Best of the Week — First Winner

Gaza team evacuates, responds with outstanding coverage as airstrike destroys AP’s building

Last Saturday afternoon, the AP’s staff in the Gaza Strip received an urgent call: They had less than an hour to evacuate the office before the Israeli military planned to destroy the entire building. Staff and freelancers scrambled to pack up whatever equipment and belongings they could carry, but even as they rushed to safety they continued reporting the news, including smartphone video of the evacuation and a live shot set up on a neighboring building. 

Moments later, an Israeli airstrike flattened the 12-story building that had served as a second home in one of the world’s most challenging war zones for the past 15 years. The AP team captured the dramatic scene for all formats, then, despite the stunning turn of events, quickly regrouped to continue their coverage of the ongoing conflict. 

The destruction of the building capped a difficult week in which Gaza came under intense Israeli aerial bombing, and thousands of rockets were launched into Israel.  AP’s staff on both sides of the conflict rose to the occasion, presenting fast, accurate stories, powerful photography, gripping video. 

For extreme dedication in the most difficult of circumstances, and their commitment to covering the conflict even at great personal risk, the Gaza team of Fares Akram, Najib Jobain, Rashed Rashid, Khalil Hamra, Hatem Moussa, Adel Hana, Mohammed Jahjouh and Wafaa Shurafa is the unanimous pick for Best of the Week honors.

Beat of the Week

(Honorable Mention)

AP documents wave of Venezuelan migrants crossing US border

teamed up to deliver a vivid and memorable account of a new migration trend: Venezuelan migrants appearing at the U.S. border with Mexico, particularly in Del Rio, Texas. Goodman, AP’s Miami-based Latin America correspondent, noticed the development and chased down the data showing that asylum-seekers are increasingly from Venezuela, Ecuador and Brazil. Among the thousands of Venezuelans who have crossed the border illegally since January are many professionals, and many who had been living for years in other South American countries, part of an exodus of nearly six million Venezuelans since President Nicolás Maduro took power in 2013.With deep reporting on both sides of the border and compelling visuals from both San Antonio photographer Eric Gay and New York video journalist David Martin, the all-formats package adds new insight into the long-running political and economic crisis in Venezuela, the coronavirus’s impact on migration and the large increase in asylum-seekers encountered at the U.S. border under President Joe Biden. “It is better to wash toilets here than be an engineer over there,” one migrant told AP on camera.https://aplink.news/xdjhttps://aplink.video/pxe

Beat of the Week

(Honorable Mention)

AP team explores NASA climate research in Louisiana delta

explained in all formats an intensive, highly technical NASA study of Louisiana’s deltas designed to help protect and bolster the world’s deltas dwindling with climate change.McConnaughey and Herbert captured the start of the five-year study that is expected to help countries around the globe decide which of their deltas can be saved and which are beyond help. New Orleans reporter McConnaughey, who has been writing for decades about Louisiana’s land loss, learned about the project through a news release and stayed in touch with NASA and Louisiana State University researchers for more than a year. She and photojournalist Herbert eventually joined one of the researchers on his own boat to interview scientists doing research in the field.Herbert also used his own small plane and a kayak — trips frequently delayed by storms and major breaking news — to get exquisite environmental shots and video of the delta to illustrate the wetlands and wildlife scientists hope to protect. Video journalist Plaisance combined her own video with Herbert’s for a piece bringing the research to life. A separate photo gallery of Herbert’s striking nature photos in Hog Bayou, with poetic text by McConnaughey, completed the multiformat package, making a complex scientific effort understandable.https://aplink.news/nh6https://aplink.photos/e2phttps://aplink.video/2t9

Best of the States

A photographer’s unique vision merges past and present for front-line nurses

With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.

To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.

Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.

Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.

For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.

Beat of the Week

(Honorable Mention)

Powerful photos anchor all-formats coverage of Florida condo collapse

delivered standout photo coverage of the Surfside, Florida, condo collapse, anchoring an impressive AP response in all formats.Lee was at home a few blocks away when the tragic, catastrophic story broke early Thursday morning. He quickly made his way to the scene to make some of the first images the world would see of the pancaked Champlain Towers South. His fast work on the ground also earned him a text byline, with customers and readers across the country waking up to a comprehensive AP story with his images. More AP journalists were soon on the scene digging into spot developments as well as the history of the building, churning out urgent series after urgent series and sensitively reporting the human toll, finding names and details of the missing to round out a well-received vignettes package. Early video also scored heavily with AP customers. Throughout the coverage, the photo team, led by Lavandier and South regional photo editor Mike Stewart, fought restricted access and had to innovate visually. Herbert first chartered a plane, then a helicopter, making handheld aerial photos with an 800mm lens from as much as two miles offshore as flight restrictions tightened. Then the team hit on the idea of using a boat. That allowed closer access but still required long lenses from a moving craft, with the photographers effectively timing their shots to coincide with the peaks and troughs of the waves to minimize movement. Competitors scrambled to emulate AP's strategy with their own vessels. AP wins on visuals included powerful photos by Sladky and Lavandier of people comforting each other, and three different AP photos rotating as the lead photo on Saturday’s New York Times home page — images showing the destruction, the rescue operation and the emotional toll. The Miami Herald praised AP’s visuals and has used much of the work, even as its own photographers produced strong content. The Herald and other members have shared some of their best images in AP’s photo report. In addition to AP’s photography, members have praised the all-formats coverage, including the “microstories” AP published practically in real time, showcasing good nuggets of information throughout the news cycles. Coverage of the collapse topped AP’s measures of readership and reader engagement for the month. https://apnews.com/hub/buildin...

Beat of the Week

(Honorable Mention)

Longtime beat work lands all-formats interview with Tavis Smiley

scored the first multiformat interview with Travis Smiley since the firing of the former PBS host in a #MeToo scandal.Elber had reached out periodically in the three years since Smiley was fired. Her persistence — and beat work — finally paid off. A week before Juneteenth, Smiley contacted Elber, who had interviewed the host earlier in his career as he broke ground as an African American host. Smiley told the AP television writer he opted to speak to her first because of her fair treatment of him in the past, including after PBS fired him. Elber asked Smiley directly about the allegations of inappropriate relationships with female subordinates; he offered no apology, maintaining they were consensual relationships. Elber had pushed for the interview to be on camera, with still portraits shot by Chris Pizzello, which resulted in an all-formats scoop that landed on the wire less than 24 hours after the interview, because Smiley intended to also speak to the Los Angeles Times. The Times ended up quoting from the AP story in a column on whether Smiley and other men accused of misconduct should be allowed to return to public platforms.https://aplink.news/wkihttps://aplink.video/mtihttps://aplink.video/c96

Best of the States

AP marks 600,000-death milestone with distinctive data-driven look at COVID racial inequality

The 600,000th COVID-19 death in the U.S. presented a big challenge: How to bring fresh perspective to yet another milestone, just months after we crossed the 400,000 and 500,000 marks. The trio of medical writer Carla K. Johnson, data journalist Angel Kastanis and reporter Olga Rodriguez met the challenge and then some, delivering a data-driven Only on AP package that showed how the virus has exploited racial inequality as it cut a swath through the country.

Kastanis analyzed demographic data of all 600,000 deaths to show the uneven toll during the various phases of the pandemic, breaking down the disproportionate effect on the Black and Latino communities. Rodriguez reported on a family that led the story, while Johnson served as the lead writer, rounding out the piece with medical analysis, perspective and reporting. Contributions by AP’s top stories team included an engaging interactive map of the U.S. showing the virus advancing geographically to 600,000 souls.

The package resonated with readers and customers on the AP News platform, where it was among the top stories, as well as on social media and on newspaper front pages around the country.

For a shining example of AP collaboration across teams, using sharp data analysis and on-the-ground reporting to reveal the pandemic’s impact on communities of color, the team of Johnson, Kastanis and Rodriguez receives this week’s Best of the States award.

Best of the States

Effects of California drought documented in compelling all-formats content and presentation

With California sinking deeper into drought as wildfire season approaches, AP set out to show the drought’s impact on vulnerable areas — beyond the orange glow of burning homes. Top freelance photographers Noah Berger and Josh Edelson teamed up with reporter Adam Beam, focusing on the six reservoirs with the lowest water levels. 

Both photographers are trained and equipped with drones; they delivered stunning visuals, including boat docks beached on dry land, charred hillside homes overlooking a lake reduced to puddle-like status and boat launches that don’t even reach the water’s edge. Meanwhile, Beam conducted interviews and visited the massive Lake Oroville reservoir, where the deadliest U.S. wildfire in a century raged in 2018. 

The package was enhanced by digital storyteller Samantha Shotzbarger, who created a arresting presentation giving readers an immersive view of the evaporating reservoirs.   

For a revealing and forbidding look at the effects of California’s drought, the team of Berger, Edelson, Beam and Shotzbarger earns this week’s Best of the States award.

Best of the States

Multiformat team delivers expansive AP coverage during centennial of Tulsa Race Massacre

With the 100th anniversary of the Tulsa Race Massacre months away, text and visual journalists from AP’s Race and Ethnicity, Central Region and Enterprise teams embarked on a plan to dig deeper into the story of the atrocity, well beyond just covering the centennial events.

The team started arriving in Tulsa weeks ahead of the anniversary to explore the city and meet descendants of massacre survivors, who opened up about the horrific event and how it continues to impact their families and the community. Among those they met was the family of Ernestine Alpha Gibbs, who survived the massacre and died 18 years ago at age 100.

Their efforts resulted in a comprehensive package of enterprise stories, from the lost wealth and racial inequality that Black Tulsans have endured, to the descendants of Black victims preparing to resume a search for mass graves, to an examination of how history books and law enforcement have depicted the massacre, and much more. 

The coverage was not without breaking news. In addition to a visit by President Joe Biden, AP learned that the weekend’s headline event was canceled because of a disagreement over payments to three survivors for their appearance at the event. 

For sweeping enterprise and spot coverage that raises awareness of this grim milestone in American race relations, this multiformat team earns AP’s Best of the States award.

Beat of the Week

(Honorable Mention)

French spirit elegantly rendered in reopening of Monet’s gardens

were not alone in trying to find a way to capture the essence of France after more than six months of virus lockdown — AP’s Paris bureau pulled out all the stops to cover the reopening of museums, restaurants and other sites in a country famous for its “joie de vivre,” and other news organizations were looking to do the same. But multiformat journalist Leicester and photographer Mori outmaneuvered the competition by securing exclusive access two days beforehand to Monet’s gardens in Giverny where the gardeners were furiously weeding, sewing and planting to make the site picture-perfect for visitors. Leicester’s widely used video package complemented his elegantly written text piece. And Mori, drawing inspiration from Monet, delivered a knock-out package of images that verged on art, evoking the historic setting. The all-formats package played for days around the world, from New York to South Korea to Hong Kong. The piece even netted a rare byline for Mori and Leicester in The Guardian.https://aplink.news/pg6https://aplink.video/nghhttps://bit.ly/3hYlEUP

Beat of the Week

(Honorable Mention)

Resourceful AP team leads coverage of stuck Suez ship

dominated the story of the massive cargo ship blocking in the Suez Canal. Using satellite images, tracking data and healthy skepticism, the AP team avoided the errors of their competitors to deliver accurate, timely all-formats reporting. From the first day that the Ever Given wedged itself across the canal, authorities offered incorrect information, claiming the canal remained open to traffic and that the ship had been pulled aside. While others repeated those false claims, AP relied on tracking data to report the truth — the Suez Canal was completely cut off.Cairo regional news director Hyde and her Dubai counterpart, Gambrell, worked closely together on this complex story, directing coverage while also producing video and photo content as text reporter Magdy and video journalist Hatem worked on the ground in Suez despite tight restrictions.AP’s relationship with the satellite photo provider Planet Labs gave AP an advantage of eight hours or more over major competitor agencies. Interviews recorded on Zoom and video of idle ships in the canal allowed clients to visualize the story — with one video edit being used by 118 channels. Text explainers added context that helped clients better tell the story that affected shipping and economies across the globe.https://bit.ly/3cEUE9Vhttps://bit.ly/3cGz5pw

Beat of the Week

(Honorable Mention)

AP finds college activists pushing for reparations over past injustice

broke new ground on a competitive and fast-evolving national story: Amid accelerating efforts to pay reparations to Blacks and Indigenous Americans for injustices suffered over centuries, some of the most strident arguments for amends were coming from U.S. college campuses.Boston reporter Marcelo found that nearly a year after the killing of George Floyd sparked the latest national reckoning on racism, student and community activists from New England to the Deep South are demanding institutions take more ambitious steps to atone for past sins — from colonial-era slavery to more recent campus expansion projects that have pushed out entire communities of color.Marcelo anchored the project from Providence, Rhode Island, home to Brown University. The Ivy League school released an exhaustive historical report in 2006 and dedicated a slavery memorial in 2014, among continuing efforts to promote racial equity.Marcelo’s reporting was powerfully illustrated with visuals from Boston video journalist Rodrique Ngowi, photographer Steven Senne, as well as work from photographers Jacquelyn Martin in Washington, John Bazemore in Atlanta and Steve Helber in Richmond, Virginia.https://aplink.news/bdxhttps://aplink.video/p00

Beat of the Week

(Honorable Mention)

AP: WHO knew of sex misconduct by personnel in Congo

revealed that, contrary to World Health Organization claims, WHO senior management did know about at least two cases of doctors accused of sex abuse and misconduct during the Ebola outbreak in the Democratic Republic of Congo, but did not fire or even apparently discipline them.Health and science reporter Cheng advanced the story by putting names, for the first time, to the implicated doctors and a senior manager. She discovered that WHO managers even witnessed an agreement in which a WHO doctor agreed to pay a young woman he had allegedly impregnated.While Cheng worked with her sources, Congo stringer Kudra Maliro tracked down several alleged victims of both doctors, adding text and images. The investigation was based on interviews with dozens of WHO staffers, Ebola officials in Congo, private emails, legal documents and recordings of internal meetings obtained by the AP.The story drew strong and immediate international response. Paula Donovan, co-director of a group that tracks sex abuse, wrote: “Never ... have I seen such a detailed exposé containing so many unanswerable indictments against so many UN personnel. You’ve broken real ground here.”https://aplink.news/f39https://aplink.video/pk5

Beat of the Week

(Honorable Mention)

Nationwide reporting effort exposes dwindling vaccine demand

led a nationwide reporting effort revealing that COVID-19 vaccine demand is plummeting.Each week, states are told how many vaccine doses are available to them, and they in turn decide how many they want to order from the federal supply. Reporters started hearing anecdotal evidence of states ordering paltry amounts of vaccine in recent weeks, at a time when the Biden administration wants to get 70% of adult Americans vaccinated by July 4.So AP reporters across the country asked governors how many vaccines they were ordering last week. Some states, like Iowa, Kansas and Wisconsin, decided to order a fraction of their allocation, as low as 8% of what’s available to them. Other locations, like New York City, Colorado and Maryland, were asking for their full allocation. Hollingsworth, based in Kansas City, Missouri, and Richmond, in Madison, Wisconsin, fleshed out the numbers with examples of widespread vaccine hesitancy around the country, and what states were doing to entice more shots.The result was a smart mainbar on Saturday that connected the dots in a way that only the AP can, with its 50-statehouse presence. The piece also set the stage for a broader, more advanced data collection effort that the AP will build on in the coming weeks. https://aplink.news/i67

Beat of the Week

(Honorable Mention)

Deep sourcing puts AP ahead on Grammy nomination changes

was the first to report that the Grammys were in discussions to end its use of anonymous nomination review committees, which have been highly criticized for their lack of transparency. The Weeknd previously blasted the Grammy nominating process, calling it “corrupt” after he earned no nominations for the 2021 show despite having the year’s biggest single.Thanks to his deep sources at the Recording Academy, Fekadu, AP’s music editor, learned that the organization’s board of trustees was planning to discuss getting rid of the decades-old review committees. AP ran the story on a Friday morning before the board was scheduled to meet. Later that day, the Grammys rushed out a press release confirming the story and its decision to remove the review committees. The announcement came five days earlier than planned because of AP’s report, prompting several outlets to push the organization for more details.https://bit.ly/3xM1YZYhttps://bit.ly/3ui6z3X

Beat of the Week

(Honorable Mention)

Preparation, teamwork lead to deep coverage of US census numbers

relied on meticulous planning, their in-depth knowledge of the subject, and AP’s national footprint to lead comprehensive coverage of just-released 2020 U.S. Census numbers. The first batch of numbers were deceptively simple — on the surface, a single population number from each state and bare-bones information on congressional seats and presidential electors. But with robust preparation and background on the headcount’s implications, the pair pushed AP's coverage to the forefront nationally on an announcement that turned out to contain plenty of surprises.While leveraging AP’s reach with a big assist from colleagues who helped prepare state stories all over the country, as well as advance coverage of millennial migration, a likely Latino undercount in the Sunbelt and California’s loss of a seat for the first time in its history, Schneider and Riccardi deftly adapted the AP’s spot story to the news that 13 states would either gain or lose congressional seats. The spot coverage included an informative glance box of winners and losers, an interactive map and independent analysis by the AP data team.Taken as a whole, the weeklong tour de force showcased the AP’s range and depth, with Schneider and Riccardi leading the effort.https://bit.ly/3toZFZghttps://bit.ly/3elizMlhttps://bit.ly/2PRIz8Ohttps://bit.ly/2Suq5fDhttps://bit.ly/3b3eIBE

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

Best of the States

AP team embeds in West Virginia city seeing a resurgence of addiction amid the pandemic

As the COVID-19 pandemic killed more than a half-million Americans, it also quietly inflamed what had already been one of the country’s greatest public health crises: addiction. 

To tell that story, a multiformat AP team — writer Claire Galofaro, photographer David Goldman and video journalist Mike Householder — spent time in Huntington, West Virginia, exploring the resurgence of addiction in a community that had made progress against drug abuse. The AP team embedded with the city’s Quick Response team for a week, providing a unique window into the suffering those with addiction have endured as the pandemic brought despair and cut off access to support systems and health care resources.

The evocative package resonated with readers, and the story’s main subject said she was “ecstatic” over how well the story captured the world she sees every day.

For sensitive and compelling coverage that furthers the AP’s efforts to explore the rippling consequences of COVID-19, the team of Galofaro, Goldman and Householder wins this week’s Best of the States award.

Beat of the Week

(Honorable Mention)

Tip from puzzled reader leads to 1600s pirate mystery

turned a reader’s polite complaint into an engaging mystery story of 17th century piracy. Amateur historian Jim Bailey questioned why AP had run an item on a 1796 penny found in a Maine churchyard. The coin was not significant but, he added, he had found one that was. The tip put Kole and Senne on the trail of ancient Arabian coins unearthed around New England that were traced to Henry Every, an English pirate whose crew raped, murdered and pillaged in 1695, making the captain the planet’s most-wanted man. Kole interviewed historians and archaeologists who said Bailey’s discovery — a 1693 Yemeni coin found with a metal detector in a pick-your-own fruit orchard — indeed was significant and that it provided evidence that the subject of the world’s first manhunt did not just vanish into the wind after plundering a ship carrying Muslim pilgrims home from a pilgrimage to Mecca — he and his crew may have spent time in colonial New England spending their loot. Bailey found documents showing that the way the pirates hid out was by posing as slave traders, then a “legitimate” profession in Newport, Rhode Island.Kole's story rocketed to the top of the news cycle on the day it was published, getting more clicks than any other story on apnews.com. https://bit.ly/2Ov95UV

Best of the Week — First Winner

A master class: AP teams deliver sweeping coverage of the migrant surge at the US-Mexico border

When the U.S.-Mexico border became a major front-page story again in recent weeks, the AP set out to tell the story of newly arriving Central American children and families in trademark AP fashion: with compelling all-formats journalism and richly reported viewpoints from migrants to bring perspective to readers on the topic of immigration.

Photographers Julio Cortez and Dario Lopez-Mills, reporters Adriana Gómez Licón and Elliot Spagat, and video journalists Eugene Garcia and John Mone answered the call and more, delivering a string of stories last week that amounted to a master class in how to cover the border.

Among the highlights were the story of a 7-year-old girl crossing the border without her parents in the middle of the night, the story of migrant families dumped by the Biden administration in a dangerous Mexican border town while other families in the same circumstance gained entry into the U.S., and in-flight coverage of a 5-year-old Honduran immigrant en route to Baltimore. The immersive multiformat work received tremendous play. 

For bringing to life the human stories of those seeking entry to the United States, especially the sharp increase in the number of families and children in recent weeks and the struggles of border officials to cope, Gómez Licón, Cortez, Mone, Spagat, Lopez and Garcia share AP’s Best of the Week honors.