della classe,” or “first in class,” as a sign of respect for her tough but fair reporting on his pontificate. In fact, during the interview, he mentioned how Winfield’s questions about sex abuse during a 2018 airborne press conference led to his “conversion” moment when he realized that Chilean bishops had been covering up cases of abuse for decades.
For weeks, Winfield prepared the interview with Rome Senior Producer Maria Grazia Murru, who for decades has led the Vatican video operations. They coordinated every detail and prepared the right questions and approach for the interview. Murru designed the video coverage plan and spearheaded the production of social media promotion material. And together, they wrote letters in the most formal Italian to Francis’ private secretaries, until a date was finally arranged — for late January, a time that seemed ripe to make news. It was one week ahead of his planned trip to Africa and just over a month ahead of the 10th anniversary of his pontificate.
Video’s Paolo Santalucia and Photos’ Domenico Stinellis planned the lighting at the venue and sorted out technical details, and photographer Andrew Medichini’s images captured the historic event. Spanish language editor Cristina Fuentes-Cantillana transcribed and translated the full interview, conducted in the pope’s native Spanish.
