ensured AP was among the first media to get photos and video from the locked-down Northern Italian town of Codogno, the focal point of Italy’s coronavirus outbreak.https://bit.ly/32Sp69Zhttps://bit.ly/3aw4OWGhttps://bit.ly/32US5df
reported one of the first major forensic assessments of the coronavirus’s impact on Europe’s multibillion-dollar fashion industry, hit hard by the pandemic. Adamson’s years-long source work in Paris and beyond put him in touch with economists, insiders, fashion editors and top designers, including Stella McCartney, who told AP that the virus has accelerated reform in the industry.Adamson’s reporting, complemented by Mori’s engaging photography, showed how Asia’s early containment of the virus could give the world’s largest continent and its powerful consumers great leverage over Europe’s luxury industry and could lead to European designers pandering more to Asian consumers. https://bit.ly/3dwFMuP
AP scooped the rest of the world with the contents of the highly anticipated report by Chinese and World Health Organization experts on the origins of the COVID-19 virus. The scoop was so significant that it forced our direct competitors to quote AP in their headlines and stories for hours, as they and others scrambled to match it.
How did AP do it?
Tipped that the report was imminent, Geneva chief correspondent Jamey Keaten cast a wide net among trusted sources, seeking a copy whenever it became available — and AP’s repeated scoops on WHO have made it the go-to news organization for reliable reporting on the U.N. agency. That paid off: A source Keaten had cultivated for years sent the report to him electronically early Monday morning. He quickly relayed the file to Greater China news director Ken Moritsugu, launching an urgent multiformat effort. Working with colleagues in Asia, Moritsugu had a carefully worded alert and story on the wire as day dawned in Europe. AP video colleagues followed with a six-minute archive package, footage of the report itself and official on-camera reaction.
For giving the AP a massive lead on the day’s biggest story, and harnessing AP’s global presence to produce news with speed and accuracy, Keaten and Moritsugu earn AP’s Best of the Week honors.
For nine months, AP has led all media on the story of New York Gov. Andrew Cuomo’s controversial directive to return recovering coronavirus patients from hospitals to nursing homes during the pandemic.
Last week, reporters Bernard Condon and Jennifer Peltz added to that record. Using data obtained through the Freedom of Information Act, they reported exclusively that more than 9,000 patients in New York were released under the state’s policy, amid criticism that it accelerated nursing home outbreaks. The latest AP scoop has helped put Cuomo and his administration on the defensive at home and nationally.
For keeping AP at the forefront of this accountability story for the better part of a year — including their latest break documenting the release of COVID patients into nursing homes — Condon and Peltz earn AP’s Best of the Week award.
In the year since COVID-19 surfaced, journalists for The Associated Press have produced an impressive array of stories documenting its grim march around the world. Conveying the extent of disruption and death wrought by the virus in 2020 warranted a marshaling of AP’s global resources for a one-of-a-kind project: the Pandemic Atlas.
The collaborative effort included a compendium of how 13 countries responded to the crisis, six character-driven videos and compelling photos. Deeply reported text stories were translated into Spanish, while the videos received Arabic and Spanish edits. All made possible by the dogged and authoritative work of AP’s field journalists, editors and producers around the world.
For an outstanding display of planning, teamwork, ingenuity, storytelling and presentation on the story that shaped 2020, the Pandemic Atlas — and the scores of AP journalists around the world who contributed — are recognized with AP’s Best of the Week award.
took readers inside an already-full COVID intensive care unit in Marseille as the French city became Europe’s latest virus hotspot. Cole’s single-handed multiformat reporting delivered the first visual documentation that France’s resurgent infections aren't just numbers, but people struggling to survive.Cole showed both the drama of COVID intensive care and the daily reality for its staff amid this new wave – and the personal touch of a nurse who took the time to brush a patient’s hair and moisturize her skin.The impact was immediate – the story saw immense use across Europe in all formats, as well as international markets.https://bit.ly/2FHO7NThttps://bit.ly/32y0WDo
used solid reporting and data analysis to reveal that despite federal assurances, supplies of personal protective gear (PPE) are running short again as coronavirus cases surge around the country. The analysis found that FEMA distributed a disproportion amount of PPE to mostly rural states. Montana, for example, had received 1,125 items of protective gear per case, compared with 32 items per case in Massachusetts, an early hot spot. The AP story beat a national newspaper’s PPE story by a day. https://bit.ly/3j7jC34
As the coronavirus pandemic enters a new phase in a reopening nation, its psychological toll is sinking in for the frontline workers who have cared for the sickest patients.
Writer Jennifer Peltz, video journalists Robert Bumsted and Ted Shaffrey, and photographer John Minchillo went into New York City hospitals to see the impact in person, in real time and on the record. They interviewed health care workers and spent time with them on the job, seeing firsthand the lingering effects of months spent treating COVID-19 patients.
“In my wildest dreams, I never imagined how hard it would be,’’ one doctor said.
For a fully rendered package that takes a close personal look at this important aspect of the pandemic, the team of Peltz, Bumsted, Shaffrey and Minchillo earns this week’s Best of the States award.
The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.
This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.
found themselves in a city that had gone to ground. Faced with the challenge of photographing the absence of life in a city normally teeming with it, they took more than a dozen motorcycle trips through a New York virtually emptied by the virus, making raw, “drive-by” images. They recorded ghostly pedestrians, lone workers, eerie post-apocalyptic streetscapes and shrouds of fog. And while the virus is unseen, the threat of it appears in the eyes of the people still on the street.https://bit.ly/2Vz99nlhttps://bit.ly/3bxhKMIhttps://bit.ly/2S2pnmuhttps://bit.ly/3bBvfen
for scoring the only face-to-face interview with the computer whiz credited with halting the WannaCry virus that crippled systems in 150 countries. http://apne.ws/2qXE2mg
for delivering exclusive text, video and photos from the ground in Wuhan, China, just as the virus began to spread. Their quick deployment meant that the AP was the only agency on the ground producing content for two days, and almost the only media at all on the first day. Shooting from a taxi outside the hospital, they recorded dramatic images of workers dressed head to toe in white protective suits. And they were questioned by police, but not detained, while shooting exteriors of the market where the outbreak may have started. Their coverage gave AP exclusive images and interviews in all formats, with their video edits on day one leading all stories, including impeachment.https://bit.ly/3aQ4V01https://bit.ly/38HWulIhttps://bit.ly/2uH5adi
As sweeping restrictions and lockdown measures rolled out across the world in the wake of the coronavirus pandemic, AP’s team of staff and freelancers in Italy set an example for how to produce compelling and competitive journalism in all formats despite major challenges affecting them both professionally and personally, including the very real risk of being placed in self-quarantine for covering stories in risk zones.
Three weeks into the Italian outbreak, AP produced some of the strongest coverage yet including multiple exclusives and beats across formats. That work included: How the northern town of Codogno greatly reduced the spread of the virus, a first-person account of the lockdown’s impact on families, overwhelmed doctors drawing parallels to war-time triage, rioting at Italian prisons, residents showing solidarity from their balconies, and more.
AP’s coverage throughout the crisis in Italy has consistently won heavy play online and in print.
For resourceful, dedicated and inspired journalism under unusually demanding circumstances, the Rome and Milan bureaus receive AP’s Best of the Week award.
A scathing letter sent in early April by doctors in Italy’s Lombardy region provided the first tangible inkling that something had gone terribly wrong in its fight against the coronavirus.
With Lombardy accounting for roughly half of Italy’s 27,000 deaths, chief Rome correspondent Nicole Winfield set out to document how the virus overwhelmed a medical system long considered one of Europe’s best.
Over the next three weeks, Winfield methodically collected details, conducted interviews, pored over government reports and briefings, and referenced AP’s vast reporting on the pandemic to craft the first explanatory account of the missteps and failures that allowed the virus to become so pervasive in northern Italy.
Winfield’s story quickly became one of the most-read on the AP News and was picked up by outlets globally.
For crafting a thorough, compelling and heartbreaking account of how COVID-19 got a pervasive, deadly grip on Lombardy, Winfield wins AP’s Best of the Week honors.
With contact tracing in the spotlight as one of the keys to stopping the spread of the coronavirus, journalists across the AP have sought access to the investigators, only to be rebuffed for privacy concerns. But Utah-based correspondent Brady McCombs convinced a county health department that he and photographer Rick Bowmer could show the world how contact tracing is conducted, while protecting private details.
Once they were in the door, the curtain rolled back. The pair spent parts of five days shadowing investigators as they talked, commiserated and cajoled people to comply with tracing – something simply unseen in other coverage or descriptions of contact tracing.
And in a major break, McCombs used social media to identify one of the subjects of tracing, getting exclusive all-formats access to tell the story of a family on the other end of a tracer’s call.
For a timely and revealing package on a vital element of the pandemic response, McCombs and Bowmer share this week’s Best of the States award.
Small businesses – critical to the health of the global economy – are clearly being hit hard by the pandemic. Over the next six months to a year, Associated Press journalists around the world will chronicle their fight for survival, in an ambitious series called “Small Business Struggles.”
The first piece, anchored by national writer Adam Geller with a rich digital presentation by video editor Samantha Shotzbarger, got the project off to an incredible start. With contributions in all formats from more than two dozen staffers worldwide, the story brought readers into the agonizing decisions business owners face as they try to stay afloat. The package led the AP News site and was used by digital, print and video customers around the world.
For pulling together the opening salvo in this immersive and significant global project, Geller and Shotzbarger share AP’s Best of the Week.
Few places in America have been as hard hit by the pandemic as the Texas border, and the package by this all-formats team exposes the stark contrast between this part of the country and regions with greater resources.
With access to two hospitals overwhelmed by cases in the Rio Grande Valley, AP reporter Paul Weber, photographer Eric Gay and video journalist John Mone carefully documented stories of patients and staff, including a new mom in the maternity ward who unknowingly contracted the virus and had to be isolated from her newborn.
Weber wrote: “The U.S. failure to contain the pandemic has been laid bare.”
For a compelling and hard-to-report all-formats package, Weber, Gay and Mone win this week’s Best of the States award.
used exclusive hospital access and character-driven all-formats storytelling to reveal the impact of the coronavirus on Imperial County, an often overlooked majority Latino community on the California-Mexico border, already affected poverty, air pollution, lack of health care and a border crossed by thousands daily. The team’s all-formats package, used widely across the country, evoked empathy and shed light on how such communities are exceptionally vulnerable to the virus.https://bit.ly/3gXdOYnhttps://bit.ly/31Re9Fw
Rarely does a Best of the Week award to go to a single AP journalist for work on a variety of stories. But the consistent excellence in the images of Barcelona-based Emilio Morenatti – on stories large and small – moved the judges to make an exception.
He started the week with a powerful story on migrants crossing a treacherous stretch of the Atlantic to the Canary Islands. And he finished with a remarkable set of photos on a COVID-19 patient, wheeled in his hospital bed to a promenade on the Barcelona waterfront. In between those stories he covered soccer star Lionel Messi’s spat with Barcelona, daily life and more.
Each of his assignments reflected the highest standards of visual journalism and a level of emotional investment that few can match, earning Morenatti AP’s Best of the Week accolade.
leveraged longstanding professional relationships to reveal fear and anger rampant among household workers and Secret Service agents working in the coronavirus hot zone of the White House.The story was challenging to report because personnel knew their jobs could be in jeopardy, but the AP team reached out to a broad range of sources and contacts to piece together a compelling story about the anxiety and antagonism pulsing through the White House. While competitors took smaller bites of the apple, the AP story wove together rich details about the workers’ worries and the lack of guidance from White House officials, as well as historical context stretching back to the flu pandemic of 1918.The morning after the story ran, former first lady Michelle Obama posted a tweet seemingly tailored to AP’s piece, voicing support for those working in the White House. And days later the story still had sky-high reader engagement. https://bit.ly/314XRt6
