for a months-long project by AP Sports to create profiles of many of the athletes who will be starring at the Pyeongchang Olympics, and ended up with an exclusive series giving fans an inside look with more than two dozen videos about what makes an Olympian. https://wintergames.ap.org/the-olympians
The scene is dreamlike – or, more precisely, nightmarish. The untethered camera swoops and swerves through a depopulated wasteland of rubble and bombed-out buildings and wrecked vehicles.
This is Raqqa, devastated capital of the Islamic State group’s self-proclaimed caliphate. And this extraordinary footage – the Beat of the Week – was brought to viewers around the world by freelance drone videographer Gabriel Chaim. He shares the prize with Mideast photo editor Maya Alleruzzo.
AP got access to a previously unseen video of Hank Aaron’s historic 715th home run.Read more
Iraqi Humvees wind their way through the pockmarked streets of Mosul. The rattle of gunfire and thud of a nearby airstrike fill the air. Terrified civilians scurry across the road to safety.
In the APs first long-form 360 video project, Middle East Photo Editor Maya Alleruzzo teamed up with video editor Claudia Prat to produce a riveting and harrowing video, "House to House: The Battle for Mosul." The 8-minute video earns Alleruzzo the Beat of the Week.
It began with a photograph showing one of the London Bridge attackers lying dead with a police officer standing over him. The Associated Press had bought it from a freelancer and now wanted to interview him. When it proved difficult to reach him by phone, AP producer Natalia Gohl friended him on Facebook and discovered something even more extraordinary: nine minutes of harrowing video of police hunting for the attackers that he streamed live during the assault.
Gohl’s discovery – the feed was private and had only a few hundred views – and the intense negotiations that followed to obtain the video led to a global exclusive. It is the Beat of the Week.
For years, marijuana arrests have put minorities in jail at a disproportionately higher rate than whites. Now that recreational marijuana is legal in eight states, the majority of those who benefit most from the profitable industry are white.
Reporters Janie Har, from the Associated Press Race & Ethnicity team, and Bob Salsberg, from the Massachusetts statehouse bureau, set out to explore this dichotomy and how local governments are responding to it.
For their compelling explanation of the cannabis racial divide, Har and Salsberg receive this week’s $300 Best of the States award.
for being first to state that North Korea has done its first simulated nuclear strike on an American military base and to report out analysts’ views on Pyongyang’s aims and strategy for conducting the drill. http://apne.ws/2rk4qVT
Republicans in Wisconsin had pledged that no eligible voter would be disenfranchised when they passed a strict voter ID law in 2011. After it was used for the first time last year in a presidential election, a group of AP reporters sought to put that promise to the test.
Weeks of research and source work led them to a retired Milwaukee resident who had voted for years and brought to the polls her Social Security card, Medicare card and county-issued bus pass with photo ID; a Navy veteran whose Illinois driver's license was good enough to board a plane and open checking account; an 85-year-old man who had voted in the same small town for years; and a recent college graduate who went to the polls with her three forms of identification – her student ID, copies of her lease and utility bill, and her ID from her home state of Ohio.
In the end, all were turned away or had to cast provisional ballots that were never counted.
For exposing the practical effects of the ID law on Wisconsin citizens, the team of Cassidy, Moreno and Antlfinger wins this week's Best of the States award.
When major news breaks – such as President Donald Trump’s firing of FBI Director James Comey – journalism 101 dictates: Find the principals. We knew where the president was. Locating Comey, on the other hand, was more difficult.
The determined, diligent sleuthing efforts of news researcher Monika Mathur tracked Comey, allowing The Associated Press to get exclusive and widely used photos of him. Those efforts earn the Beat of the Week.
It was supposed to be a 15-minute interview. Instead, Associated Press Chief White House Correspondent Julie Pace kept President Donald Trump talking for an hour in a wide-ranging Oval Office discussion that was exclusive, illuminating and full of news.
Pace's sit-down with the president – resulting in multiple stories that others scrambled to follow and a transcript that readers devoured despite its 8,000-word length – earns the Beat of the Week.
What do reporters do when more than 300 war-ravaged miles separate them from an immense story – in this case, the gassing of civilians in Syria, allegedly by their own government? They work the phones, and the apps.
Which is how Beirut reporter Sarah El Deeb came to interview Abdel Hameed Alyousef, who lost his two children, his wife and other relatives in the attack on the northern town of Khan Sheikhoun. And how she persisted in finding ways to bring the family’s story to the world in all formats.
And it is how she won the Beat of the Week.
Amazing things can come out of political demonstrations – and sometimes, they have nothing to do with politics. Miami-based video journalist Josh Replogle was covering a protest by about 3,000 people outside Donald Trump’s Mar-a-Lago club in Palm Beach when a colleague pointed out a striking woman wearing a Cleveland Indians hat. That, he was told, was Casey Anthony – once acquitted in the murder of her 2-year-old daughter in a case that became an international obsession.
Replogle did a quick Google search to confirm that this was, indeed, the woman once dubbed “the most hated mom in America.” He then obtained the first in-depth interviews with her since she was accused, an accomplishment that earns him the Beat of the Week.
When New Orleans staff photographer Gerald Herbert heard reports of a tornado touchdown 50 miles away, outside of New Orleans, he jumped into his truck and headed out of town to get a head start on coverage of the damage. Within minutes he changed direction when another twister touched down inside New Orleans itself.
Over the next few hours, Herbert was a one man journalism machine, filing to photos, video, text, radio and even securing dramatic UGC. Herbert wins this week’s $300 Best of the States award.
Following in the wake of the Divided America series, the AP wanted to glimpse the country – the multiple Americas, joyous, dreading and uncertain – that Donald Trump would lead as the 45th president. But how to do it in a way that went beyond traditional text and instead gave customers and readers a visually engaging look at the U.S. in the time of Trump?
The answer: "Postcards from Trump's America."
A specially-selected team of reporters, photographers and videojournalists joined up to report from four distinct corners of the nation, and their work provided a unique window into what Americans are thinking and feeling at this historic pivot point.
for their efforts in gaining exclusive access to some of the affected areas and shooting compelling video that captured the physical damage and the personal devastation of the Gatlinburg fires. New York-based Nathan Griffiths produced a 360 video, and Eric Schelzig shot aerial photos while on a flyover tour with the governor. https://apnews.com/b1b36cc743444b3b87a4e646fd1371a8
In drought-stricken California, the state and dozens of water agencies embarked upon a unique social experiment: try to break the love affair with the lawn by paying residents to rip out their turf and replace it with less thirsty landscaping. San Francisco-based environment reporter Ellen Knickmeyer, who has been covering the state’s historic five-year drought, decided to dig into the water-saving strategy and determine whether it was worth the cost.
As the bitter election season winds down, a recurring theme has been the conviction among many white men that they have been losing ground in society. National writer Matt Sedensky wanted to find a way to tell their story for a concluding installment in the series Divided America.
The yearlong assessment of America’s national disunity comprised more than two dozen deeply reported, multi-format stories exploring splits along racial, religious and socio-economic lines, as well as clashing attitudes on issues ranging from gun regulation to immigration.
Sedensky focused on the views of white men turning toward Republican nominee Donald Trump and rejecting Democrat Hillary Clinton. He listened to the voices on a call-in radio show in Texas _ both host and callers revealing their angst _ and then, through backgrounding interviews with them and reporting on research, showed why these men feel as they do.
Donald Trump's public comments about women have been a familiar theme in the tumultuous presidential campaign. But what had he said behind the scenes on "The Apprentice," the TV show that made him a household name?
That's the question AP’s Garance Burke set out to answer. Combining shoe-leather reporting with an adept use of social media, the San Francisco-based national investigative reporter tracked down more than 20 people willing to talk about the Republican nominee's language on the set. They recalled Trump making demeaning, crude and sexist comments toward and about female cast and crew members, and that he discussed which contestants he would like to have sex with.
in all formats, for scoring a two-hour beat over the competition with first photos and video from the scene of Italy’s devastating earthquake, and following it with exclusive aerial images of flattened villages from a rented helicopter. They also found and interviewed the nun who became the icon of the devastation.
Ahead of the Olympics, an AP team in Rio wanted a close look at the city's slums, which have long been plagued with violence, to learn whether high-profile community policing programs are working in areas deemed `pacified.' Braving gunfire in what is considered a no-go area for reporters, AP produced up-close, all-formats coverage showing deadly violence continues to flare.
