Beat of the Week

(Honorable Mention)

Tokyo team produces outstanding coverage of Hiroshima 75th

scored reported beats thanks to careful planning and virus precautions both before and during a trip to Hiroshima for live coverage of the 75th anniversary of the first use of an atomic bomb in World War II.The trio’s coverage, emphasizing the stories of survivors, made an impression, was used by news outlets worldwide. Even major Japanese publications leaned heavily on AP’s coverage, sometimes over the work of their own journalists.https://bit.ly/3gVnPVVhttps://bit.ly/3kJoDQ0https://bit.ly/33T6Tfbhttps://bit.ly/30RwO4Uhttps://bit.ly/3g2i5Zv

Best of the Week — First Winner

Daring AP team crosses front lines to report on Ethiopia’s Tigray rebels and war’s civilian victims

Since the conflict in the Tigray region of Ethiopia broke out seven months ago, news coverage has necessarily focused on those who fled the region. And AP journalists have delivered that coverage since November. But few journalists could reach areas under the control of the Tigray People’s Liberation Front, the party of Tigray’s now-fugitive leaders. Access was refused by the Ethiopian military. Until now.

AP’s Kampala, Uganda, correspondent Rodney Muhumuza and the Nairobi, Kenya-based team of Khaled Kazziha, Ben Curtis and Desmond Tiro made it through to the town of Hawzen with determination, teamwork and skill. 

Once there, and knowing the risks, the all-formats team limited themselves to less than an hour in the town, during which they reported exclusively on the TPLF fighters then occupying it. Hours after the journalists left, government troops shelled the town and recaptured it. The team later interviewed displaced victims of the conflict, including child amputees. The resulting multiformat story used the Hawzen as an example of the challenges facing Ethiopian authorities in the region. 

For smart, careful and courageous reporting to become the first outside journalists since the conflict started to interview fighters loyal to the TPLF, Muhumuza, Curtis, Kazziha and Tiro earn AP’s Best of the Week award.

Best of the Week — First Winner

A master class: AP teams deliver sweeping coverage of the migrant surge at the US-Mexico border

When the U.S.-Mexico border became a major front-page story again in recent weeks, the AP set out to tell the story of newly arriving Central American children and families in trademark AP fashion: with compelling all-formats journalism and richly reported viewpoints from migrants to bring perspective to readers on the topic of immigration.

Photographers Julio Cortez and Dario Lopez-Mills, reporters Adriana Gómez Licón and Elliot Spagat, and video journalists Eugene Garcia and John Mone answered the call and more, delivering a string of stories last week that amounted to a master class in how to cover the border.

Among the highlights were the story of a 7-year-old girl crossing the border without her parents in the middle of the night, the story of migrant families dumped by the Biden administration in a dangerous Mexican border town while other families in the same circumstance gained entry into the U.S., and in-flight coverage of a 5-year-old Honduran immigrant en route to Baltimore. The immersive multiformat work received tremendous play. 

For bringing to life the human stories of those seeking entry to the United States, especially the sharp increase in the number of families and children in recent weeks and the struggles of border officials to cope, Gómez Licón, Cortez, Mone, Spagat, Lopez and Garcia share AP’s Best of the Week honors.

Beat of the Week

(Honorable Mention)

Resourceful AP team leads coverage of stuck Suez ship

dominated the story of the massive cargo ship blocking in the Suez Canal. Using satellite images, tracking data and healthy skepticism, the AP team avoided the errors of their competitors to deliver accurate, timely all-formats reporting. From the first day that the Ever Given wedged itself across the canal, authorities offered incorrect information, claiming the canal remained open to traffic and that the ship had been pulled aside. While others repeated those false claims, AP relied on tracking data to report the truth — the Suez Canal was completely cut off.Cairo regional news director Hyde and her Dubai counterpart, Gambrell, worked closely together on this complex story, directing coverage while also producing video and photo content as text reporter Magdy and video journalist Hatem worked on the ground in Suez despite tight restrictions.AP’s relationship with the satellite photo provider Planet Labs gave AP an advantage of eight hours or more over major competitor agencies. Interviews recorded on Zoom and video of idle ships in the canal allowed clients to visualize the story — with one video edit being used by 118 channels. Text explainers added context that helped clients better tell the story that affected shipping and economies across the globe.https://bit.ly/3cEUE9Vhttps://bit.ly/3cGz5pw

Beat of the Week

(Honorable Mention)

Standout visuals mark a year since eruption in Philippines

had a vision for a visually-driven package to mark the year since the violent eruption of the Taal volcano in the Philippines.With his newly acquired drone pilot license, the Manila-based AP photographer knew that aerial photography would make unique still and video images of the ash-covered ghost town. He also learned that many residents of the volcanic island still remained homeless in a temporary tent city.After getting approval for the project, he set out to deliver all-formats coverage. He did extensive research, then drove to the volcano, where a local fisherman ferried him to the island that is home to the volcano.The drone app warned him it was too windy to fly, but Favila knew the visuals would be strong — and it might be his only chance. He launched the drone and kept receiving strong wind warnings during the flight, but he kept the drone airborne long enough to get stunning photos and video.Next, he explored the ash-covered island, visiting an area where people still live in tents. Residents of the island, which is a popular tourist destination, lost their livelihood: livestock animals and the farmland where they grow vegetables. Favila interviewed people who have had to live in the tents through typhoons, excessive heat and even the pandemic, capturing their touching accounts on video, humanizing the story for an impressive one-person package.https://bit.ly/35At6yLhttps://bit.ly/3bIsUB4https://bit.ly/38DyX8a

Best of the Week — First Winner

Riot in America: Compelling and courageous coverage of the insurrection at the US Capitol

The AP team arriving on Capitol Hill expected to cover history on Jan. 6: an unprecedented challenge from Republicans lawmakers to the outcome of the election. Within hours, however, those staffers found themselves covering an insurrectionist mob storming the U.S. Capitol.

As angry supporters of President Donald Trump descended on Capitol Hill, confronting police, breaking down barricades and smashing through windows, AP journalists working in all formats documented the chaotic scenes inside and outside the Capitol.

Despite orders to evacuate, trashed equipment and a vicious attack on one of our staffers, the team on the ground kept words and images moving throughout the day, highlighted by stunning visuals. The work continued into the early hours of the next morning, when Congress finally the certified election results.

For their riveting real-time coverage as U.S. history unfolded, the courageous and dedicated staff on Capitol Hill earns AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

Heads-up response delivers on shooting at NY cathedral

knew almost immediately that the popping sound — at a church where he had just attended a concert — was gunfire. The New York video journalist didn't hesitate, moving toward it to put AP ahead in all formats on one of the most-used stories of the day.Along with his 5-year-old daughter Phoebe and her mother, Shaffrey had just walked away from a classical Christmas concert at the Cathedral Church of Saint John the Divine in Manhattan when he heard several loud bangs, screaming and the restaurants clearing as people ran for cover. He turned his daughter’s mother and said, “You guys go that way. I’m going to see what’s going on.”While people ran past him, Shaffrey moved in a non-threatening manner toward the sound of the gunfire. One woman stopped to tell him that there was a “terrorist” on the steps of the cathedral firing shots. Shaffrey captured audio and video of the police shooting the man, and the scene in front of the church as people took cover on the ground while police moved in on the suspect.Shaffrey contacted East regional news director Sara Gillesby who coordinated fast filing of photos and video and a Shaffrey story co-bylined with reporter Mary Esch, putting AP ahead of the competition.https://bit.ly/2WDyJHrhttps://bit.ly/37IPeIBhttps://yhoo.it/3pgR4Gr

Beat of the Week

(Honorable Mention)

French team documents the pandemic’s mental health toll

produced an extraordinarily candid all-formats package that takes AP readers and clients inside a French psychiatric hospital where psychiatrists find themselves on the front line of the pandemic’s mental health fallout, treating suicidal young adults driven to despair by the privations of the pandemic and crushing solitude of lockdowns.France has proved a challenging environment for reporting the pandemic, with public health authorities reluctant to open hospital doors to international reporters. But after the recent breakthrough of embedding AP journalists in southern France’s biggest hospital, the Paris team secured a full day of access to the 535-bed Rouvray Hospital Center in Normandy.Leicester was allowed to sit in on sessions as people poured out their anguish to psychiatrists. Garriga shot interviews in a way that protected patients’ identities but also enabled them to speak freely to the AP team, including a young student who plunged back into deep depression after COVID-19 diverted resources away from her treatment. And Camus discreetly wandered corridors with patients, capturing the sprawling establishment’s quiet and otherworldly feel in a riveting photo package. https://bit.ly/2W38UAqhttps://bit.ly/3gwWSIO

Best of the Week — First Winner

As cases peak, AP duo embeds in a French ICU for a 24-hours in the battle against COVID-19

Just as a second surge of coronavirus cases peaked in France, Associated Press journalists secured exclusive, hard-won access to an intensive care unit in southern France’s largest hospital for 24 hours, capturing the exhaustion, loneliness and dedication medical workers desperately struggling to save lives.

After a full day embedded with the ICU team, AP freelance photographer/video journalist Daniel Cole and global enterprise reporter Lori Hinnant came away with a searing, intimately reported all-formats account of Marseille’s La Timone  hospital, as medical staff tried to keep even one bed open.  

For their dogged pursuit of access, tireless reporting and sensitive, compelling and timely storytelling, Cole and Hinnant earn AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

A year in the making: Exclusive AP interview with Placido Domingo

scored a coveted exclusive: an all-formats interview with Placido Domingo. Barry spent a year convincing Domingo’s team that the singer should sit down and talk to the news agency that broke the story about investigations and sexual misconduct allegations against him. When Domingo’s team finally agreed, Barry was able to negotiate access for photos and video to cover not just the interview, but the concert on the eve of the interview, which for cultural events in Italy is not always the case.Barry conducted the interview in English and Italian, keeping her composure even when her line of questioning prompted Domingo’s family to “swarm” her. The story received wide play with news outlets directly crediting the AP’s interview and previous reporting. Some non-AP customers, including the BBC, were forced to credit the AP in their stories on the interview and Domingo’s denial of abusing power.https://bit.ly/34CurW0https://bit.ly/3ltJKGG

Beat of the Week

(Honorable Mention)

AP Exclusive: Rare interview with Ivanka Trump

for an all-formats AP interview from Morocco with Ivanka Trump, a rare moment in which she addressed the impeachment inquiry at length, scoring blockbuster play for video, text and photos, including a sweep of the morning TV shows.https://bit.ly/32S5d17https://bit.ly/2pjmN0nhttps://bit.ly/2qewxtm

Best of the States

The pandemic crisis ‘laid bare’ in AP report from Texas maternity ward

Few places in America have been as hard hit by the pandemic as the Texas border, and the package by this all-formats team exposes the stark contrast between this part of the country and regions with greater resources. 

With access to two hospitals overwhelmed by cases in the Rio Grande Valley, AP reporter Paul Weber, photographer Eric Gay and video journalist John Mone carefully documented stories of patients and staff, including a new mom in the maternity ward who unknowingly contracted the virus and had to be isolated from her newborn. 

Weber wrote: “The U.S. failure to contain the pandemic has been laid bare.”

For a compelling and hard-to-report all-formats package, Weber, Gay and Mone win this week’s Best of the States award.

Best of the Week — First Winner

AP Exclusive: Portland protests – the view from both sides of the fence

This week’s Best of the Week celebrates the team of AP journalists whose extensive coverage of the Portland protests culminated in an exclusive all-formats look at the conflict from the perspective of both demonstrators and federal officers.

With reporting and visuals from inside the federal courthouse that no other news organization could match, and consistently strong coverage from the crowd massed outside the building, the AP team documented the drama and chaos, as well as the human stories amid the nightly volley of fireworks and tear gas canisters.

The defining feature that moved Sunday night was the most clicked/engaged AP story for much of Monday, sparking discussion and widely cited for its comprehensive, fair reporting.

For balanced and insightful coverage from both sides of the Portland divide, setting AP apart on a highly charged story, the team of Gillian Flaccus, Mike Balsamo, Aron Ranen, Marcio Sanchez, Noah Berger, Sara Cline and Krysta Fauria wins AP’s Best of the Week award.

Best of the Week — First Winner

Houston team vividly documents the grim reality playing out inside a Texas hospital

With coronavirus cases surging in Texas and other states, AP journalists David J. Phillip, John Mone and Nomaan Merchant went beyond the daily numbers to show the reality inside a small Houston hospital. In a gut-punch story that landed in newspapers and on nightly newscasts, the trio’s work included the last moments of a woman’s losing battle with the coronavirus.

But the package – Phillip’s photos, Mone’s video and Merchant’s text story – captured more than just a moment. It showed, with sensitivity, the grim realities almost certainly facing frontline workers in hospitals around the country.

Reaction to the story was massive. It was widely used in all formats by broadcast, print and online outlets in the U.S. and beyond. The video alone was the most-used U.S. story of the day – to a degree rarely seen.

For compelling, empathetic and revelatory storytelling from the frontline of the coronavirus fight, Phillip, Mone and Merchant win AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

AP explores country music’s reckoning on race

talked to leading and emerging Black voices in country music to weave a nicely textured, all-formats package on the genre’s difficult history with race and racism. The package moved the day after the Dixie Chick changed their name to The Chicks, and became one of the day's most popular stories.https://bit.ly/2BpKbiThttps://bit.ly/3eRCuAC

Best of the Week — First Winner

White House homecoming photo speaks volumes on Trump’s Tulsa rally

Washington-based photojournalist Pat Semansky was assigned weekend White House duty – a routine gig that meant waiting for President Donald Trump’s overnight return from Tulsa, Oklahoma, where his much-hyped rally didn’t meet expectations.

The president’s arrival rarely makes a memorable photo, but Semansky dutifully waited until well after 1 a.m., while many of AP’s competitors didn’t bother to cover. When Trump finally stepped off Marine One, Semansky proved the time well spent: His flash caught an atypically rumpled Trump crossing the South Lawn.

The photo quickly became the signature image of the night, capping days of smart AP coverage on the event itself. 

For making the most of a routine assignment to create what is likely to become an iconic photo of the Trump presidency, Pat Semansky wins AP’s Best of the Week award.

Best of the Week — First Winner

A matter of trust: Covering a remarkable funeral in the midst of the pandemic

Thousands upon thousands of funerals, many not related to COVID-19, are being held during the global pandemic. Washington photographer Jacquelyn Martin provided a very personal look at one of them. 

Martin spent weeks getting to know the family whose mother had died, gaining their trust. But the family’s plans for an elaborate funeral were interrupted by the pandemic and social distancing rules. More weeks passed before the funeral home said it could go ahead. Martin was ready, poised with her camera and notebook, given extraordinary access to a family’s very private moment.

Her moving text and photos captured the essence of the funeral and the family's grief – and its celebration of a life. “Beautiful images shown with so much dignity,” one person wrote.

For her heartfelt account and elegant images, Jacquelyn Martin receives AP’s Best of the Week honors.

Beat of the Week

(Honorable Mention)

Rapid response gives AP the edge on coronavirus coverage

for delivering exclusive text, video and photos from the ground in Wuhan, China, just as the virus began to spread. Their quick deployment meant that the AP was the only agency on the ground producing content for two days, and almost the only media at all on the first day. Shooting from a taxi outside the hospital, they recorded dramatic images of workers dressed head to toe in white protective suits. And they were questioned by police, but not detained, while shooting exteriors of the market where the outbreak may have started. Their coverage gave AP exclusive images and interviews in all formats, with their video edits on day one leading all stories, including impeachment.https://bit.ly/3aQ4V01https://bit.ly/38HWulIhttps://bit.ly/2uH5adi

Beat of the Week

(Honorable Mention)

Hawaii staff keeps AP ahead on Pearl Harbor shooting

for reacting quickly to put AP ahead of all competition on the breaking news of an active shooter at Pearl Harbor, and maintaining the competitive advantage with tremendous collaboration in all formats, including live video, throughout the day. https://bit.ly/34bHpGk

Beat of the Week

(Honorable Mention)

AP team delivers enterprising coverage of historic Venice floods

for creative photo and video coverage and enterprising reporting, keeping AP’s all-formats coverage fresh, even after six days of historic flooding in Venice.https://bit.ly/2O5ndkBhttps://bit.ly/2D4MEfPhttps://bit.ly/33dR2UE