for using data to show that despite millions spent to address pollution in the Indian River Lagoon in Florida, algae levels tripled and phosphorus from farms and urban development runoff spiked 75 percent since 2000. http://apne.ws/2qsJmi8
Michael Hill, hybrid journalist, and Mike Groll, photographer, Albany, N.Y., for creatively using text, video, photos and even GIF to produce a challenging visual story: a public art project in a downtrodden upstate New York city that outfits windows of abandoned buildings with lights that rhythmically brighten and fade, giving the effect of slow breathing. https://www.washingtonpost.com/national/light-blig...
for quickly getting to the scene of a collapsed building and capturing unmatched images of crews rescuing children. Oyekanmi held the live shot for nearly two hours, allowing AP to send live video as well as framegrabs to customers, while Alamba’s photos dominated websites and newspapers, including front-page placement on the next day’s New York Times print edition.https://bit.ly/2U2WUiThttps://bit.ly/2TSb6Mb
Sometimes a story doesn’t come from a reporter’s beat or region, just from natural journalistic curiosity.
Atlanta’s Jeff Martin was intrigued after investigators blamed the deadly tower fire in London in part on the flammable cladding that wrapped around its exterior. Wondering what buildings in the U.S. might be using the cladding, he went to the manufacturer’s website and found a trove of information in a promotional brochure.
The brochure said the cladding was used on a terminal at the Dallas airport, the Cleveland Browns stadium, an Alaska High School and a high-rise hotel in Baltimore. Martin, Gainesville, Florida, reporter Jason Dearen, and Baltimore reporter Juliet Linderman helped coordinate a cross-country, multi-media reporting effort that wins this week’s Best of the States.
teamed up with PBS “Frontline” on a deeply reported all-formats investigative package revealing how retired lieutenant general and former national security adviser Michael Flynn has used public appearances, endorsements and a network of well-funded groups to build a movement centered on Christian nationalist ideas.Smith spoke with more than 60 people, from Flynn’s family and friends to his opponents, examined dozens of Flynn’s speeches, interviews and other appearances, reviewed campaign finance records, corporate and charity filings, social media posts, as well as attending Flynn events. She also landed a rare interview with the retired three-star general — the footage edited by AP investigative video journalist Roosblad — and spent two days reporting on the ReAwaken America tour in upstate New York, along with photographer Kaster and a “Frontline” crew.The joint AP/“Frontline” reporting found Flynn deliberately and systematically driving a far-right political narrative with the goal of influencing elections this year and beyond.Read more
delivered standout photo coverage of the Surfside, Florida, condo collapse, anchoring an impressive AP response in all formats.Lee was at home a few blocks away when the tragic, catastrophic story broke early Thursday morning. He quickly made his way to the scene to make some of the first images the world would see of the pancaked Champlain Towers South. His fast work on the ground also earned him a text byline, with customers and readers across the country waking up to a comprehensive AP story with his images. More AP journalists were soon on the scene digging into spot developments as well as the history of the building, churning out urgent series after urgent series and sensitively reporting the human toll, finding names and details of the missing to round out a well-received vignettes package. Early video also scored heavily with AP customers. Throughout the coverage, the photo team, led by Lavandier and South regional photo editor Mike Stewart, fought restricted access and had to innovate visually. Herbert first chartered a plane, then a helicopter, making handheld aerial photos with an 800mm lens from as much as two miles offshore as flight restrictions tightened. Then the team hit on the idea of using a boat. That allowed closer access but still required long lenses from a moving craft, with the photographers effectively timing their shots to coincide with the peaks and troughs of the waves to minimize movement. Competitors scrambled to emulate AP's strategy with their own vessels. AP wins on visuals included powerful photos by Sladky and Lavandier of people comforting each other, and three different AP photos rotating as the lead photo on Saturday’s New York Times home page — images showing the destruction, the rescue operation and the emotional toll. The Miami Herald praised AP’s visuals and has used much of the work, even as its own photographers produced strong content. The Herald and other members have shared some of their best images in AP’s photo report. In addition to AP’s photography, members have praised the all-formats coverage, including the “microstories” AP published practically in real time, showcasing good nuggets of information throughout the news cycles. Coverage of the collapse topped AP’s measures of readership and reader engagement for the month. https://apnews.com/hub/buildin...
AP’s persistence and months of source-building with the foreign ministry paid off to earn the scoop on the sailing of a U.S. ship laden with aid for Gaza.Read more
Longtime cultivation of a source paid off with the AP getting exclusive access to an important new study that provided insight into how the federal justice system handles terrorism cases.Read more
London-based news director Susie Blann wanted to tell the story of how the city of Lviv had welcomed hundreds of thousands of Ukrainians who fled their homes during the Russian invasion but chose to remain in their country.
Blann, joined by photographer Nariman El-Mofty, video journalist Renata Brito and text reporter Cara Anna, looked behind the doors of one Lviv apartment block, earning the trust of people from Irpin, Kyiv and Kharkiv who had found temporary housing there and were willing to tell their stories.
The result was a remarkable presentation produced in collaboration with Natalie Castañeda, giving a deeply personal glimpse into the lives of some of the millions of people displaced by war.
For their tireless, resourceful work in demanding circumstances, the team of Blann, Anna, El-Mofty, Brito and Castañeda is the AP’s Best of the Week — First Winner.
set a new standard for The AP Interview, thanks to a 3-year source-building effort that persuaded Grace Meng, wife of the ex-Interpol boss jailed in China, to go on camera and go public with her story for the first time.When Meng revealed in 2018 that her husband, Meng Hongwei, was missing in China, Leicester was the only Chinese speaker among reporters in the room. Leicester saw a unique and untold story: that of a former insider among China’s secretive governing elite whose powerful husband had fallen afoul of the Communist Party, with its long and brutal history of political purges. “The monster” is how Meng now speaks of the government her husband worked for. “Because they eat their children.”Tiptoeing around the interview room in Lyon, France, Cipriani captured the range of emotions expressed by Meng, while Turnbull, collaborating with Cerrone, raised the bar for the interview series with his masterclass camerawork. Luke Sheridan in New York turned around the edited, branded video so quickly that the package was available in all formats almost immediately.The video was by far the most impactful segment of The AP Interview on AP’s YouTube channel to date, and the story was No.1 for the week in reader engagement.https://aplink.news/7zshttps://aplink.video/40rhttps://aplink.news/v6z
Last Saturday afternoon, the AP’s staff in the Gaza Strip received an urgent call: They had less than an hour to evacuate the office before the Israeli military planned to destroy the entire building. Staff and freelancers scrambled to pack up whatever equipment and belongings they could carry, but even as they rushed to safety they continued reporting the news, including smartphone video of the evacuation and a live shot set up on a neighboring building.
Moments later, an Israeli airstrike flattened the 12-story building that had served as a second home in one of the world’s most challenging war zones for the past 15 years. The AP team captured the dramatic scene for all formats, then, despite the stunning turn of events, quickly regrouped to continue their coverage of the ongoing conflict.
The destruction of the building capped a difficult week in which Gaza came under intense Israeli aerial bombing, and thousands of rockets were launched into Israel. AP’s staff on both sides of the conflict rose to the occasion, presenting fast, accurate stories, powerful photography, gripping video.
For extreme dedication in the most difficult of circumstances, and their commitment to covering the conflict even at great personal risk, the Gaza team of Fares Akram, Najib Jobain, Rashed Rashid, Khalil Hamra, Hatem Moussa, Adel Hana, Mohammed Jahjouh and Wafaa Shurafa is the unanimous pick for Best of the Week honors.
The scene was nightmarish. Women and girls fleeing fighting in South Sudan had taken refuge in a United Nations camp. As fighting subsided, they ventured out in search of food, but just outside the camp, they were dragged off by soldiers and raped. Two died of their injuries. At least one attack was said to have occurred within sight of U.N. peacekeepers.
The details in Jason Patinkin’s only-on-AP story could not have been reported without getting into the camp – but the U.N. at first blocked journalists from entering. Demanding access along with other journalists – and winning – in the midst of already challenging coverage allowed Patinkin to produce an exclusive that prompted outrage around the world. It earns Beat of the Week.
The auto industry and Hollywood entertainment could hardly be more different worlds. But for AP reporters covering them, they have this in common: Building sources is essential.
Last week, Tom Krisher, a Detroit-based auto writer, and Lynn Elber, the TV writer in Los Angeles, demonstrated the value of great beat reporting. Both scored scoops that left competitors scrambling. Their stories also created a very unusual situation: A tie for Beat of the Week honors.
Krisher was the first to report the U.S. government was taking the unusual step of allowing General Motors to delay a large recall of potentially defective air bags, giving the automaker time to prove the devices are safe and possibly avoid a huge financial hit.
Elber broke the news of the death of Florence Henderson, "The Brady Bunch" star, about an hour after the beloved TV mom passed away in Los Angeles.
As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.
On his way home, AP photographer Burhan Ozbilici stopped at the opening of a photo exhibit at Ankara’s Contemporary Arts Center. The Russian ambassador to Turkey was to speak, and Ozbilici figured the AP could use images of the envoy for its archives.
Shockingly, Ozbilici instead found himself a witness to an assassination. With cool head and steady hands, he documented the killing of Ambassador Andrei Karlov, capturing some of the most astonishing images of this or any other year. His photo of the raging gunman _ one hand holding the gun, the other pointed to the ceiling, his lifeless victim on the floor _ would appear on countless front pages and broadcasts and websites. Within hours, it was seen by some 18 million people on Facebook alone.
Even in a year of remarkable work by AP staffers, Ozbilici’s photos and actions were extraordinary _ and richly deserving of the final Beat of the Week award of 2016.
“Build the wall!" That chant became a frequent rallying cry at rallies for Donald Trump, who vowed to stem illegal immigration by building a wall along the U.S.-Mexico border. The candidate, now president-elect, would routinely engage in a back-and-forth with crowds. "Who's going to pay for it?" Trump would ask. "Mexico!" they'd shout back.
Not so, as it turns out. In an APNewsBreak, congressional correspondent Erica Werner and new White House reporter Jill Colvin were the first to report that Trump and congressional Republicans were exploring ways to use existing law – and U.S. taxpayer dollars – to build the border wall.
In the course of source-building in early 2016, northeastern Pennsylvania correspondent Michael Rubinkam had lunch with a local lawyer. The lawyer mentioned that a member of the U.S. attorney's office had lost a son to heroin but had never spoken publicly about it.
Intrigued, Rubinkam asked the lawyer to approach the then-assistant prosecutor, Bruce Brandler, about an interview. Rubinkam had been looking for fresh ways to write about the scourge of heroin, and saw the prosecutor’s story as a powerful new example of how no family is immune.
But Brandler, he learned, was adamantly against going public with his family’s – and his son’s – story. It was too painful.
Remember these images from the Inauguration: The new first couple dancing across a giant presidential seal at a ball? Faces in the crowd cheering or crying in the rain? The instant when Donald Trump took in the scene through an opening door before stepping onto the podium to become the 45th U.S. president?
Credit for those signature images, which appeared across the globe almost as they happened, goes to the skill and artistry of a hand-picked team of AP photographers and photo editors – and also to the cutting-edge, behind-the-scenes efforts of AP technicians working hand-in-hand with them to cover the intensely competitive event.
Their extraordinary work, a stream of 2,000 photos sent from daybreak until well after midnight, earns the Beat of the Week.
This story begins in 2014, when five members of Word of Faith Fellowship, an evangelical congregation in western North Carolina, were indicted for beating a young man because they thought he was gay. Mitch Weiss, an investigative reporter based in Charlotte, reached out to the man, Matthew Fenner, who told a harrowing tale.
For Weiss, that conversation was the beginning of a nearly two-year quest to tell the story of Word of Faith and its controlling leader, Jane Whaley, a 77-year-old petite former math teacher with a thick Southern accent. Working alongside Atlanta-based video journalist Alex Sanz, Weiss eventually pieced together a startling and comprehensive look at a religious community that promised its members peace and prosperity. What they got was violence and abuse, administered in the name of God, former followers told him.
Part one of that series, published this week, wins Best of the States, and there is more to come.
New York City photographer Julie Jacobson and Michelle Smith, Providence, Rhode Island, correspondent, spent weeks negotiating with the parent company of the Ringling Bros. and Barnum & Bailey Circus about what sort of access they could get to the performers and crew as “The Greatest Show on Earth” drew to a close after 146 years.
What they really wanted was to get on the train where the workers lived, the last of its kind in the world. Finally the word came down: We could get on the “pie car” for the clowns’ last breakfast, but they would not be in costume, and we could absolutely not see the rest of the train, out of respect for the privacy of the performers.
But Jacobson and Smith don’t take no for an answer. The access they got, the stories they heard and the images they saw formed the basis for an exclusive and heart-tugging package of photos, traditional and 360 video, and text.
For their resourceful and revealing behind-the-scenes look at the end of a cultural icon, Jacobson and Smith receive this week's Best of the State honors.
