March 30, 2018

Best of the States

Multi-format team dominates coverage of Austin serial bombing

Three previous bombings had put Austin on edge for weeks, triggering a manhunt involving 500-plus federal agents and prompting residents to flood 911 operators with calls about suspicious-looking packages. Reporters soon inundated Texas’ capital.

When emergency personnel reported another explosion late on a Sunday night, Austin correspondent Will Weissert quickly called sources and reported that the blast was a bomb. Newsman Paul J. Weber rushed to the scene and soon confirmed the same bomber had struck a fourth time.

In the days that followed, Weber and Houston video journalist John Mone drove continuous coverage across all formats as another bomb exploded inside a FedEx processing center, and Weber broke the news that authorities were predicting an imminent arrest. As authorities closed in, the suspected bomber blew himself up around 2 a.m. the following day. A coordinated effort by Weissert, Weber and Mone, joined by Austin newsman Jim Vertuno, San Antonio photographer Eric Gay, Fort Worth correspondent Emily Schmall and Iowa City's Ryan J. Foley continued to break news and dominate play.

Throughout the week, AP also produced nuanced, multi-platform reporting on how police track cell phones, shipping facilities screen packages and how the bombings shook Austin’s chill attitude.

For their tireless and aggressive efforts to break news by mining sources, searching records and knocking on countless doors, journalists Will Weissert, Jim Vertuno, Paul Weber, Eric Gay, John L. Mone, Emily Schmall and Ryan Foley share this week’s Best of the States.

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May 10, 2019

Best of the States

AP Exclusive: California synagogue hadn’t used security funds received shortly before shooting

After a gunman opened fire in a Southern California synagogue on Passover, killing a woman and wounding a man, his 8-year-old niece and the rabbi leading the service, the inevitable question was asked: Could anything have been done to stop the violence?

Reporters Don Thompson and Adam Beam in Sacramento and Julie Watson in San Diego combined to report exclusively that the synagogue itself had recognized security deficiencies and even received a state grant to address them.

But it hadn’t spent the money, the AP team revealed.

For their exclusive follow-up to a crime that generated global attention, Thompson, Watson and Beam win this week’s Best of the States.

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April 19, 2019

Best of the Week — First Winner

AP photographers capture defining images of Tiger and Trump

This week we celebrate two very different, yet equally important photo wins.

David Phillip and the AP photo team assigned to the Masters tournament created some of the iconic images of Tiger Woods’ historic win – the result of strategic planning, teamwork and execution.

And Pablo Martinez Monsivais wins for his startling capture of the media reflected in the eye of President Donald Trump, taking what could easily have been treated as just another ho-hum daily Trump photo op and “seeing” something so different.

For delivering outstanding images from two contrasting but highly competitive assignments – and demonstrating how vital the AP is in the photojournalism world – Phillip and Monsivais share AP’s Best of the Week Award.

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March 01, 2019

Best of the Week — First Winner

Months of planning, smart execution result in dominating Oscars coverage

The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.

The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.

In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.

Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.

The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.

For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.

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Dec. 14, 2018

Best of the States

Years of planning pay off in ‘picture perfect’ coverage of Bush funeral events

For more than a decade, Washington photo editor Jon Elswick has negotiated with the Department of Defense over coverage plans for the funeral of former President George H.W. Bush, while Houston photojournalist David Phillip fostered a relationship with the Bush family and their spokesman to secure AP’s shooting positions for the eventual funeral events.

Those relationships were crucial to arranging and executing coverage, paving the way for more than two dozen staffers to parachute into Washington, Houston and College Station, Texas, where they produced outstanding photos in real time and for the history books.

Among the highlights: Photographer Morry Gash fired a remote-controlled camera that captured a stunning bird’s-eye view of the U.S. Capitol rotunda during visitation and services, and David Phillip negotiated to shoot inside the railroad car carrying the coffin as the funeral train passed through Texas. Phillip called it “the most incredible event I have ever covered.”

The photo coverage was part of an impressive dayslong cross-format effort by scores of AP staff across the country and globe that included hours of live video and spot and breaking text, video, audio and graphics coverage that explored Bush’s life and presidency from every angle.

For exceptional planning and execution on one of the largest news events of the year, this week’s Best of the States goes to the team of photo staff covering the Bush funeral.

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June 02, 2016

Best of the Week — First Winner

As Olympics loom, violence flares in Rio's slums, even those termed ‘pacified’

Ahead of the Olympics, an AP team in Rio wanted a close look at the city's slums, which have long been plagued with violence, to learn whether high-profile community policing programs are working in areas deemed `pacified.' Braving gunfire in what is considered a no-go area for reporters, AP produced up-close, all-formats coverage showing deadly violence continues to flare.

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Oct. 26, 2018

Best of the Week — First Winner

AP unmatched in multiformat coverage of Saudi consulate investigation

The disappearance and killing of Washington Post columnist Jamal Khashoggi at the Saudi Arabian consulate in Turkey has been one of the biggest, and most competitive, stories in the world this month, and the AP’s team in Turkey dominated coverage last week with its reporting surrounding a crime scene search of the consulate.

When crime scene investigators arrived at the consulate without notice on Oct. 15, Turkey news editor Ayse Wieting already had one camera fixed on the consulate door for 24-hour live coverage and quickly scrambled two more cameras with LiveU units. The AP beat the competition by more than two hours with the first edit of investigators entering the consulate.

On the text side, Ankara correspondent Suzan Fraser later got a high-level Turkish source to confirm that the consulate search turned up “evidence” that Khashoggi was killed there, a scoop that was cited across international and Turkish media.

And AP’s photo coverage of the story was also dominant, complementing the outstanding the video and text efforts. Photographers worked hard to find new angles on a visually challenging story, where often the only visible activity was people walking in and out of a building.

For impressive efforts and ingenuity in covering a worldwide top story of paramount importance to AP members and customers in all formats, the AP team earns Best of the Week honors.

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Oct. 05, 2018

Best of the Week — First Winner

Planning and preparation pay off in all formats at Bill Cosby sentencing

The two-day sentencing hearing and imprisonment of former TV star Bill Cosby ended a decades-long battle over sexual assault accusations against the comedian once known as “America’s Dad.” An AP team of reporters, photographers and video journalists drew on strong planning and coordination to excel in all formats while fending off a throng of competition.

The AP was ahead at all key moments in the sentencing, from a judge’s decision to label Cosby a sexually violent predator to the moment he handed down a sentence of 3 to 10 years and then denied bail. Staffers moved top photos to the wire almost instantly after they were shot, and provided live video of the scene.

For their excellent work in covering the Cosby sentencing, the team of Michael Sisak, Maryclaire Dale, Claudia Lauer, Pete Brown, Alyssa Goodman, Matt Rourke, Matt Slocum, Jackie Larma, Mike Householder and Joe Frederick share the Best of the Week award.

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Aug. 16, 2018

Best of the Week — First Winner

Reporters overcome fears to expose faith crackdown in China

The assignment always promised to be a challenge: talk with Christians in China about a state crackdown on their faith when many are afraid to speak out for fear of government retribution.

When reporter Yanan Wang, photographer Han Guan Ng and video journalist Emily Wang visited cities in China’s Christian heartland, they discovered the government’s campaign to “Sinicize” Christianity was far more aggressive than previously known. Hundreds of informal churches in private homes were shuttered. Gatherings were raided. Bibles were seized. Authorities ordered posters of Jesus replaced with portraits of President Xi Jinping.

For careful, persistent reporting to expose what experts and activists described as the most severe systematic repression of Christianity since religious freedom was written into the Chinese constitution in 1982, the three win this week’s Beat of the Week.

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July 06, 2018

Best of the Week — First Winner

An AP blockbuster: Algeria forces 13,000 migrants into the desert, some to their deaths

“Here in the desert, Algeria has abandoned more than 13,000 people in the past 14 months, including pregnant women and children, stranding them without food or water and forcing them to walk, sometimes at gunpoint, under temperatures of up to 48 degrees Celsius (118 degrees Fahrenheit).”

With that chilling declaration, the AP opened a new chapter in the ongoing, global saga of migrant suffering. Reporter Lori Hinnant and visual journalists Jerome Delay and Bram Janssen revealed the Algerian government’s complicity in a horror that had gone unreported – and had led to the deaths of an unknown number of migrants. Their exclusive story is the Beat of the Week.

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Jan. 13, 2023

Best of the Week — First Winner

AP photographers paint definitive portrait of epic, historic vote for House speaker

Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.

As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.

But AP’s photographers in the chamber remained cool as ever.

Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.

Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.

That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.

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Aug. 31, 2017

Best of the Week — First Winner

Image of Hurricane Harvey rescue tells story of tenderness and unity, dominates front pages

Young Aiden Pham wasn't even awake for his brief moment in the spotlight. But Houston photographer David Phillip was there to capture the toddler in what would become an iconic image of Hurricane Harvey and the historic floods.

The photo of the sleeping 13-month-old, swaddled in a blanket and held in his mother's arms as they're carried to safety, was among the many dramatic rescues of the floods that have inundated southeast Texas.

The image – which appeared on the web and front pages across the country, including the Wall Street Journal – along with others taken by Phillip earn him the Beat of the Week.

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July 06, 2017

Best of the Week — First Winner

Long-form 360 video project provides riveting look at battle for Mosul

Iraqi Humvees wind their way through the pockmarked streets of Mosul. The rattle of gunfire and thud of a nearby airstrike fill the air. Terrified civilians scurry across the road to safety.

In the APs first long-form 360 video project, Middle East Photo Editor Maya Alleruzzo teamed up with video editor Claudia Prat to produce a riveting and harrowing video, "House to House: The Battle for Mosul." The 8-minute video earns Alleruzzo the Beat of the Week.

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Jan. 27, 2017

Best of the Week — First Winner

Inaugural images: Talent and tech combine in sweeping, instant photo coverage

Remember these images from the Inauguration: The new first couple dancing across a giant presidential seal at a ball? Faces in the crowd cheering or crying in the rain? The instant when Donald Trump took in the scene through an opening door before stepping onto the podium to become the 45th U.S. president?

Credit for those signature images, which appeared across the globe almost as they happened, goes to the skill and artistry of a hand-picked team of AP photographers and photo editors – and also to the cutting-edge, behind-the-scenes efforts of AP technicians working hand-in-hand with them to cover the intensely competitive event.

Their extraordinary work, a stream of 2,000 photos sent from daybreak until well after midnight, earns the Beat of the Week.

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Dec. 07, 2018

Best of the Week — First Winner

Livestream video leads coverage of Alaska earthquakes

As soon as the ground stopped violently shaking in Anchorage on the morning of Nov. 30, Anchorage newsman Dan Joling calmed his nerves and started reporting. Then, within minutes, he went from producing urgents to plotting out with Stephanie Mullen, the West region’s deputy director of storytelling based in San Francisco, how AP would get the most compelling visuals at first light.

Already adept at capturing still photos, Joling would use a tool new to him, the live video streaming app Bambuser, to report on the damage from the two powerful back-to-back earthquakes centered just outside Alaska’s biggest city.

Out in the field, Joling drove up to a vehicle stranded on a crumpled roadway, first using his iPhone to snap photos that he quickly sent to a photo editor. He then fired up the Bambuser app, a tool that he had been trained on exactly one month before.

The live footage he streamed was scooped up immediately by customers in the United States and Europe.

His quick thinking and improvisation put the AP far ahead of the competition and gave viewers and customers unmatched views of the quakes’ aftermath, earning him AP’s Best of the Week honors.

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July 07, 2023

Best of the Week — First Winner

AP goes into overdrive, with honesty and sensitivity, to document a restive France  

The Paris suburb of Nanterre was at the heart of violent protests after a French policeman killed a 17-year-old at a traffic stop, and AP journalists in Paris worked around the clock and at a competitive disadvantage to document the unrest and its aftermath.    

Photographer Christophe Ena was among the first on the scene, taking AP’s first photos and video of flames in Nanterre on the first night and alerting our customers — and competitors — of the gravity of the story. He and a photographer from the European Pressphoto Agency were the only international journalists on the scene at the time and worked together to ensure each other’s safety as tensions rose around them.    

Cara Anna, arriving from Nairobi, was among just a few journalists to cover the boy’s funeral and discreetly filmed a brief video of the cemetery where people were gathering to mourn. It was the only footage published of the event, but also respected the organizers’ request not to have cameras at the funeral itself.    

For sensitive, honest work in unpredictable, often hostile conditions to show a part of France tourists see rarely and understand even less, Ena and Anna earn this week’s first citation for Best of the Week. 

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Feb. 10, 2023

Best of the Week — First Winner

AP’s Grammys livestream attracts music’s biggest names, large audience

For innovation and connecting with new audiences, the AP Entertainment video team of West Coast Entertainment Video Editor Ryan Pearson, U.S. Entertainment Video Editor Brooke Lefferts, and video producers Gary Hamilton and Leslie Ambriz are the first winners of this week’s Best of the Week award. The team used its contacts at the Recording Academy to develop and successfully execute a hosted 2 ½-hour red carpet livestream from the Grammy Awards that drew in more than a half million viewers, outpacing rival streaming shows. The AP’s new social video team quickly cut and posted videos from the live feed on a variety of social sites, which garnered nearly 1 million views. The Grammys livestream took weeks of planning and technical assistance to pull off and showed that AP can produce a highly technical live event in the entertainment space, and that entertainers will seek out AP’s spot on a bustling carpet. The video recording of the livestream also will greatly improve the AP’s archive of early hip-hop artists who were not covered by AP in their heyday.

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