for dominating coverage in the aftermath of the death of a 7-year-old Guatemalan migrant Jakelin Caal in the custody of the U.S. Border Patrol.https://bit.ly/2T0U0qMhttps://bit.ly/2LrslwH
Execution coverage often focuses on the condemned inmate or the manner of death. So, faced with covering his eighth execution – a Florida serial killer – Tallahassee correspondent Brendan Farrington told the extraordinary personal story of a victim who escaped and helped police find the man after he raped her decades ago. That woman had chosen to witness the man’s execution.
Farrington doggedly tracked down the woman, now a sheriff’s deputy, who finally agreed to an interview on the eve of the execution. Her compelling story resonated with readers everywhere.
For his persistence and sensitivity in telling a personal and emotional victim’s story in what could have been a rote story on a serial killer’s execution, Farrington wins this week’s Best of the States award.
Police videos of officers shooting unarmed black men have sparked angry protests in Chicago, Sacramento and other U.S. cities. But AP’s Ryan Foley wondered: Is it the norm for departments to release footage from body-worn and dashboard cameras?
Foley, based in Iowa City, Iowa, a member of AP’s state government team, investigated and found that many departments routinely deny public access to their videos of officer-involved shootings and other uses of force.
Foley filed open records requests related to roughly 20 recent use-of-force incidents in a dozen states. His letters were met with denial after denial as police departments routinely cited a broad exemption to state open records laws: They claimed that releasing the video would undermine an ongoing investigation. But critics say the exemption is often misapplied to keep embarrassing or compromising video footage from public view.
To tell the story visually, Central Region video journalist Noreen Nasir dug through AP’s archives to highlight the moments and emotions that followed the deaths of unarmed black men, including the fatal police shooting of teenager Michael Brown in Ferguson, Missouri. She also interviewed a woman in North Dakota whose brother died after being shot in the back of the head during a struggle with police, adding a crucial perspective to the video.
At the same time, Panagiotis Mouzakis, multimedia animation producer in London, used the many denial letters Foley had collected to create a video graphic that was incorporated into Nasir’s video, and Beat Team visuals editor Alina Hartounian developed a social plan that helped the package find a huge audience.
For shining a light on how police departments continue to withhold visual evidence and for devising creative ways to illustrate the story, Foley, Nassir and Mouzakis share this week’s Best of the States award.
AP staffers are often called the “Marines of journalism.” First in, last out.
Our small New Zealand team of Mark Baker and Nick Perry showed what that looks like as they responded to horrific mass shootings at two mosques. Their swift response securing early, definitive images and witness accounts laid the foundation for the AP’s dominant, agenda-setting coverage of the tragedy in the hours and days that followed.
Baker, the Southeast Asia photo editor known widely as “Crusty,” lives in Christchurch, where the attack happened. He heard radio reports of a possible shooting at a mosque and quickly alerted Perry, the Wellington correspondent, to get words on the wire. Baker headed immediately to the scene, where his early images of survivors became the definitive shots of the tragedy.
Back in Wellington, Perry aggressively filed on breaking developments before going to Christchurch, where he scored another major win for AP by interviewing an Afghan refugee who would be hailed as a hero for confronting the gunman, likely preventing more deaths.
Asia quickly deployed reinforcements, with cross-format teams ensuring AP kept up its advantage on the ground while colleagues from afar kept the story fresh as Asia slept.
For their quick response that showcased AP’s fundamental advantage when news breaks across the world, Baker and Perry share AP’s Best of the Week award.
What’s lost when a newspaper dies? And how do you tell the story of this slow disaster happening in front of everyone’s eyes and still make the world sit up and take notice?
For reporters Dave Bauder and David Lieb, the answer was by focusing on the residents of one small town as they explained the death of local journalism in an authentic, vivid and compelling way.
It’s a story that’s happened repeatedly across the country, with 1,400 cities or towns losing newspapers in the last 15 years. The aftermath of the loss of the Daily Guide in Waynesville, Missouri, was richly told by a multiformat team of text, video and photo journalists as the centerpiece story for “Fading Light,” the AP’s Sunshine Week package on the decline of local news.
New York-based media reporter Bauder and Lieb, a member of the state government team based in Missouri’s capitol, spent several days in Waynesville and its twin city, St. Robert, reporting the story. Denver video journalist Peter Banda and Kansas City photographer Orlin Wagner worked closely with them to shoot visuals, while Alina Hartounian, the multiformat coordinator for the U.S. beat teams, created social videos that drove readers to the story. Bauder also secured an interview with executives at the company that shuttered the Daily Guide.
The package received incredible attention and sparked discussion online. Bauder and Lieb’s text story has been viewed nearly 120,000 times with high engagement, it has landed on nearly 30 front pages, and has been cited in several influential media reports.
For masterful work shining a light on a problem that has left whole communities less informed, Bauder, Lieb, Banda, Wagner and Hartounian win AP’s Best of the Week award.
The wildfire that consumed Paradise, California, claimed 85 lives while virtually burning the town off the map. But beyond those facts lay a rich narrative of the individuals who perished while calling Paradise home.
AP San Francisco reporters Janie Har and Jocelyn Gecker set out to tell the stories of the victims of the deadly Paradise fire far more comprehensively than was possible in the immediate aftermath: Who were they? Where and when did they die? Did they even have a chance to flee?
To paint a picture of how the tragedy unfolded, the pair spent months tracking down family members – many of whom were wary – to talk about their loved ones, assuring them that AP’s coverage would be more than a recitation of the grim facts. Interviews with California fire officials, a newly available simulation of the fire’s movement on the fateful morning and public records requests enabled AP to produce an interactive graphic giving the exact locations where people died and their approximate times of death.
The result was a riveting package that coupled intimate portraits of the victims with the circumstances of their death. Most never had a chance to flee their homes as the fast-moving fire barreled through.
The moving package was well-received by members throughout California and from coast-to-coast.
For carrying the Paradise story forward with enterprising, sensitive work that focused on the victims’ narratives, Har and Gecker share this week’s Best of the States award.
As the opioid epidemic barrels into its third decade, it’s increasingly hard to find fresh ways to report on the problem. One group that has always been present, usually in the background of stories, are the parents, hundreds of thousands of them who desperately tried to save their children, then buried them anyway. Louisville, Kentucky-based national writer Claire Galofaro chose to focus on them, the survivors who have lost the most to the epidemic.
The project involved journalists across formats throughout the country – Jae Hong, Steven Senne, Pat Semansky, Jeff Roberson, Mark Humphrey, Rodrique Ngowi, Krysta Fauria, Dario Lopez, Ricardo Alonso-Zaldivar and Carla Johnson – teaming with Galofaro and enterprise editors Pauline Arrillaga, Jeannie Ohm, Raghu Vadarevu and Enric Marti to think creatively about how text, video, multimedia and photos could work together.
The result was two beautifully written narratives paired with photographs, an extensive Q&A about the epidemic, a full video story and three digital videos in which we hear three different mothers talking about the extreme lengths they went to to try and save their children.
The series struck a raw nerve – engagement was extraordinary: The main story was No. 1 on apnews.com the day it ran, and it appeared on newspaper front pages nationwide. A week later, news outlets were still using it. Hundreds of readers sent emails and tweets. More than one person said that they felt like they were sitting with these families in their living rooms.
For a cross-format effort so intimate, so devastating, it recaptured the attention of a nation that had been exhausted by stories about the opioid epidemic, the team that produced the Left Behind package wins this week’s Best of the States award.
Over the past two years, the Trump administration has relentlessly moved to relax or repeal major environmental and safety rules for the fossil fuels industry to further its energy goals. Each change was reported by news outlets, including the AP. But Billings, Montana, correspondent and environment team member Matthew Brown decided to look more deeply into the highly touted savings to industry as well as the societal costs.
Brown painstakingly examined 11 major rules targeted by Trump’s administration, wading through many thousands of pages of government documents. Brown identified $11.6 billion in potential savings for companies that produce, use and transport fossil fuels, with billions more expected from a freeze of vehicle fuel efficiency standards that will hike fuel consumption.
But Brown also discovered that those savings will come at a steep cost, including more premature deaths and illnesses from air pollution, increased greenhouse gas emissions and additional derailments of trains carrying explosive fuels.
His Only on AP story ran on front pages of at least 16 newspapers and on numerous web sites. The Washington Post displayed both the main-bar the accompanying glance.
For in-depth reporting and comprehensive accounting of the administration’s actions on important environmental and safety issues, Brown wins this week’s Best of the States.
for being first to report that a condemned inmate who had asked to be put to death by lethal injection, but whose execution had been twice called off by a court fight over the drugs to be used, had killed himself in his prison cell. https://bit.ly/2Qrys51
The nation’s health isn’t improving. In some key measures, it’s getting worse. How is that even possible in an era of genetic medicine and other advances? And how could the AP connect that story to our customers’ own neighborhoods?
AP medical writer Mike Stobbe and data journalist Nicky Forster started with those questions and delivered a winning package on why American life expectancy is getting shorter.
The package ran shortly after the release of the CDC’s annual mortality report which found that U.S. life expectancy had declined again. To find out what was behind the numbers, Stobbe returned to West Virginia, a place he declared the unhealthiest place in America 10 years ago. He connected with people trying to get healthier, witnessed the headwinds of the opioid crisis and explained how difficult it is to improve health en masse.
Forster, meanwhile, assembled an array of data that explained what was happening around the U.S. He matched longevity estimates for more than 65,000 neighborhoods with demographics, and found striking connections to income, race and education. He then built an interactive that allowed readers to see life expectancy in their own neighborhood and wrote a sidebar on the AP’s findings.
For getting beyond the numbers for a richer understanding of why American lifespans are shrinking, and giving AP customers the data to localize their stories, Stobbe and Forster win the week’s Best of the States award.
for her exclusive interview explaining what happened to the West Point cadet whose Twitter postings espousing communism at his graduation went viral and made him the target of scorn and even death threats. https://bit.ly/2KildVL
For more than a decade, Washington photo editor Jon Elswick has negotiated with the Department of Defense over coverage plans for the funeral of former President George H.W. Bush, while Houston photojournalist David Phillip fostered a relationship with the Bush family and their spokesman to secure AP’s shooting positions for the eventual funeral events.
Those relationships were crucial to arranging and executing coverage, paving the way for more than two dozen staffers to parachute into Washington, Houston and College Station, Texas, where they produced outstanding photos in real time and for the history books.
Among the highlights: Photographer Morry Gash fired a remote-controlled camera that captured a stunning bird’s-eye view of the U.S. Capitol rotunda during visitation and services, and David Phillip negotiated to shoot inside the railroad car carrying the coffin as the funeral train passed through Texas. Phillip called it “the most incredible event I have ever covered.”
The photo coverage was part of an impressive dayslong cross-format effort by scores of AP staff across the country and globe that included hours of live video and spot and breaking text, video, audio and graphics coverage that explored Bush’s life and presidency from every angle.
For exceptional planning and execution on one of the largest news events of the year, this week’s Best of the States goes to the team of photo staff covering the Bush funeral.
for a sensitive portrayal of the family of a 24-year-old Pennsylvania mayor whose cause of death a year ago had been kept under wraps. The family gave a detailed and heartbreaking account of his heroin overdose, enabling a hugely compelling story and beautiful portraits that generated high praise and AP chart-topping engagement from readers across the country, and front-page play in papers from one end of the state to the other. https://bit.ly/2Lh2jvU
The idea was bold from its inception: Attempting to count dead and missing migrants worldwide.
After covering the outflow of refugees in the wake of the Islamic State's takeover in parts of Iraq last year, Paris enterprise writer Lori Hinnant noticed a lack of data on the migration. She set off on a mission to count the uncountable.
The yearlong effort to document lives that would otherwise go unnoticed proved extremely challenging, precisely because it was plowing such new ground. An AP team of more than a dozen people painstakingly compiled information that had never been put together before from international groups, forensic records, missing persons reports and death records, and went through data from thousands of interviews with migrants. The data came alive with individual stories of migrants, a challenge in itself.
The AP project found 56,800 dead and missing migrants since 2014, almost double the number currently put out by the United Nations, which focuses heavily on Europe and nearly excludes several other areas of the world. The report drew significant interest, despite the fact that it ran six days before the U.S. midterm elections.
For their ambitious project that established AP as a global authority on this issue, Hinnant, Istanbul visual journalist Bram Janssen and Cairo photographer Nariman El-Mofty share the Best of the Week award.
The disappearance and killing of Washington Post columnist Jamal Khashoggi at the Saudi Arabian consulate in Turkey has been one of the biggest, and most competitive, stories in the world this month, and the AP’s team in Turkey dominated coverage last week with its reporting surrounding a crime scene search of the consulate.
When crime scene investigators arrived at the consulate without notice on Oct. 15, Turkey news editor Ayse Wieting already had one camera fixed on the consulate door for 24-hour live coverage and quickly scrambled two more cameras with LiveU units. The AP beat the competition by more than two hours with the first edit of investigators entering the consulate.
On the text side, Ankara correspondent Suzan Fraser later got a high-level Turkish source to confirm that the consulate search turned up “evidence” that Khashoggi was killed there, a scoop that was cited across international and Turkish media.
And AP’s photo coverage of the story was also dominant, complementing the outstanding the video and text efforts. Photographers worked hard to find new angles on a visually challenging story, where often the only visible activity was people walking in and out of a building.
For impressive efforts and ingenuity in covering a worldwide top story of paramount importance to AP members and customers in all formats, the AP team earns Best of the Week honors.
for their exclusive all-formats interview with one of Matthew Shepard's killers, the first time he's spoken to the media in 14 years, for a story that examined how society has changed 20 years after Shepard's death turned him into a symbol for gay rights. https://bit.ly/2RWFHDR
An enormous story struck quickly on Sept 28 and unfolded at breathtaking speed – a magnitude 7.5 earthquake followed by a tsunami that washed over the Indonesian city of Palu. Communications collapsed and government reports were sketchy, but the few posts on social media provided the first indications of the enormous scope of the disaster.
The AP team shot into action to move cross-format personnel to the hardest-hit areas, texting details for the wire and squeezing out initial images for photos and video. In the days that followed, the breadth of coverage expanded to include rolling live video of rescues, grim portrayals of the retrieval of the dead, and personal stories of those whose homes and neighborhoods were now rubble.
For impressive work across all platforms despite enormous obstacles, the Best of the Week award goes to the following team:
– Jakarta staffers: office manager Elis Salim, reporter Niniek Karmini, photographers Tatan Syulfana, Dita Alangkara and Achmad Ibrahim, business writer Stephen Wright, newsperson Ali Kotarumalos, medical writer Margie Mason, videojournalist Fadlan Syam and senior producer Andi Jatmiko.
– Bangkok staffers: global enterprise writer Todd Pitman, videojournalist Tass Vejpongsa, video editor Jerry Harmer and special events coordinator Keiko Fujino.
– And: Kuala Lumpur videojournalist Syawall Zain, Manila photographer Aaron Favila, Malaysian correspondent Eileen Ng, Beijing facilities coordinator Xiao Wei Gong and Hanoi producer Hau Dinh.
Sometimes it takes a team. And a resourceful photographer.
Phoenix photographer Ross Franklin made a stunning image of Cindy McCain resting her head on the casket of her late husband Sen. John McCain during a family service in the Arizona state Capitol. Getting to this moment was a team effort, starting with great Washington contacts and relationships that gave the AP not one but two exclusive spots in the rotunda in Phoenix.
But given the solemnity of the event, there was no way to shoot the private ceremony using a motor drive to take bursts of frames – it would have been too loud and would have echoed throughout the rotunda. So Franklin agreed to shoot the entire event balanced on a ladder overlooking the scene from the balcony, with his camera in a noise muffling blimp – basically operating a camera that is wrapped in a big pillow.
When Cindy McCain approached the casket, Franklin had just one or two frames to capture the signature moment. He nailed it, and the photo was used everywhere, including a stunning display on the front of the Arizona Republic.
For his exceptional work, Ross Franklin wins this week’s Best of the States award.
Within hours of the news that the man charged with killing Iowa college student Mollie Tibbetts was a Mexican citizen believed to be in the United States illegally, Republican leaders from President Donald Trump to Iowa Gov. Kim Reynolds injected the case into the political debate, blaming lax immigration policies for allowing the man into the community.
Amid such comments, Iowa City correspondent Ryan J. Foley got a tip from two longtime Republican Party sources: The suspect lived on land partly owned by Nicole Schlinger, one of the party’s most prolific national fundraisers, the sources said.
Foley was determined to discover whether that was true. He obtained property records showing Schlinger and her husband owned the farm trailer where Rivera had lived, and her husband was president of the farm. Foley then got confirmation from Schlinger, who had avoided his questions for days.
Further, Schlinger’s fundraising client list included anti-illegal-immigration hard-liners, including Reynolds, Texas Sen. Ted Cruz and even the Stop Sanctuary Cities PAC.
The story was used extensively by Iowa newspapers and was a big online hit, with hundreds of postings and 40,000 Facebook interactions.
For scooping local and national competitors on a high-interest topic even as he reported on spot developments, Ryan Foley wins this week’s Best of the States award.
Charlie Shebes had too much anxiety to sleep the night before the first day of his junior year at Marjory Stoneman Douglas High, the Parkland, Florida, school where 17 people were shot to death in February.
But Charlie was willing to share his morning routine with AP thanks to the relationship video journalist Josh Replogle had cultivated with students, starting nearly six months earlier. Replogle and his Miami colleague, photographer Wilfredo Lee, were there as Shebes rubbed his eyes, hugged his mother goodbye and brooded in the car before he skateboarded to class.
The short but poignant photo essay, along with text and an accompanying video piece, had an emotional impact, and the package received prominent play in Florida outlets, as well as nationally and even on some websites overseas.
For developing a compelling package from the unique perspective of a student returning to the scene of one the country's worst school shootings, Josh Replogle and Wilfredo Lee win this week's Best of the States award.
