for turning a spot story on YouTube’s removal of hundreds of thousands of videos from Syria into a wider look at how Syrian activists are scrambling to rescue their history. http://bit.ly/2xScoLJ
First, a 7.1 magnitude earthquake rocked Mexico, killing hundreds. Then, a day later, a category 4 hurricane pummeled Puerto Rico, leaving millions of people without power and with little water.
Two major calamities, one sterling response: Staffers of The Associated Press went to heroic lengths to tell the world the stories of two places battered by disaster. Their efforts were led to extraordinary achievements – in text, photos and video – and the Beat of the Week.
It was the deadliest single attack in Somalia’s history, and one of the world’s worst in years.
When the massive blast occurred on Saturday, Oct. 14, Associated Press video journalist Mohamed Sheikh Nor was playing with his 10-month-old daughter at their home. He immediately knew it was not an average Mogadishu bombing.
He grabbed his wife and wailing daughter and, covered in dust, escaped unharmed. “Outside, we could see the explosion was close to us. It was just 70 steps away from our home.”
Recognizing the unprecedented force of the explosion in a city long targeted by the Islamic extremist rebels of al-Shabab, Sheikh Nor insisted to editors that the casualties would be well over 100. He and his AP colleagues hurried to the scene, where buildings had been mangled and overturned cars were ablaze. The all-formats team – comprising Sheikh Nor in video, AP photographer Farah Abdi Warsameh and AP text reporter Abdi Guled – delivered the first stunning images and stories of grief from the smoking scene. Their courageous, traumatic and heart-rending effort earns this week’s Beat of the Week.
Late in the evening on Dec. 4, West Region photo editor Stephanie Mullen was monitoring a fire that broke out in Ventura County, about 80 miles northwest of Los Angeles. Mullen knew that if the notorious Santa Ana winds really picked up the flames could start burning homes.
She hired Northern California freelance photographer Noah Berger, an expert at shooting wildfires, and partnered him with Los Angeles-based staff photographer Jae Hong. Berger and Hong were in place as daylight broke and the fire surged into the city of Ventura, where it burned hundreds of homes. They rapidly shot and filed, allowing AP to deliver striking imagery before our competitors had even started their day.
The AP owned the coverage in those important early hours with impressive play globally.
Later that morning, Orange County-based photographer Chris Carlson worked his way through road closures to make images of horses being rescued and flames overwhelming homes in Los Angeles County. And as the week wore on, photographer Greg Bull snaked his way through roadblocks and heavy traffic to capture nighttime images of fires in San Diego County, then slept in his car and got haunting daybreak photos of the destruction.
For providing a photo package no competitor could rival, Hong, Carlson, Bull and Berger share this week’s Best of the States prize.
The team – Todd Pitman, Esther Htusan and Jerry Harmer – had gone to Kachin state to report on the war between Kachin rebels and Myanmar’s army. Near the end of their trip, they decided to look into a story Htusan wanted to do on bride trafficking. The lead was vague and the team wasn’t sure where it would take them.
But then, at a refugee camp, they met Marip Lu. And they knew immediately this was a story that had to be told.
With major contribution by Beijing staffers Shanshan Wang, Yanan Wang, Han Guan Ng and Dake Kang, they tell the harrowing tale of a woman who was kidnapped, held in captivity, raped and then forced to make the choice between freedom and her child. This powerful story, reported and told with great sensitivity, earns Beat of the Week.
An enormous story struck quickly on Sept 28 and unfolded at breathtaking speed – a magnitude 7.5 earthquake followed by a tsunami that washed over the Indonesian city of Palu. Communications collapsed and government reports were sketchy, but the few posts on social media provided the first indications of the enormous scope of the disaster.
The AP team shot into action to move cross-format personnel to the hardest-hit areas, texting details for the wire and squeezing out initial images for photos and video. In the days that followed, the breadth of coverage expanded to include rolling live video of rescues, grim portrayals of the retrieval of the dead, and personal stories of those whose homes and neighborhoods were now rubble.
For impressive work across all platforms despite enormous obstacles, the Best of the Week award goes to the following team:
– Jakarta staffers: office manager Elis Salim, reporter Niniek Karmini, photographers Tatan Syulfana, Dita Alangkara and Achmad Ibrahim, business writer Stephen Wright, newsperson Ali Kotarumalos, medical writer Margie Mason, videojournalist Fadlan Syam and senior producer Andi Jatmiko.
– Bangkok staffers: global enterprise writer Todd Pitman, videojournalist Tass Vejpongsa, video editor Jerry Harmer and special events coordinator Keiko Fujino.
– And: Kuala Lumpur videojournalist Syawall Zain, Manila photographer Aaron Favila, Malaysian correspondent Eileen Ng, Beijing facilities coordinator Xiao Wei Gong and Hanoi producer Hau Dinh.
overcame roadblocks and other obstacles to deliver outstanding coverage of the violent volcanic eruption on La Palma in the Canary Islands. That included some of the most striking visuals of the week showing the destructive power of the eruption and the evacuations of thousands of residents.Knowing the earliest AP could get a crew on the ground would be the next day, journalists Wilson, Brito, Morenatti and Leon spent the first few hours after Sunday’s eruption remotely gathering material for all formats from sources on the island.
The next morning video freelancer Leon and Aritz Parra, chief correspondent for Spain and Portugal, took the first flight from Madrid to La Palma and hit the ground running, interviewing shocked residents who had grabbed what they could before abandoning their homes to the advancing wall of molten rock.They were joined by video journalist Brito and photographer Morenatti who made images with his drone and from a rescue helicopter, capturing the vast reach of the lava flows from above, including iconic shots of an isolated house left seemingly untouched amid a sea of lava.Meanwhile, in Lisbon, correspondent Barry Hatton wrote the stories, gathering material from the team on the ground and others. Helena Alves, did the same for video, handling incoming footage from various sources. The video edits and live shots were among the AP’s most-used throughout the week while the photos and text received prominent play in major online media.https://aplink.news/4zthttps://aplink.video/c5nhttps://aplink.video/djn
for exclusive and compelling AP coverage of a burning high-rise that killed 26 and injured more than 70 in the Bangladeshi capital. In a textbook use of live video, Garjon had a live shot up and running within an hour of the fire being reported. His exclusive top-angle shot from the roof of a nearby building showed people trapped on upper floors and shouting for help from windows, as firefighters deployed hydraulic cranes to rescue them. While Julhas got the news alert out and worked the phones, Delhi pitched in with text reported from the live coverage. And before freelance photos were transmitted, the Asia photo desk moved captured frames from Garjon’s live video.
The quick cross-format response and the excellent live shot, plus dramatic user-generated video picked up from a bystander, put AP well ahead of other agencies.https://bit.ly/2FOlfjjhttps://bit.ly/2FN94TJ
captured Malta’s controversial practice of using harbor cruise ships as floating detention centers for migrants rescued at sea. No one had made photos of the ships until Rossignaud traveled to the area about 23 kilometers (14 miles) offshore in his own motorboat. His images, accompanied by D'Emilio’s story, created a stir in Europe and beyond, putting pressure on Malta to let the migrants disembark.https://bit.ly/2AlRl7a
teamed up for fast all-formats coverage after a magnitude 6.4 earthquake quake hit Croatia at midday of Dec. 29. Belgrade reporter Dusan Stojanovic filed the first alert via London within seconds of feeling the quake. He was some 25 minutes ahead of AP’s major competitors, and text leads followed throughout the day.Meanwhile, regional news director Amer Cohadzic quickly sourced live video via a partner agency. With all internet, phones and electricity disabled in the towns of Petrinja and Sisak, this live feed on AP Direct was unmatched by other outlets. Hours later AP’s own live unit arrived on scene providing restriction-free coverage. Video edits included rescue teams arriving at the scene and user-generated footage of government buildings as the temblor struck.Coverage continued overnight and into the next day with fresh photos, video and text updates. AP’s cameras captured people being pulled from the rubble, aid being handed out to people suddenly homeless and a visits by Croatia’s president and prime minister.https://bit.ly/3ogTZ1Qhttps://bit.ly/2LbIRoBhttps://bit.ly/2LC6O8mhttps://bit.ly/3i2BKLd
delivered standout photo coverage of the Surfside, Florida, condo collapse, anchoring an impressive AP response in all formats.Lee was at home a few blocks away when the tragic, catastrophic story broke early Thursday morning. He quickly made his way to the scene to make some of the first images the world would see of the pancaked Champlain Towers South. His fast work on the ground also earned him a text byline, with customers and readers across the country waking up to a comprehensive AP story with his images. More AP journalists were soon on the scene digging into spot developments as well as the history of the building, churning out urgent series after urgent series and sensitively reporting the human toll, finding names and details of the missing to round out a well-received vignettes package. Early video also scored heavily with AP customers. Throughout the coverage, the photo team, led by Lavandier and South regional photo editor Mike Stewart, fought restricted access and had to innovate visually. Herbert first chartered a plane, then a helicopter, making handheld aerial photos with an 800mm lens from as much as two miles offshore as flight restrictions tightened. Then the team hit on the idea of using a boat. That allowed closer access but still required long lenses from a moving craft, with the photographers effectively timing their shots to coincide with the peaks and troughs of the waves to minimize movement. Competitors scrambled to emulate AP's strategy with their own vessels. AP wins on visuals included powerful photos by Sladky and Lavandier of people comforting each other, and three different AP photos rotating as the lead photo on Saturday’s New York Times home page — images showing the destruction, the rescue operation and the emotional toll. The Miami Herald praised AP’s visuals and has used much of the work, even as its own photographers produced strong content. The Herald and other members have shared some of their best images in AP’s photo report. In addition to AP’s photography, members have praised the all-formats coverage, including the “microstories” AP published practically in real time, showcasing good nuggets of information throughout the news cycles. Coverage of the collapse topped AP’s measures of readership and reader engagement for the month. https://apnews.com/hub/buildin...
managed to get where other journalists did not: inside a tragic factory fire that killed dozens of workers who were locked inside the food and beverage factory outside Bangladesh’s capital. Police initially gave a toll of three dead, but the following afternoon firefighters discovered 49 more bodies, many of whom were trapped inside by an illegally locked door.Video journalist Garjon and photographer Opu had scrambled to the scene as soon as the scale of the tragedy became clear. Once there, they got inside the factory and despite intense heat and smoke, captured dramatic scenes of firefighters, with Garjon setting up an exclusive livestream using the Bambuser app on his iPhone as rescuers searched for bodies amid the burning debris. The pair’s video and and still images of firefighters’ efforts and the grim consequences of the blaze set AP's all-formats coverage apart on this latest industrial disaster in Bangladesh.https://aplink.video/196https://aplink.news/yothttps://aplink.video/wsq
were quick to deliver exceptional, wide-ranging coverage as devastating floods left some 200 dead across Northern Europe. Sweeping stories and arresting visuals showed the scale and severity of the flooding while also capturing the human suffering and loss.Berlin-based correspondent Frank Jordans recognized the scope of the unfolding tragedy, sending multiple alerts and urgent updates as the death toll began to rise. His stories reported not only the developing story in Western Germany but also in Belgium, the Netherlands, France, Austria and Switzerland.Jordans and fellow Berlin writer Geir Moulson continued to track the story over the coming days as the toll grew, while Brussels-based Raf Casert contributed a powerful piece examining the links to climate change. Highlighting the multinational impact of the disaster, Austrian freelance reporter Emily Schultheis crafted a dramatic story of close escapes, elegantly drawing on interviews collected by video crews in all the affected countries.Live video was quickly established through a combination of partner feeds and our own video complement of Berlin’s Christoph Noelting, field producer Pietro di Cristofaro and senior field producer Dorothee Thiesing, Frankfurt producer Daniel Niemann, video journalist David Keyton in Paris, freelancer Eric Fux in Belgium, and Aleks Furtula and Bram Janssen in the Netherlands. The Belgian and Dutch teams, headed by Western Europe News Director Angela Charlton, navigated closed roads and muddy terrain to reach the hardest-hit areas, reporting compelling personal stories amid the destruction. Fux found a family that spent a terrifying night on the roof of their destroyed home, waiting for rescue, and London producer Nadia Ahmed delivered a key user-generated video showing the moment a whole house was swept away by the torrents, snapping off a tree and smashing into a bridge.Photos, both from the ground and from the air, revealed the extent of the damage. Spot coverage included work from Michael Probst and Janssen in Germany, and from Virginia Mayo, Francisco Seco and Valentin Bianchi in Belgium. A striking photo gallery showed the devastation across Europe; AP’s photos were used by hundreds of customers, from The New York Times to Sky News.https://aplink.news/kb4https://aplink.news/gh6https://aplink.news/3chhttps://aplink.photos/9xkhttps://aplink.video/1xwhttps://aplink.video/3vzhttps://aplink.video/g6t
teamed up across formats, beats and states, drawing on AP resources throughout the West to dominate coverage of the high-profile Northern California wildfires that threatened an international gem, Lake Tahoe.Striking photos by Noah Berger and Jae Hong captured the drama as the fire raged toward the resort city and a vast swath of the Sierra Nevada. Report for America journalist Sam Metz was indefatigable on the ground, interviewing rescue workers, residents and firefighters, then capturing the chaos of the evacuation. Reporters John Antczak, Janie Har and Jocelyn Gecker worked the phones from Los Angeles and San Francisco providing detail and context as they wrote the spot stories. Video journalist Terence Chea and Michelle L. Price reported on people who refused to leave.For this latest in a series of major blazes, the West region dug to identify wildfire-related stories of interest beyond the breaking news, including Tom Verdin’s story on the special sites that were threatened, Don Thompson’s assessment of what went wrong in fighting the blaze, Brian Melley’s report on canceled vacations nationwide and a piece by Metz and Scott Sonner on price gouging.https://aplink.news/rwdhttps://aplink.news/qo4https://aplink.news/slxhttps://aplink.news/cp0https://aplink.video/4jlhttps://aplink.video/a3bhttps://apnews.com/hub/wildfires
kept following a story much of the media has moved on from: what day-to-day life is like for American resident green-card holders who were left behind after the U.S. military’s chaotic exit from Afghanistan.The pair’s story, based on text messages, emails and phone conversations from those still in Afghanistan to loved ones and rescue groups, and directly with the AP, described a fearful, furtive existence of hiding in houses for weeks, keeping the lights off at night, moving from place to place, and donning baggy clothing and burqas to avoid detection by the Taliban if they absolutely must venture out.All say they were scared the Taliban would find them, throw them in jail, perhaps even kill them because they are Americans or had worked for the U.S. government. And they are concerned that the Biden administration’s promised efforts to get them out have stalled.Investigative reporter Condon and San Diego-based journalist Watson had to walk a fine line, telling individuals’ stories without identifying details that would open them to potential retaliation. The ambitious story, accompanied by photos provided by one family of green card holders from California, was part of an important body of AP work over the past week that remained focused on Afghanistan in the aftermath of the U.S. withdrawal. https://aplink.news/yt9
