Best of the Week — First Winner

With fast filing and powerful visuals, AP owns coverage of fires in Greek migrant camp

When an overnight blaze swept through Greece’s biggest refugee camp, AP was quicker and better than the competition, producing cross-format coverage that stood out, even as much of the world media flocked to the chaotic scene. Video coverage was particularly impressive, with spectacular play. 

And when a second round of fires erupted the following night, destroying what was left of the camp and triggering a humanitarian crisis of some 12,000 homeless migrants, AP responded again with unmatched live video, sharp text and powerful photos that virtually swept front pages.

For their quick, competitive response and extraordinary performance to put AP well ahead, the team of Petros Giannakouris, Derek Gatopoulos, Theodora Tongas, Thanassis Stavrakis, Panagiotis Balaskas, Iliana Mier, Vangelis Papantonis, Elena Becatoros and Nicholas Paphitis shares Best of the Week honors.

Beat of the Week

(Honorable Mention)

Backstage access makes AP a big winner on Grammy night

took advantage of agency exclusive all-formats backstage access at the Grammy Awards, resulting in a wealth of interviews for video, and photo access unmatched by wire service rivals. Isaza, Landrum and Pizzello underwent numerous COVID-19 screenings in the six days leading up to the show in order to gain access. That access came about because of the AP’s decade-plus relationship with the Recording Academy — and a firm stand by AP: Some artists demanded approvals of performance photos, which the AP declined, and some talent said they would only do interviews if certain questions were off limits. Again, no.The AP landed at least 20 video interviews with stars such as Dua Lipa, Da Baby, Miranda Lambert and H.E.R, touching on fashion, racial injustice, their pandemic experiences, the return to performing and more. The biggest wins were photos of Beyoncé and Taylor Swift, both rarely photographed by AP, on their big night. AP was one of four photo outlets onsite and the only photo news wire. Competitive news services were forced to use years-old pictures of the pair, as well as several other stars, with their stories.Isaza produced a behind-the-scenes video feature, and Fekadu’s mainbar — powered by photos from Pizzello and Strauss, and quickly updated thanks to his preparedness — racked up nearly 110,000 pageviews by Monday afternoon. Google listed AP’s story first in searches for Grammys or Beyoncé during the evening. https://apnews.com/hub/grammy-awards

Beat of the Week

(Honorable Mention)

All-formats exclusives examine Japan tsunami, 10 years on

produced a string of visually driven exclusives to feed global curiosity about how Japan has fared a decade after one of history’s worst tragedies — the massive earthquake, tsunami and nuclear meltdown that upended the lives of millions in 2011.Nuga and Hoshiko spent time on the battered northeastern coast while Yamaguchi, Tanaka and Komae made their way into the area around the Fukushima nuclear plant. The trips produced compelling before-and-after images of the wreckage, and all-formats vignettes of the lives of the survivors with explainers, galleries, videos and exclusive stories. Among the highlights were the moving story of a man who learned to dive so he could search, week after week, for for the remains of his wife, and gripping visual essays of the still-scarred landscape of northeast Japan, the eerie no-go zones near the nuclear plant and a hotel that has done weekly bus tours for hundreds of thousands of visitors interested in seeing the ravaged landscape. AP’s video showing was particularly strong, including footage of people symbolically searching the beach for bodies of the missing and quick live views of commemorative ceremonies across the country.https://bit.ly/3vBYckXhttps://bit.ly/38ONuxMhttps://bit.ly/2Q62S20https://bit.ly/3f1zFjthttps://bit.ly/3vyESEVhttps://bit.ly/3ttHTVm

Beat of the Week

(Honorable Mention)

Nimble all-formats team dominates Uganda election coverage

used journalistic savvy and resourcefulness to overcome both an internet ban and AP’s competitors to deliver outstanding all-formats coverage of Uganda’s Jan. 14 presidential election.Uganda had gone to great lengths to discourage international observation of the polls. Just getting into the country with all-important live broadcast equipment required driving into the country at a less-policed border point.And Uganda was widely expected to cut its internet on election day. When it did, reporter Muhumza was unfazed, having wisely filed comprehensive advance copy to colleagues outside the country. He updated with key quotes and details sent by text message.Despite the internet cut, the video team of Kasire and Mwihia noticed that international roaming data was still working. They promptly switched all the SIM cards in their LiveU unit, delivering an incredible four-hours of agency-exclusive live video showing polls opening and heightened security. Authorities eventually got wise and cut off roaming data too.Meanwhile, Delay’s decision to rent a vehicle with black-tinted windows also paid off, allowing him to move around the capital to make compelling photos of security forces without drawing unnecessary attention.Ultimately, the team used its local contacts and managed to negotiate their way into the heavily guarded state broadcaster, where they continued to discreetly file developments for days via state TV’s still operational fast internet — an enormous edge over our competitors who had to rely on much slower communications. The final triumph was to patch and broadcast, live and exclusive, a clean feed of President Museveni's national address on his win.https://bit.ly/39FxH3Chttps://bit.ly/2KEm8l0https://bit.ly/396i1Hy

Beat of the Week

(Honorable Mention)

AP explores racial double standard in Capitol attack

explored the apparent disparity between the response to the Jan. 6 attack on the U.S. Capitol and last year’s racial justice protests.New York-based race and ethnicity writer Aaron Morrison had watched President Donald Trump’s supporters storm the Capitol and reasoned that the protesters who called out racial injustice over the summer wouldn’t have been allowed to get close enough to the Capitol to breach it. Morrison and the AP team set out to examine the circumstances.Sources gave Morrisons interviews or statements saying that Black people who protest systemic racism are often met by police or National Guard troops equipped with assault rifles and tear gas. However, they pointed out, the mostly white mob that attacked the Capitol was met by an underwhelming law enforcement presence.Urban affairs reporter Gillian Flaccus contributed to Morrison’s reporting from Portland, Oregon, where Black Lives Matter advocates quickly noted the discrepancy between Trump’s response to racial justice protests in the Pacific Northwest city and his encouragement of the violence in the halls of Congress.Washington-based broadcast producer Padmananda Rama interviewed newly sworn-in St. Louis Rep. Cori Bush, who said the race of the Capitol rioters played a big part in their ability to breach the building; her video was packaged with the text piece. And Top Stories Hub photo editor Alyssa Goodman pulled together several images contrasting how the last week’s insurrection was handled as opposed to the racial justice protests.The violent breaching of the halls of power on Capitol Hill represented “one of the plainest displays of a racial double standard in both modern and recent history,” Morrison wrote.https://bit.ly/3bCEcqvhttps://bit.ly/38HK0x2

Beat of the Week

(Honorable Mention)

Putting people before politics in Brexit trade coverage

delivered a unique story on the people directly affected by the high-stakes trade talks reaching a crescendo in Brussels. While competitive news organizations focused on the post-Brexit political wrangling, AP took an exclusive look at struggling French fishing crews and overwhelmed British truck drivers stuck in traffic jams at the English Channel. Thanks to years of source building in the region, the journalists were able to identify subjects that provided strong visuals, capturing the attention of AP clients and the public.https://bit.ly/382rj5Ghttps://bit.ly/3gQud1Fhttps://bit.ly/387pGnn

Beat of the Week

(Honorable Mention)

AP captures the essential work of Spain’s mortuary workers

produced a powerful set of images that captures the grim but essential work of mortuary workers collecting the bodies of COVID-19 victims from hospitals, nursing homes and private residences in Spain. Since the pandemic began in the spring, Morenatti has recorded the impact of the coronavirus on Spain with moving and sometimes jarring photo packages from spaces not often open to journalists: hospitals, funeral parlors and even private homes. While the images may shock, Morenatti consistently documents his subjects with sensitivity and respect. His latest package is no exception.After weeks of trying, Morenatti managed to embed with the Barcelona mortuary workers. His photos, accompanied by colleague Joe Wilson’s text, revealed the important work done by people in a profession that rarely makes headlines, and also captured the emotional toll on the workers. One image from a nursing home showed workers in protective suits removing the body of an elderly COVID victim as another resident slept in an adjacent bed. The images played widely, including the front-page of Spain’s leading daily, El Pais, and made The Guardian’s “20 Photographs of the Week.”https://bit.ly/36yJvVdhttps://bit.ly/36BFfnM

Beat of the Week

(Honorable Mention)

Ukraine revisited: A surge of COVID, a shortage of doctors

returned to the Ukraine to follow up on their May coverage of the country’s outbreak of COVID-19, finding that over the past five months the situation has deteriorated even more. Amid a critical shortage of doctors, the virus has recently made a fierce comeback and many of the healthcare workers they previously documented have since died of the virus.The pair focused on a small hospital in the western part of the country that had been designed for 100 patients but already held 106. They also told the powerful story of a 51-year-old therapist, featured in their earlier story describing the challenges of the outbreak. The man had died the previous week of double pneumonia, which his colleagues believe was caused by the coronavirus, even though he tested negative for it. The therapist’s widow told Chernov she was grateful for AP’s coverage earlier in the year: The stories were so widely published that the whole country knew of her husband and was mourning his death with her.Working with reporter Yuras Karmanau, currently in Kyiv, Chernov and Maloletka produced a deeply reported text story, two exclusive video stories and a comprehensive photo package that gave an intimate look at the crisis in Ukraine. The all-formats work was used by numerous key AP customers.https://bit.ly/3iUbjGv https://bit.ly/3nMI63Mhttps://bit.ly/3lLt64Ghttps://bit.ly/2SO71G6

Best of the Week — First Winner

AP investigates medical care at immigrant detention facility after explosive allegations

The allegations were explosive: A nurse at an immigration detention facility in rural Georgia said a gynecologist she called “the uterus collector” performed mass hysterectomies without detainees’ consent. 

Reaction was fast and furious, but the AP treated the unsubstantiated allegations cautiously. Immigration reporter Nomaan Merchant dug into the story amid intense competition, reaching out to sources, doctors and a detainee who had surgery performed without her consent. 

While his review did not find evidence of mass hysterectomies, Merchant revealed a growing pattern of women not consenting to procedures that potentially jeopardized their ability to have children. Three days later, the AP was first to report that the doctor would no longer treat immigrant detainees.   

For impressive work that broke new ground on a highly charged story, Merchant wins AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

Nimble AP journalists deliver unmatched Hurricane Sally coverage

scrambled to provide timely coverage of Hurricane Sally. The storm was expected to hit Mississippi as a low-level hurricane, but at the last minute swung sharply to the east, forcing the AP team to regroup. Reeves and Herbert left Gulfport and hopscotched over Alabama to Pensacola, Florida. Wang stayed in Mobile while Plaisance moved from Louisiana to the Mississippi coast.Their flexibility meant unmatched coverage of the surprisingly strong storm. With the idea of getting photos to the wire fast, Herbert shot some pre-dawn pictures before the flooding could be assessed. When the sun rose, he stepped out of his hotel and took a series of photos that ended up defining the storm, the lead images on the apps for both the The New York Times and The Washington Post. Reeves gathered color to tell the stories of those impacted. Wang and Plaisance sent video that accounted for seven of the top 20 most used pieces of the week.https://bit.ly/32RAParhttps://bit.ly/2G578K3https://bit.ly/2RW4BVbhttps://bit.ly/3kzWSschttps://bit.ly/3hXvOS2https://bit.ly/33SW37c

Best of the Week — First Winner

Coverage of Floyd protests, Brazil’s virus toll, commands global attention

The end of May saw unprecedented news: The coronavirus pandemic continued to spread infection and wreak economic havoc around the globe, while much of the world’s attention pivoted suddenly to protests across the U.S. that spread to Paris, London, Australia and elsewhere after the suffocation death of George Floyd in Minneapolis on May 25.

This week’s Best of the Week recognizes AP’s work surrounding each of those mega-stories, with top honors going to Baltimore-based photographer Julio Cortez for his iconic photo of a protester holding an American flag aloft, and to the AP all-formats team in Brazil for continuing coverage of the virus in a nation being ravaged by COVID-19.

Beat of the Week

(Honorable Mention)

Desperate African migrants risk deadly Atlantic crossing

revealed that migration from Africa to Europe is still happening in the depths of the coronavirus pandemic – and shifting from the Mediterranean to the deadly Atlantic route. The Barcelona-based journalists traveled to the Canary Islands and saw firsthand boats full of migrants – including some who had died – arriving on the Spanish archipelago.The pair was kicked out of the port area for trying to document arrivals because it’s such a sensitive subject, and many sources, under government pressure, stopped talking to the AP. But the AP team worked around the restrictions, getting access to migrants and spending time with them. Brito and Morenatti reported that more than 250 people are known to have died or gone missing so far this year, and at least 20 bodies were recovered in the week we there, evidence of the extreme risk taken on the ocean crossing.The story attracted attention in Europa and Africa with high engagement, particularly for the photos and video.

Best of the Week — First Winner

From migrants to COVID, Morenatti delivers a week of outstanding images

Rarely does a Best of the Week award to go to a single AP journalist for work on a variety of stories. But the consistent excellence in the images of Barcelona-based Emilio Morenatti – on stories large and small – moved the judges to make an exception. 

He started the week with a powerful story on migrants crossing a treacherous stretch of the Atlantic to the Canary Islands. And he finished with a remarkable set of photos on a COVID-19 patient, wheeled in his hospital bed to a promenade on the Barcelona waterfront. In between those stories he covered soccer star Lionel Messi’s spat with Barcelona, daily life and more.   

Each of his assignments reflected the highest standards of visual journalism and a level of emotional investment that few can match, earning Morenatti AP’s Best of the Week accolade.

Best of the States

The pandemic crisis ‘laid bare’ in AP report from Texas maternity ward

Few places in America have been as hard hit by the pandemic as the Texas border, and the package by this all-formats team exposes the stark contrast between this part of the country and regions with greater resources. 

With access to two hospitals overwhelmed by cases in the Rio Grande Valley, AP reporter Paul Weber, photographer Eric Gay and video journalist John Mone carefully documented stories of patients and staff, including a new mom in the maternity ward who unknowingly contracted the virus and had to be isolated from her newborn. 

Weber wrote: “The U.S. failure to contain the pandemic has been laid bare.”

For a compelling and hard-to-report all-formats package, Weber, Gay and Mone win this week’s Best of the States award.

Best of the Week — First Winner

AP Exclusive: Portland protests – the view from both sides of the fence

This week’s Best of the Week celebrates the team of AP journalists whose extensive coverage of the Portland protests culminated in an exclusive all-formats look at the conflict from the perspective of both demonstrators and federal officers.

With reporting and visuals from inside the federal courthouse that no other news organization could match, and consistently strong coverage from the crowd massed outside the building, the AP team documented the drama and chaos, as well as the human stories amid the nightly volley of fireworks and tear gas canisters.

The defining feature that moved Sunday night was the most clicked/engaged AP story for much of Monday, sparking discussion and widely cited for its comprehensive, fair reporting.

For balanced and insightful coverage from both sides of the Portland divide, setting AP apart on a highly charged story, the team of Gillian Flaccus, Mike Balsamo, Aron Ranen, Marcio Sanchez, Noah Berger, Sara Cline and Krysta Fauria wins AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

Hit by water cannon, AP’s Balilty captures iconic photo of Israeli protests

Oded Balilty, acting chief photographer, Jerusalem, has gained widespread attention in Israel and abroad for his body of work – breaking news images and striking portraits – depicting Israel’s wave of anti-government protests. His photo of a young man holding an Israeli flag as he is doused by a police water cannon emerged as the most iconic image of this summer of unrest, in which protesters accuse Prime Minister Benjamin Netanyahu of corruption and say he has bungled the country’s response to the coronavirus.

On July 18, protesters were blocking a street when police surprised them with water cannons. Balilty himself took a blast of water to the face and was stunned for several minutes. After drying out his gear, he lay on the ground to stay out of the line of fire, then noticed the protester holding a flag. While there were dozens of journalists covering the event, Balilty’s dramatic and evocative photo appeared throughout Israeli media and on news sites around the world.https://bit.ly/3feHhv8https://bit.ly/2EwtjZ4

Best of the States

AP Exclusive: Inside the first major outbreak at an ICE detention center

The reason the warden at a large San Diego detention center gave for not wearing masks amid the pandemic was astonishing – and likely helped fuel a large outbreak.

“Well, you can’t wear the mask because we don’t want to scare the employees and we don’t want to scare the inmates and detainees,” a guard recalled being told.

That’s just the lead of the story by AP’s Elliot Spagat, who landed the first detailed interviews with employees and detainees about the situation at the Otay Mesa Detention Center. Spagat also reviewed hundreds of pages of court documents and government data to provide the most complete account yet of the first major outbreak at a U.S. immigration facility.

For giving readers a behind-the-scenes look at some of the factors that surely contributed to the virus outbreak, and for holding the warden and other officials accountable, Spagat wins this week’s Best of the States award.

Best of the Week — First Winner

Houston team vividly documents the grim reality playing out inside a Texas hospital

With coronavirus cases surging in Texas and other states, AP journalists David J. Phillip, John Mone and Nomaan Merchant went beyond the daily numbers to show the reality inside a small Houston hospital. In a gut-punch story that landed in newspapers and on nightly newscasts, the trio’s work included the last moments of a woman’s losing battle with the coronavirus.

But the package – Phillip’s photos, Mone’s video and Merchant’s text story – captured more than just a moment. It showed, with sensitivity, the grim realities almost certainly facing frontline workers in hospitals around the country.

Reaction to the story was massive. It was widely used in all formats by broadcast, print and online outlets in the U.S. and beyond. The video alone was the most-used U.S. story of the day – to a degree rarely seen.

For compelling, empathetic and revelatory storytelling from the frontline of the coronavirus fight, Phillip, Mone and Merchant win AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

AP first to identify Iran’s damaged centrifuge site

used deep sourcing, analysis of satellite photos and knowledge of Iran’s nuclear program to put AP out front in reporting that a fire had damaged Iran’s advanced centrifuge assembly plant at Natanz, one of the most-tightly guarded sites in all of the Islamic Republic after earlier acts of sabotage there.https://bit.ly/3f8RHgLhttps://bit.ly/31ROZII

Beat of the Week

(Honorable Mention)

Moving photos: Spanish nursing home adds the human touch

crafted a tender, poignant photo package of nursing home residents in Spain hugging their relatives through protective sheets of plastic, his images almost instantly resonating among audiences worldwide. “One of the most moving epidemic-era photos I have seen,” wrote one Twitter user. Another called it “an ode to love and so heartbreaking. Terrific work.” Multiple media organizations including The Guardian and CNN included Morenatti’s work in their must-see photo collections of the week. https://bit.ly/2YK0iRg