for strong accountability reporting in showing how police in the Long Island suburb of Brentwood stayed silent about the disappearance of Hispanic teenagers last winter until bodies of the teens began turning up in September. http://bit.ly/2erNMih
After Guatemala’s Volcano of Fire erupted June 3, sending a fast-moving flow of superheated ash, rock and debris into villages, AP staffers sprang into action. Over the next week, they worked around the clock in difficult and often-perilous conditions to produce all-formats dispatches from the scene and from shelters and funerals. They told the stories of people who had lost dozens of family members in the explosion, authorities’ search for survivors and victims, and relatives’ own return to homes buried up to the rooftops in ash to dig, in many cases with their own hands.
For scoring numerous exclusives that included highly detailed drone video of the disaster and spectacular photos and video, Guatemala-based journalist Sonia Perez, Mexico City-based reporter Mark Stevenson, Bogota camera operator Marko Alvarez, Guatemala photographer Moises Castillo, Peru-based senior photographer Rodrigo Abd, and stringer photographer Luis Soto have earned the Beat of the Week.
The tip that led to an exclusive by Chicago reporter Sara Burnett seemed outlandish: When poor people couldn't afford to bury their loved ones, a western Illinois coroner was cremating the bodies and keeping the ashes until the family paid $1,000. He’s continued the policy even though the state has resumed a program to pay for the funerals.
Burnett reported on a woman whose ex-husband and father of their three children died. They were both on disability and she couldn’t come up with the money, leaving the family to hold a memorial service with just a photograph and an empty container. Wendy Smith said she felt the policy was unfair. "I just think they pick on the people that are poor."
The coroner told Burnett that the policy started after the state, which for years has faced billion-dollar deficits, announced it was too broke to pay for indigent funerals and burials – shifting the cost to funeral homes and county coroners. Further, the coroner claimed only one woman was unhappy. But Burnett tracked down other families, and had a back-and-forth with the state about how much money was appropriated for the burial program
Within days, the state comptroller, citing The Associated Press story, weighed in that the coroner's practice was "disgusting behavior" and called for a ramped-up campaign to alert local officials that state-funded burial is again available.
For illuminating a questionable practice and how the state’s budget crisis continues to cause pain for the poor and vulnerable, Burnett earns this week’s Best of the States award.
"It was a mixed-up jumble of corpses piled on top of each other."
That was how a Rohingya Muslim survivor described the horrific scene of a mass grave in the Myanmar village of Gu Dar Pyin. Faces of the victims appeared mutilated, possibly with acid. The survivor said he recognized his friends only by the colors of their shorts.
AP Seoul bureau chief Foster Klug, along with photographer Manish Swarup and videojournalist Rishabh Jain, both of New Delhi, were able to find evidence of five previously unreported mass graves in the village. With interviews, video they secured from someone who had been on the scene after the killings and satellite imagery, the reporting pointed to a systematic slaughter of Rohingya Muslim civilians by the military, with help from Buddhist neighbors.
For their exclusive package that detailed previously uncovered evidence of an atrocity, Klug, Swarup and Jain share Beat of the Week.
AP photographers often scramble to the scene of a news story before it’s clear what is happening.
That was the case on a beautiful Halloween afternoon last week when a call came in to the New York City bureau that there was a swarm of police activity near the AP’s lower Manhattan headquarters. News Editor David Caruso ran to the windows and saw an unbroken string of police cars speeding south on the West Side Highway, going down the wrong side of the street. That was enough for him to scramble reporters, photographers and videographers out the door.
At the scene, AP photographer Bebeto Matthews slipped behind police lines and started walking up the street near the west side bike path. He noticed something white on the path and soon realized it was a body covered in a sheet, surrounded by crumpled bicycles and other debris. He began furiously taking pictures, called in what he saw to the desk and then ducked behind some construction equipment to start transmitting his photos on the spot.
Meanwhile, AP photographer Mark Lennihan and stringer photographers Craig Ruttle and Andres Kudacki had also rushed to the scene, making dramatic photos of what would become the worst terrorist attack in New York City since 9/11.
For strong breaking news work that put AP ahead and kept us there, Matthews, Lennihan, Ruttle and Kudacki win this weeks’ Best of the States Award.
Asia's worst refugee crisis in decades is a tragedy of epic proportions as more than 600,000 Rohingya Muslims have fled state-led violence.
Beyond the enormous scope of the exodus are the individual harrowing stories of life, death and the struggle for survival. Reporter Todd Pitman and photographer Gemunu Amarasinghe from Bangkok, videojournalist Rishabh Jain from Delhi and photographer Dar Yasin from Kashmir teamed up to produce a riveting package that reconstructed the heartbreaking journey of one Rohingya man and his family from Myanmar to Bangladesh.
Their package earns the Beat of the Week.
It was the deadliest single attack in Somalia’s history, and one of the world’s worst in years.
When the massive blast occurred on Saturday, Oct. 14, Associated Press video journalist Mohamed Sheikh Nor was playing with his 10-month-old daughter at their home. He immediately knew it was not an average Mogadishu bombing.
He grabbed his wife and wailing daughter and, covered in dust, escaped unharmed. “Outside, we could see the explosion was close to us. It was just 70 steps away from our home.”
Recognizing the unprecedented force of the explosion in a city long targeted by the Islamic extremist rebels of al-Shabab, Sheikh Nor insisted to editors that the casualties would be well over 100. He and his AP colleagues hurried to the scene, where buildings had been mangled and overturned cars were ablaze. The all-formats team – comprising Sheikh Nor in video, AP photographer Farah Abdi Warsameh and AP text reporter Abdi Guled – delivered the first stunning images and stories of grief from the smoking scene. Their courageous, traumatic and heart-rending effort earns this week’s Beat of the Week.
It was just one of the many mysteries surrounding the Las Vegas concert shooting: How did the gunman, perched up on the 32nd floor of the Mandalay Bay resort, fire off as many as 90 rounds onto thousands of concert-goers in just 10 seconds, killing 58 people and injuring hundreds?
Reporters Sadie Gurman and Mike Balsamo found the answer. Through sourcework, they learned that Stephen Paddock was able to carry out his assault in moments because he had used two “bump stocks,” devices that allow a semi-automatic rifle to repeatedly fire like a machine gun.
The scoop was part of an impressive week of coverage by staff in the Las Vegas bureau and across the AP that also included photographer John Locher’s dramatic images of police screaming for people to take cover as the gunman sprayed the crowd with bullets.
For their work in bringing critical details and images of the worst mass shooting in modern U.S. history, Gurman, Balsamo and Locher win this week’s Beat of the Week prize.
When police reported that al-Shabab extremists had attacked a popular Mogadishu restaurant named Posh Treats in the volatile Horn of Africa country Somalia, many media rushed to tell the world. But Associated Press stringer Abdi Guled was not convinced the report was accurate. His quick calls, including one to an officer at the scene, quickly determined that a place called Pizza House was under assault, not Posh Treats across the street. So while other news organizations had the wrong restaurant, the AP had it right.
This was just the start of Guled’s extraordinary all-night reporting effort. Amid gunfire that left dozens dead, he would put together a riveting story. It’s the Beat of the Week.
As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.
When a much-loved British journalist and an Indigenous expert disappeared in the remote reaches of Brazil’s western Amazon, AP excelled in all formats. The comprehensive coverage included widely used video packages, speedy, accurate reports on breaking news and insightful features — all setting AP apart.
From the announcement that Dom Phillips and Bruno Araújo Pereira were missing, AP mobilized to provide first agency photo and video coverage. AP had staff on the ground well before any other international media — and before federal police arrived to investigate.
As the story developed, regional expertise helped AP report accurately, avoiding the reporting mistakes of other media, and expand beyond the spot news with enterprising coverage, including profiles and an explainer, placing the tragedy in context.
For putting AP out front with fast, smart, best-in-class coverage, the AP team of Fabiano Maisonnave, Edmar Barros, Mauricio Savarese, Tatiana Pollastri, Rosa Ramirez, Silvia Izquierdo, Chris Gillette, David Biller and Peter Prengaman earns Best of the Week — First Winner honors.
The idea was bold from its inception: Attempting to count dead and missing migrants worldwide.
After covering the outflow of refugees in the wake of the Islamic State's takeover in parts of Iraq last year, Paris enterprise writer Lori Hinnant noticed a lack of data on the migration. She set off on a mission to count the uncountable.
The yearlong effort to document lives that would otherwise go unnoticed proved extremely challenging, precisely because it was plowing such new ground. An AP team of more than a dozen people painstakingly compiled information that had never been put together before from international groups, forensic records, missing persons reports and death records, and went through data from thousands of interviews with migrants. The data came alive with individual stories of migrants, a challenge in itself.
The AP project found 56,800 dead and missing migrants since 2014, almost double the number currently put out by the United Nations, which focuses heavily on Europe and nearly excludes several other areas of the world. The report drew significant interest, despite the fact that it ran six days before the U.S. midterm elections.
For their ambitious project that established AP as a global authority on this issue, Hinnant, Istanbul visual journalist Bram Janssen and Cairo photographer Nariman El-Mofty share the Best of the Week award.
After authorities discovered more than 100 decaying bodies at a Colorado funeral home in early October, speculation spread that families may have received fake ashes. Thanks to dogged reporting, the AP broke the news that confirmed the rumors with an all-formats story.Read more
Years of reporting on Libya from afar and a local freelancer’s willingness to travel treacherous roads allowed AP’s team to alert the world about a disaster of massive proportions, after heavy floods burst two dams above the city of Derna, washing away and killing thousands.
It took nearly 24 hours for news to emerge from Libya of the deadly floods. But with the country divided between rival governments with spotty records for accuracy, it was tricky to grasp the extent of the devastation.
When one of the governments reported more than 2,000 dead and counting, Libya video producer Adel Omran was the first to alert the team, after which Cairo reporter Samy Magdy called contacts in the health care and aid community, who confirmed that toll and said it was likely to rise.
Misrata-based freelance photographer Yousef Murad drove hours to the scene, sending an initial dispatch showing mass burials for the rising number of bodies. On the ground, Murad faced difficult conditions and lack of basic amenities as the stench of death overtook the city. His subsequent stories documented the immense recovery effort and the stories of survivors.
For their harrowing work revealing a complex story of disaster and recovery, Magdy, Murad and Omran are this week’s Best of the Week — First Winner.
Migration-focused video journalist Renata Brito in Barcelona took note of a heartbreaking photo on social media to spark a story about the situation at the Tunisia-Libya border — and she used her years of source work, expertise on the border and help from around AP to confirm the story.
On July 19, the photo of a woman and child lying dead, barefoot and face down in the tawny desert sand began circulating on social media. It was retweeted by activists who accused Tunisia of abandoning migrants to their fates on the other side of Tunisia’s desert border with Libya.
But little was known about the photo or the stories of the two who had died.
On social media, some said the photo spoke to that growing crisis, but others insisted it was an old image from another country.
Three days after the photo surfaced, a source of Brito’s in Libya messaged her, saying he knew the woman and child in the photo. From afar, Brito had developed a relationship with the source for years. For this story, Brito asked the source: How did he know it was them? Could she speak to friends or family? With whom did they travel?
That resulted in a tale of dashed hope and tragedy as told to the AP by the late woman’s husband, with additional details and key context contributed by Elaine Ganley and Samy Magdy, who together are Best of the Week — First Winner.
Amid mystery about the whereabouts of several migrant boats missing enroute to Spain via ‘The Atlantic Route,’ AP travelled north to talk to people in fishing town Saint-Louis.Read more
A video in Burkina Faso showing men in military fatigues walking among the bloodied bodies of boys with their hands bound surfaced on social media in mid-February. A six-week AP project delivered a frame-by-frame analysis of the graphic, 83-second video of the killings and tracked down the relatives of one of the victims: Adama, a 16-year-old cattle herder, piecing together his final hours. A soldier smashed his head with a large rock.
Government officials denied involvement in the killings, but analysis by Global Investigative Reporter Michael Biesecker was able to show the soldiers were wearing uniforms and had vehicles consistent with members of the Burkinabe military. After West Africa Correspondent Sam Mednick got a tip, Biesecker was able to geolocate the killings to Camp Zondoma, a military base near Ouahigouya.
Mednick and her Ouagadougou translator located the teen’s family after people in the capital with ties to Ouahigouya connected them with Adama’s uncle, the first person willing to talk. The translator whose identity cannot be disclosed played a key role in getting the family to speak, despite great personal risk. Mednick persuaded the uncle to let her interview the boy’s mother, who was unaware that her son’s death had been filmed.
Visual journalist Marshall Ritzel produced a video highlighting the visual investigation and exclusive interviews with Adama’s family. An edit of the video by digital audiences producer McKinnon de Kuyper was among AP’s top social posts of the week.
For shining a spotlight on the sort of casual murder that takes place in countries around the world, Mednick, Biesecker, Ritzel, the anonymous translator in Ouagadougou and de Kuyper win this week’s first place best of the week.
teamed up on reporting from both sides of the border as AP took readers through the harrowing journey of a group of childhood friends on a fun trip to Mexico that ended up in kidnapping and death.Read more.
collaborated to cover one of the most tragic shipwrecks on Italian shores in recent years. Their quick and efficient response allowed AP to be the first international media to be on the ground, and their teamwork provided a great cross-format advantage, allowing media around the world highlight the tragedy. Read more.
A trio of AP journalists had no idea exactly what they would find when they were directed to a monastery in recently liberated Izium, Ukraine.
There, correspondent Lori Hinnant, photographer Evgeniy Maloletka and video journalist Vasilisa Stepanenko found a former Ukrainian soldier in hiding, tortured three times by occupying Russian forces. His disturbing tale would supply the narrative for an exclusive investigation that uncovered 10 torture sites. The journalists gained access to five of them and spoke to more than a dozen torture survivors, and to two families whose loved ones had disappeared
The all-formats package, revealing arbitrary, widespread, routine torture of civilians and soldiers alike in Izium, immediately resonated, earning wide play and high readership.
For a gritty, deeply reported all-formats investigation that made an impact, exposing evidence of Russian war crimes and the human consequences, Hinnant, Stepanenko and Maloletka earn AP’s Best of the Week — First Winner honors.
