caught up with a new trend when she highlighted a study that showed a little-known form of solar power, floating solar panels, is starting to be taken seriously in the U.S.Read more.
Hail Mary? Hail Julio. As swarms of players and media surrounded Taylor Swift and Travis Kelce after the Kansas City Chiefs’ AFC championship win, photographer Julio Cortez captured the perfect shot: the couple kissing on the field, Swift’s hand pressed against Kelce’s cheek. It was an intimate moment amid chaos, one that only Cortez — AP’s chief photographer for Texas and Oklahoma, temporarily returned to Baltimore — got. Other outlets made photos of the couple embracing, but Cortez had the singular — and viral — angle.
Before Sunday’s game, the only photos of Swift’s football attendee era were made in tunnels or from afar as she watched in luxury suites. But Cortez knew that if the Chiefs punched their ticket to another Super Bowl, players’ friends and families would end up on the field. With AP’s Matt Slocum, Alex Brandon and Nick Wass in their assigned on-field positions, Cortez called an audible, walking around the stage to find Swift. A believer in being “pushy but professional,” Cortez “sweet-talked” bodyguards to get into unique position. Swift and Kelce’s reunion was, well, swift. As Kelce “gave her the fastest kiss,” Cortez jumped in front of the NFL Films camera, raising his own over a guard’s head. About a minute after the photo was made, photo editor Mike Stewart knew it was the shot of the game, affixing the golden APTOPIX stamp. It was immediately picked up by hundreds, rocketing around the world with usage by customers ranging from The New York Times, People to India’s Hindustan Times and Argentina’s La Voz.
For an image that’s assuredly a first-ballot Hall of Famer, Cortez is Best of the Week — First Winner.
AP collaborated on a rare hopeful story about the world’s corals in the age of global warming.Read more
Members of the AP Climate team were struck by the large size and flashiness of stands dedicated to oil and gas at last year’s COP27. The AP team wanted to get beyond the anecdotes to truly measure the presence and influence of fossil fuels industries.
Climate data journalist Mary Katherine Wildeman developed a methodology to cross reference, identify and categorize more than 24,000 participants at the summit that focuses on reducing greenhouse gas emissions.
Climate reporter Seth Borenstein, Climate news editor Dana Beltaji and their colleagues found nearly 400 people from fossil fuels industries attended the summit, not always in a transparent way.
The analysis led to other stories from AP’s Climate team, including water reporter Suman Naishadham and video journalist Victor Caivano’s package about Canada’s commitments to climate. In a separate story, Wildeman, Climate editor Doug Glass and Climate news director Peter Prengaman pored over documents to find that despite lots of talk, oil and gas companies are not moving toward a transition to green energy.
Climate video editor Teresa de Miguel and Climate photo editor Alyssa Goodman developed creative visual plans for all three stories to elevate the data and storytelling.
For work that resulted in three exclusive stories ahead of COP28, the team of Wildeman, Borenstein, Naishadham, Caivano, Beltaji, de Miguel and Glass win Best of the Week — First Winner.
A pair of richly told stories and stunning visuals by AP revealed how climate change, generational shifts and other issues are impacting the Navajo tradition of herding sheep and the art of weaving using the animals’ wool.Read more
Since Oct. 7, Associated Press staff in Gaza and Israel have worked tirelessly to cover the war — and to go beyond the news with deep, impactful coverage.
From live feeds and NR/CR videos to powerful photographs, text stories, audio and interactives, the Associated Press has written the first draft of history by covering the spot news around the clock — and by going deeper with resonant journalism about individuals directly affected by the war. These stories are written by colleagues who themselves have evacuated their homes and struggle to get food and water, by colleagues for whom air raid sirens have become a part of daily life.
Outside of the region, colleagues have written thoughtful analysis and all-formats takeouts on the broader resonance of the Israel-Hamas war. They’ve edited text, photos and video and worked to ensure that our standards are met throughout the report.
Because of that work across the AP, we this week honor all of those colleagues who’ve contributed to the urgency, breadth and depth of the report across all formats in our coverage of the Israel-Hamas war with a Special Citation, most especially those in the region.
The first word came at 6:25 a.m., Oct. 7 local time: Red alerts were issued via WhatsApp for several locations in Israel. Sirens could be heard in Tel Aviv. AP journalists saw rockets being shot from Rafah in Gaza towards Israel. Then word filtered in from the Israeli army that there were numerous security breaches in central and southern Israel. More rockets fell, with Israeli ambulances dispatched to areas where residents had reported strikes. Taken together, it told of an ominous new day in the region.
The first of what would be many AP news alerts moved 20 minutes later: Israel says Palestinian militants have infiltrated into Israeli territory from Gaza.
What unfolded over the days was massive in its scope: The militant armed group Hamas executed a well-planned surprise attack on what would normally be a joyful holiday, Simchat Torah.
The Israeli army, caught off guard, struggled for days to regain control of the invaded towns. Israel released counterstrikes into Gaza, killing hundreds. Over the next 10 days the toll would rise to thousands dead in Gaza and in Israel.
Throughout the conflict, the teams in Israel and Gaza worked with courage, determination and excellence under extremely challenging circumstances to report on the painful events affecting them and their families. They earn Best of the Week — First Winner.
Years of reporting on Libya from afar and a local freelancer’s willingness to travel treacherous roads allowed AP’s team to alert the world about a disaster of massive proportions, after heavy floods burst two dams above the city of Derna, washing away and killing thousands.
It took nearly 24 hours for news to emerge from Libya of the deadly floods. But with the country divided between rival governments with spotty records for accuracy, it was tricky to grasp the extent of the devastation.
When one of the governments reported more than 2,000 dead and counting, Libya video producer Adel Omran was the first to alert the team, after which Cairo reporter Samy Magdy called contacts in the health care and aid community, who confirmed that toll and said it was likely to rise.
Misrata-based freelance photographer Yousef Murad drove hours to the scene, sending an initial dispatch showing mass burials for the rising number of bodies. On the ground, Murad faced difficult conditions and lack of basic amenities as the stench of death overtook the city. His subsequent stories documented the immense recovery effort and the stories of survivors.
For their harrowing work revealing a complex story of disaster and recovery, Magdy, Murad and Omran are this week’s Best of the Week — First Winner.
In Kenya, police brutality has long been criticized. But the violence this month against demonstrators still shocked. AP delivered an all-formats documentation of it, along with attempts to hide it.
As Kenyans protested new taxes and the cost of living, freelance photographer Brian Inganga delivered widely shared images of several people shot by police in one of Nairobi’s most volatile neighborhoods.
As rumors circulated about the number of people shot dead, AP confirmed that police received orders not to report the deaths, not even to their oversight authority, which is illegal. East Africa correspondent Cara Anna combined that with data from a medical-legal watchdog group to show that police had killed more than 30 people.
East Africa writer Evelyne Musambi wrote about one of the victims, a young man who carted water. Kenya’s president, William Ruto, had relied on the support of just these kinds of working class “hustlers” to win office, but they took the brunt of the violence. Video journalist Josphat Kasire was instrumental in finding the victim’s family through patient efforts at the morgue.
For showing the scale of violence that the police wanted to keep under wraps, all while protecting each other’s backs amid street violence, Inganga, Anna, Musambi and Kasire are this week’s Best of the Week — First Winner.
applied data work and old-fashioned reporting to reveal how officials allow successive waves of young children to be harmed by lead, by leaving lead pipes in the ground when they already have pipes dug up for water main work.Read more.
used determination and empathy to gain access to the world of Afghanistan‘s hard-drug street addicts. The result is an unflinching but sensitive photo package that takes readers inside the addicts’ bleak lives. His images, raw, yet layered and nuanced — are at once intimate and riveting.Noroozi spent hours at locations in Kabul where the addicts gather — on a hillside and under a bridge. The addicts gradually accepted his presence and he was able to follow the grueling flow of their daily lives, apparent in his images. He also photographed am government raid, the Taliban allowing him access to their drug rehabilitation center where he wound up making striking images on multiple trips.Complementing the haunting photos, Noroozi’s personal notes of his visits were so compelling they were fashioned into a first-person account, drawing readers directly into the experience.Read more
offered a compelling look at how recent storms transformed California from being in a state of drought to flush with water.Read more.
relied on emails obtained through open records requests for an exclusive story documenting the competing priorities and tensions that sank negotiations between several western states for voluntary cuts in Colorado River water allotments.
Interviews with water officials cultivated for months -- or in Fonseca's case, years -- were key to supplementing and explaining what the emails showed. A separate public records request by Michael Phillis helped in building a timeline of the negotiations.Read more.
traveled 300 miles over muddy tracks and by water via outboard to visit seven villages of an ignored tribe of Kichwa Indigenous people and to hear their testimony about a historic injustice that is also an example of a current trend in climate finance. Tribal members say their historical lands were taken away, throwing them into poverty, to create a national park from which the Peruvian government earns millions in climate carbon credits from faraway oil companies such as Shell and TotalEnergies.Read more.
delivered compelling text, photos and video that depicted the chaos and sense of community spirit that followed a magnitude 6.4 earthquake in a remote stretch of rural Northern California, putting strong all formats coverage on the wire despite issues with cell service and internet. Beam and Vasquez were awoken by early morning phone calls from editors to head far north in the aftermath of a 6.4-magnitude earthquake that rocked Northern California.Read more.
took readers on deep dive into the Mediterranean to see how conservation efforts can revive once lifeless coastlines.Read more.
collaborated across formats while overcoming difficult access and logistical hurdles to produce fast, distinctive, widely used coverage of the devastation caused by Hurricane Ian in South Florida and South Carolina.From breaking news to enterprise pieces to an array of compelling video and photos, AP’s sweeping coverage received extraordinary play across formats, used by major broadcast, print and online outlets.Read more
teamed up on strong reporting from the field to elevate coverage of a global report on environmental activists killed around the world. When the non-governmental organization Global Witness reached out to AP and other organizations about its annual report — 200 environmental activists killed globally in 2021 — AP decided to go beyond the announcement itself to find a story illustrating the findings.The AP Mexico City-based team ended up telling the tragic story of Yaqui Indigenous water-rights leader Tomás Rojo, one of the 54 activists killed in 2021 in Mexico, the deadliest place in the world for environmental and land-rights defenders.While most other news outlets were content to publish just the findings of the Global Witness report, the AP team’s on-the-ground reporting produced a vivid all-formats package that added a human dimension to the sobering numbers.Read more
collaborated on in-depth coverage from all corners of the Colorado River basin, building a comprehensive, visually engaging and illuminating series on the state of one of America’s most important rivers, which is approaching a crisis point because of climate change and overuse.All-formats AP journalists teamed up with the Colorado Sun, Albuquerque Journal, Salt Lake Tribune, Arizona Daily Star, Nevada Independent and Santa Fe New Mexican, all contributing stories from their respective states.The series included 11 text stories, with photos and animations for each, exploring the river from the perspectives of all seven Basin states, Native American tribes and Mexico. The package featured two revealing video pieces, an overview of how the river got to this point and the challenges tribes face to exercise their water rights. One week after the series launch, the stories had been picked up by more than 1,100 outlets.Read more
reported from the ground, the water and from the air to document the impact of climate change and land loss on the vanishing island breeding grounds of Louisiana’s brown pelicans, as well as the people and other wildlife that depend on this coastal ecosystem.After obtaining permission to visit the off-limits barrier islands, the all-formats trio revealed in words and striking visuals the effects of erosion and sea level rise on the coastal habitat and Louisiana’s saltwater marshes, and what remains to be lost: Louisiana’s state bird, the brown pelican, brought back over decades from the edge of extinction.Read more
