for aggressive all-formats coverage of the plane crash that killed 71 people, including members of a Brazilian soccer team. The team worked in three nations, getting vivid photos and video of the wreckage in Colombia, unearthing detail on the plane’s owner and fuel capacity in Bolivia, and videotaping interviews of the families of the dead in Brazil. http://wapo.st/2hhrCBW
San Diego correspondent Elliot Spagat was chatting with a longtime government source and she mentioned her son applied to Customs and Border Protection but was rejected after failing a polygraph test. She and her son were mystified by the result. Soon after, a member of Spagat’s running group – a military veteran with a stellar resume – told the same story of a failed Border Patrol test.
Intrigued, Spagat brought up the issue during a regular check-in call with an official involved in recruiting for the Border Patrol. The official told him the polygraph failure rate was very high. Spagat knew he was on to something and kept pressing, next talking to Border Patrol Commissioner Gil Kerlikowske, who gave him a failure rate – 65 percent.
But Kerlikowske didn’t see the number as a negative – it meant the agency was applying tough standards to find its officers. Still, a two-thirds failure rate struck Spagat as abnormal but how could he prove it? Comparable data was hard to find.
So Spagat set about creating it.
for smart planning, sharp thinking and close teamwork that melded to result in a comprehensive all-formats examination of Barack Obama’s legacy on issues of race as the nation's first black president: https://apnews.com/29b24a7985a442d8b890261da99cad8...
for an all-formats exploration of the thousands of deaths of Nepali migrant workers in recent years. http://apne.ws/2ikIxjP
Los Angeles reporter Justin Pritchard has made the fledgling “autonomous vehicle” industry a sub-beat and has developed sourcing that has produced a number of significant beats for AP. When he heard Uber would begin picking up San Francisco passengers in its self-driving cars, he saw a confrontation brewing with California regulators and the opportunity for another scoop.
Uber had decided not to abide by a requirement to get a permit before starting its service in its hometown. Uber’s aggressive approach in San Francisco crashed a delicately crafted regulatory truce _ the 20 other companies testing prototypes on public roads applied for the permit before hitting the streets, and agreed to report crashes and other safety metrics.
The cars Uber was bringing to San Francisco seemed just the kind that would need a permit, but the leader of Uber’s self-driving program _ Anthony Levandowski _told Pritchard in an interview the day before the launch that they didn’t. He argued that because a person was behind the wheel to monitor the car, it was not advanced enough to need a permit.
What AP’s Lori Hinnant knew, from a conversation with Beirut bureau chief Zeina Karam early this year, amounted to a fascinating mystery: A series of Syrian villages had been emptied and many of their people taken hostage by the Islamic State group, but now most appeared to be free. It was clear that ransoms were paid, but no one would talk about how it happened.
The hostages were more than 200 Assyrian Christians who were rescued through a fundraising effort among the vanishing people’s global diaspora that brought in millions of dollars. These were the broad outlines of the story that Hinnant’s months of reporting confirmed, but even better were the exclusive details she unearthed _ including IS sending one villager with a ransom note to his bishop, the church dinners and concerts held around the world for donations, and the decision, fraught with ethical qualms and legal risks, to pay a ransom.
Hinnant’s resulting “thriller,” as one admirer called it, is the Beat of the Week.
for being first to gain access to a retreat for former neo-Nazis, and interviewing two members on camera using their full names. http://apne.ws/2gxJRxW
As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.
for being first to report how pirates are taking over in the coastal state of Sucre, as the fishing industry and many others collapse across Venezuela. https://apnews.com/tag/VenezuelaUndone
The Associated Press has aggressively covered the Dakota Access pipeline since even before construction began on the four-state pipeline to carry oil from North Dakota. The AP tracked the approval process and then was there every step of the way as the project spawned demonstrations from Native Americans and others who set up protest camps by the pipeline’s final piece near the Missouri River, saying construction would damage cultural artifacts and that a pipeline leak could pollute tribal water supplies. In the past few months, the AP has had coverage almost every day.
While Bismarck staffer James MacPherson had covered the story cross-format with the help of colleagues, a visually-focused enterprise project was in the works for December, bringing in staff from afar to provide video and photo elements of the largest camp to accompany a piece that was to explore the protest in the context of other issues being faced by Native Americans now and into the Trump administration. On Friday, Nov. 25, the news forced us to speed up our timeline for visuals as the Army Corps of Engineers gave a Dec. 5 deadline for protesters to get off the land.
for giving the first glimpse inside tunnels built by Islamic State fighters to defend against Iraqi forces advancing on the IS-held city of Mosul. http://dailym.ai/2ebO3Dl
for their efforts in gaining exclusive access to some of the affected areas and shooting compelling video that captured the physical damage and the personal devastation of the Gatlinburg fires. New York-based Nathan Griffiths produced a 360 video, and Eric Schelzig shot aerial photos while on a flyover tour with the governor. https://apnews.com/b1b36cc743444b3b87a4e646fd1371a8
for their cross-format package on Dakota Access pipeline protesters defiantly digging in for the winter, including a 360-degree video of protesters holding a water ceremony, photo galleries, satellite images and text.
Text: http://apne.ws/2h3nsKj
Video: http://apne.ws/2gUACMo
The Obama administration is racing in its final days to keep industry out of natural and environmentally sensitive areas throughout the U.S. West, where the incoming Trump administration has raised fears of loosened regulations on federal lands.
Billings, Montana Correspondent Matt Brown _ who has an acute sense of the value in reporting on land out West _ has broken news repeatedly to keep the AP ahead.
Brown is deeply sourced with federal interior officials and consistently checks in with them. He was working on a story week about officials canceling oil and gas leases on land near Glacier National Park that's considered sacred to tribes – also an APNewsBreak – when Interior Secretary Sally Jewell mentioned she was coming back to Montana in a week.
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
for traveling to Yei, in the thick of simmering conflict, and getting unmatched text, photos and video of ethnic violence that is threatening to plunge the new country into a spiral that a U.N. envoy warned could be like genocide. http://www.mrt.com/news/world/article/Wave-of-ethn...
for first spotting news in a single line in a state Medicaid waiver form, and then chasing down and chronicling in text and video how prisons in the U.S. are experimenting with $1,000-per-shot Vivitrol injections to keeps inmate from falling back into addictions, even without iron-clad medical evidence that they work. http://www.cbsnews.com/news/prisons-fight-opioids-...
Michael Hill, hybrid journalist, and Mike Groll, photographer, Albany, N.Y., for creatively using text, video, photos and even GIF to produce a challenging visual story: a public art project in a downtrodden upstate New York city that outfits windows of abandoned buildings with lights that rhythmically brighten and fade, giving the effect of slow breathing. https://www.washingtonpost.com/national/light-blig...
for using scientific sources and data to reveal that the world energy system has already locked in enough carbon emissions in existing power plants and transportation to blow the temperature goals of the Paris Agreement. The story, written from the site of one of Europe's dirtiest coal power plants, was accompanied by Michael Sohn photos and a video edited and scripted by Stockholm videojournalist David Keyton using footage from Germany, Sweden and California. http://abcnews.go.com/Technology/wireStory/current...
for an all-out team effort that put AP ahead in multiple formats as the battle for Mosul unfolded in the biggest test of Iraq's military since the 2003 U.S.-led invasion. Bassam Hatoum and Mustafa Najjar kept AP's live feed up and running; a crew of photographer Khalid Mohammed, correspondent Qassim Abdul-Zahra and videojournalist Ali Abdulhassan were embedded with Iraqi special forces; videojournalist Bram Janssen and correspondent Susannah George gave AP customers the first glimpse inside tunnels built by IS to defend against advancing Iraqi forces; Balint Szlanko and Fay Abuelgasim produced original video, while Ahmed Sami produced freelance and uppick edits; Joe Krauss and Sinan Salaheddin kept the spot file solid; and Marko Drobnjakovic contributed to the prolific flow of photos. Coordinating it all was Gulf news director Adam Schreck, who relocated from his base in Dubai to Erbil to be closer to the action. http://apne.ws/2eDDrNC