delivered fast, well-reported and clearly written stories about stocks, bonds and commodities hour-by-hour as markets gyrated and the global economy shuddered.https://bit.ly/2WN0pe5https://bit.ly/39n8g4
delivered a comprehensive national look the chaotic rollout of drive-thru coronavirus testing centers. Her reporting revealed that despite promises of widespread tresting, the drive-thru sites that were popping up in state parks, parking lots and outside hospitals were often plagued with long lines, inconsistencies, delays and shortages. https://bit.ly/2QR9Fdv
reported a strong inequality-themed story on how government agencies were failing to publicize coronavirus health alerts in Spanish. The story focused on how Arizona, with 30% of its residents Hispanic, has no information on its state health webpage in Spanish and the health department was still translating coronavirus updates. https://bit.ly/2Jk6rv6
The Life Care Center in Kirkland, Washington, has emerged as the epicenter of the COVID-19 outbreak in the United States. At least 35 coronavirus deaths have been linked to the facility, and more than half of those inside have tested positive, leaving the remaining residents in a sort of purgatory that has anguished their relatives.
Photographer Ted Warren has spent much of his time recently outside the long-term care center, documenting in heartrending photos how people have tried to communicate with mothers, fathers and loved ones through windows because visitors are no longer allowed inside.
Warren found an ideal subject for conveying this desperation in the story of 86-year-old Chuck Sedlacek. With reporting by Gene Johnson, the pair delivered a package that detailed the isolation and anguish faced by the nursing home residents and their families – a feeling of helplessness many more are likely to experience as the disease spreads across the country.
For compelling work that conveys the frustration and despair of families coping with the coronavirus at a facility in the glare of the media spotlight, Warren and Johnson earn this week’s Best of the States award.
As sweeping restrictions and lockdown measures rolled out across the world in the wake of the coronavirus pandemic, AP’s team of staff and freelancers in Italy set an example for how to produce compelling and competitive journalism in all formats despite major challenges affecting them both professionally and personally, including the very real risk of being placed in self-quarantine for covering stories in risk zones.
Three weeks into the Italian outbreak, AP produced some of the strongest coverage yet including multiple exclusives and beats across formats. That work included: How the northern town of Codogno greatly reduced the spread of the virus, a first-person account of the lockdown’s impact on families, overwhelmed doctors drawing parallels to war-time triage, rioting at Italian prisons, residents showing solidarity from their balconies, and more.
AP’s coverage throughout the crisis in Italy has consistently won heavy play online and in print.
For resourceful, dedicated and inspired journalism under unusually demanding circumstances, the Rome and Milan bureaus receive AP’s Best of the Week award.
moved at light speed with the announcement late Friday afternoon that “out of an abundance of caution,” the bureau was closing over coronavirus concerns. As desk editors coordinated staffing to keep copy moving, the technology team pulled marathon shifts through the weekend to get all radio and video staffs equipped with both the hardware and software needed to maintain their work, including retrofitting two D.C. hotel rooms into makeshift radio studios. Video staff were brought up one at a time to lock in functionality and training as that group moved to 100% remote editing and filing through tools that had still been in the trial phase. The net result: AP’s largest bureau transitioned seamlessly, maintaining coverage across all formats even as the severity of the coronavirus story was accelerating. https://bit.ly/3a4Mkg3
convinced David Nahmad, a publicity-shy billionaire art dealer who has accumulated over decades the world’s largest private collection of works by Pablo Picasso, to throw open his luxury Monaco home for an exclusive and rare all-formats interview about why he is selling one of his paintings for charity. Nahmad had spoken briefly to a French radio station about raffling of “Nature Morte,” painted by Picasso in 1921, but Leicester proposed that for international audiences, the billionaire should speak exclusively to AP, surrounded by some of his art collection, estimated to be worth $3 billion. The story managed to elbow its way into the news agenda dominated by virus coverage, rising to No. 8 on the list of most-viewed AP stories.https://bit.ly/3dcJoQihttps://bit.ly/2Uo8T8Zhttps://bit.ly/2WyX2Yp
raced to cover rapidly developing stories as dozens of sports leagues and federations around the globe made decisions affecting players, fans and entire seasons in reaction to the spread of the coronavirus.https://bit.ly/2IXA9Wehttps://bit.ly/3a1Vg5Khttps://bit.ly/2UoUAkehttps://bit.ly/3923lWVhttps://bit.ly/2U37Xru
secured exclusive access to a nationwide raid by the Drug Enforcement Administration targeting a Mexican drug cartel, resulting in top-notch video and remarkable images at the scene east of Los Angeles, and at the DEA command center in Virginia.https://bit.ly/393d4Mohttps://bit.ly/2xdMrqT
When tornadoes tore through Middle Tennessee in the early-morning hours of Super Tuesday, AP’s staff deftly pivoted from preparing for the state’s primary to covering a natural disaster.
From first light on Tuesday and throughout the day, Nashville and Memphis staffers delivered compelling all-formats coverage of the devastation that left at least 24 dead statewide. The team also connected the disaster to the primary, monitoring the impact on voting.
Strong aftermath coverage followed, including a presidential visit on Friday and well-received pieces on recovery efforts and a worship service at a damaged church. With out-of-state staffers and the entire South Desk contributing to the coverage, the sustained effort showed the AP at its best.
For proving nimble, responsive and collaborative coverage on a major breaking news story under chaotic conditions, the multiformat Tennessee team of Travis Loller, Kristin Hall, Kimberlee Kruesi, Mark Humphrey, Jonathan Mattise, Adrian Sainz and Teresa Walker shares this week’s Best of the States award.
On Super Tuesday afternoon, AP’s Stephen Ohlemacher and Emily Swanson were locked away in a conference room – isolated from their colleagues in the Washington bureau – reviewing incoming results from AP VoteCast. AP’s survey – developed to be more accurate than traditional exit polling – was already revealing what was about to happen on the biggest night of the Democratic presidential primary campaign.
The VoteCast data revealed trends in absentee voting and shifting preferences as Democratic candidates dropped out of the race, giving AP the evidence it needed to call California for Bernie Sanders as the state’s polls closed at 11:00 Eastern. News outlets relying on exit polls would not make that call for more than a week.
Meanwhile, Seth Borenstein was crunching the numbers on the all-important delegate count, a task that required days of painstaking analysis of incomplete data to reach this conclusion: Joe Biden won more delegates on Super Tuesday than did Sanders.
Like the Caliofornia race call, news of Biden’s delegate victory rocketed around the world.
For completing in-depth, accurate analysis of election data on deadline, enabling AP to tell the complete story of Super Tuesday before all others, Swanson, Ohlemacher and Borenstein win AP’s Best of the Week award.
New York-based health and science reporter Mike Stobbe and Rome video journalist Trisha Thomas delivered two very different exclusives that stood out amid the week’s impressive range of AP coronavirus coverage.
Stobbe was the first to report that the Centers for Disease Control and Prevention wanted to tell a wide swath of Americans that they shouldn’t get on commercial flights because of the virus. But the agency was overruled by the White House. Instead, federal officials settled on softer, less direct language. Realizing the significance, Stobbe pressed multiple sources until he had confirmation of the White House action.
Meanwhile, continents away, Rome visual journalist Trisha Thomas was visiting Padua when she learned the Italian city was about to be locked down. After making frantic arrangements to leave by train, she turned her personal odyssey into a cross-format package, producing a first-person essay and video story that gave a human face to Italy’s virus emergency.https://bit.ly/2TUgQCohttps://bit.ly/2W6dxL8
captured the conflict unfolding on the Turkish-Greek border in a way that competitors couldn’t match. With gendarmes making it more and more difficult for journalists to get close to the border clashes between Greek riot police and migrants attempting to cross the border from Turkey, the pair had to blend in among migrants to avoid the attention of Turkish police. They carried food and water in plastic bags and hid their cameras inside their clothes, dropping to the ground among migrants to take cover from tear gas fired from the Greek side. Their tactics enabled them to make photos and video – unmatched by other agencies – of the chaos and desperation at the border.https://bit.ly/3aNn1z1https://bit.ly/38KWqRN
spent hundreds of hours with the Yeshiva University basketball team as AP’s religion team looked at how Yeshiva navigates the world of college athletics while facing misperceptions of who they are as Jews – and even outright anti-Semitism, sometimes on the court. The New York-based trio delivered a deeply reported all-formats package as the Maccabees went on a historic run and won their conference championship. AP was there for the games, but also for classes, meals, family time, dorm time and a wedding. The relationship and trust built with the team became even more valuable as the team endures a new challenge: A Yeshiva student, not on the team, tested positive for the coronavirus, causing the team to be banned from a Baltimore hotel.https://bit.ly/2TMEulBhttps://bit.ly/3aOhckThttps://bit.ly/2U1DcSzhttps://bit.ly/3cVdIio
dominated coverage in all formats as a former security guard took hostages during a standoff at a Manila shopping mall. AP was first on the scene with live video and sharp, resourceful handling of text and photos. AP’s video was ahead of the competition on all the key developments, and we were the only agency still broadcasting live when authorities tackled the hostage taker as he spoke to the media.https://bit.ly/2U0rNm2https://bit.ly/2Qbby4t
delivered back-to-back scoops on the Metropolitan Correctional Center, the jail where Jeffrey Epstein killed himself, that is billed as one of the most secure in America.Balsamo and Sisak first learned through sources that the jail was on lockdown because of a report of a possible gun that had been smuggled inside. Next, they had a scoop when investigators looking for the gun found contraband instead, including cellphones, narcotics and homemade weapons. The spot news died down, but they stayed focused on the story and it paid off: A source called Balsamo and said off the record: “You'll never believe it, we found the gun!” The smuggled items marked a massive breach of prison protocol and raised serious questions about the security practices in place at the Bureau of Prisons.AP’s exclusive was used by virtually every major outlet. https://bit.ly/3aRDLVW
using the Bambuser live video app on his iPhone for the first time, transmitted live footage of Elizabeth Warren showing up to vote on Super Tuesday. His video was so good, both NBC and ABC used it, and ABC – which had its own camera following Warren – switched to Binkley's shot midfeed. https://bit.ly/2TJ0XzV
noticed that the NRA planned to auction off firearms during a fundraiser at Country Music Hall of Fame and Museum, but she knew that the Nashville, Tennessee, museum didn't allow weapons inside. So she reached out to the museum, the NRA, country artists and more for comment. Soon after Hall raised the question of the apparent violation of museum policy, a spokesperson confirmed to her that the April event will not take place at the site. Other news outlets had to cite AP’s reporting. https://bit.ly/2vSOAbz
kept AP ahead of the competition throughout coverage of the first U.S. cruise ship to be struck by the coronavirus, repeatedly scoring exclusive photos and video from passengers stuck aboard the ship. After learning about the ship, Rodriguez began scouring social media looking for passengers and stayed in touch with them for several days, some of them becoming citizen reporters on the ship, sending regular updates, photos and video to AP.https://bit.ly/2TLsyADhttp://bit.ly/3aHzOCYhttp://bit.ly/39yMBYi
scored two book publishing exclusives in one week: He was first to report on a Woody Allen memoir being released by Hachette, the same publisher that released the #MeToo book by Allen’s estranged son, Ronan Farrow. Days of criticism – including a walkout by Hachette employees – followed, and the publisher canceled the book. Italie also landed a joint interview with Oprah Winfrey and author Jeanine Cummins when he was the only media representative to attend a town hall about the controversial book “American Dirt,” which has been accused of perpetuating stereotypes of Latinos.https://bit.ly/2QaUeMPhttps://bit.ly/2U6siv0https://bit.ly/33d4p8Yhttps://bit.ly/2TTpC3q
