AP landed exclusive access to the intimate moments shared by the winner of a regional election in northeastern Spain.Read more
for team photo coverage in Beijing and Hong Kong, with photo editing and curation on international photo desks, showing the contrast between Beijing’s celebration of the 70th anniversary of the People’s Republic founding, and the escalated violence of Hong Kong’s pro-democracy protests on the same day.https://bit.ly/35kqLWGhttps://bit.ly/35jtEqJ
This week we celebrate two very different, yet equally important photo wins.
David Phillip and the AP photo team assigned to the Masters tournament created some of the iconic images of Tiger Woods’ historic win – the result of strategic planning, teamwork and execution.
And Pablo Martinez Monsivais wins for his startling capture of the media reflected in the eye of President Donald Trump, taking what could easily have been treated as just another ho-hum daily Trump photo op and “seeing” something so different.
For delivering outstanding images from two contrasting but highly competitive assignments – and demonstrating how vital the AP is in the photojournalism world – Phillip and Monsivais share AP’s Best of the Week Award.
We all want to perform well on the big stage, and AP’s photo team did exactly that at the recent Women’s World Cup in France, a tournament that is being called the greatest edition yet of the sport’s most prestigious event.
AP’s photo coverage was strong from the outset of the 52-match marathon, but it was the crew’s performance in the championship final that really stood out. Intelligent planning from Paris and London, and brilliant execution by specialist photographers and remote editors saw AP photos dominate play with their coverage of the 2-0 victory by the U.S.
A five-strong team of photographers – staffers Alessandra Tarantino, based in Rome; Francisco Seco, Brussels; and Francois Mori, Paris; joined by freelancers Vincent Michel and Claude Paris – won the day in a manner arguably even more decisive than the U.S. women.
The list of front pages is long and includes prestigious titles like The New York Times, L’Equipe, The Guardian, The Times, the Los Angeles Times and the Houston Chronicle.
For a performance that befitted the biggest stage in the world on July 7, the team of Tarantino, Seco, Mori, Michel and Paris – with international AP support – shares AP’s Best of the Week.
In a world focused on life and survival, death is often unseen, endured in private and acknowledged in glowing obituaries or tragic news stories. It’s also mostly out of the control of the person who is dying.
Now, with nine U.S. states allowing terminally ill people to end their lives with fatal drugs, thousands of people have legally chosen how and when to end their lives.
Seattle Photographer Elaine Thompson has long wanted to show the real, personal side of what often comes across as an impersonal process. She spent months looking for the right subject, getting tantalizingly close to success before plans fell through. She stuck with it, and when she found Bob Fuller, she enlisted reporter Gene Johnson to tell his story.
This week’s Best of the Week goes to the team of Elaine Thompson and Gene Johnson who chronicled how one man, in the face of death, created the party of a lifetime.
“So long, farewell, auf wiedersehen, adieu,” sang the lead to AP’s Jan. 31 story when, after years of divisiveness and debate, the United Kingdom finally withdrew from the European Union.
The sharp and pithy writing was a highlight of AP’s unparalleled breadth of journalism, produced by a staff with the depth of talent, experience and knowledge in all formats that would dominate coverage of the historic withdrawal after nearly 50 years.
Video, text and photos staff were deployed to the U.K., including Scotland and Northern Ireland, and to Belgium, France, Gibraltar, Germany and beyond.
AP’s multiformat package captured the emotion and news developments on all sides – from the final lead-up to Brexit to the ceremonies, celebrations and pro-EU vigils on the night itself. And it included exclusives, like the reunion of the two miners – one French, the other British – who shook hands when they broke through to connect the Channel Tunnel nearly 30 years go.
For standout efforts in a continent-wide team effort in which there are too many to name, Jeffrey Schaeffer, Susie Blann, Jill Lawless, Raf Casert, Danica Kirka, Virginia Mayo, Martin Cleaver and Nicolas Garriga share AP’s Best of the Week honors.
Thousands upon thousands of funerals, many not related to COVID-19, are being held during the global pandemic. Washington photographer Jacquelyn Martin provided a very personal look at one of them.
Martin spent weeks getting to know the family whose mother had died, gaining their trust. But the family’s plans for an elaborate funeral were interrupted by the pandemic and social distancing rules. More weeks passed before the funeral home said it could go ahead. Martin was ready, poised with her camera and notebook, given extraordinary access to a family’s very private moment.
Her moving text and photos captured the essence of the funeral and the family's grief – and its celebration of a life. “Beautiful images shown with so much dignity,” one person wrote.
For her heartfelt account and elegant images, Jacquelyn Martin receives AP’s Best of the Week honors.
studied how soccer has applied rules against activist protest without considering the impact of major issues outside of sports. Harris wrote his analysis after a player for Borussia Dortmund, Jason Sancho, received a yellow card for showing his undershirt with a handwritten message of support for the George Floyd protests, contrary to the rule for players not to lift their jerseys in celebration. “Rarely has a rule looked so out of touch,” Harris wrote, noting that the killing of Floyd had resonated far beyond the United States. After the piece, FIFA reconsidered its policy and urged organizers to show common sense. The AP story was widely cited in other media.https://bit.ly/30VeCI4https://bit.ly/30VeQ1S
for her story showing how a group of now 5-year-old children, evacuated as newborns from a hospital flooded by Superstorm Sandy, retain mementos of the storm in their birthday celebrations, keepsake boxes, and even their names. https://apnews.com/7c68599a9f51430ba5d25d1326cbfed...
This week two distinctly different bodies of work share AP’s weekly honors for their outstanding coverage:
An all-formats team in Minsk, Belarus, facing constant police intimidation, continued to provide extensive coverage of mass protests over the nation’s disputed presidential election. That work included exclusive video of a bloody protester falling to the ground dead in front of heavily armed police, footage that forced the government to reverse its narrative of the incident.
And in work of a different dimension entirely, New Delhi photographer Altaf Qadri spent many months documenting life along the 1,700-mile River Ganges, considered sacred by almost 1 billion Hindus in India.
Starting with a treacherous two-day hike to the foot of the Himalayas – the remote source of the Ganges – and ending in the fast disappearing mangrove forests of the Sundarbans, Qadri captured a breathtaking range along his odyssey: celebration and death, solitude and fellowship, daily life and holy rites.
For extraordinary work in enterprise and spot news journalism, Altaf Qadri and the Belarus team of Mstyslav Chernov, Sergei Grits, Yuras Karmanau, Dimitri Kozlov and Dmitri Lovetsky share AP’s Best of the Week award.
marked the 400th anniversary of the Mayflower’s arrival in 1620 by interviewing descendants of the Pilgrims and the Indigenous people who helped them survive – all discussing the legacy of the Pilgrims’ arrival and how it manifests in today’s world confronting racial and ethnic injustice.This was supposed to be the year for lavish celebrations of the Mayflower’s arrival in 1620, with President Donald Trump, Queen Elizabeth II and other dignitaries in attendance. The pandemic foiled those plans. But AP launched a transatlantic effort to track down descendants of the Pilgrims and the Indigenous tribe that helped them survive, only to suffer disease and persecution in the long run. Goldman conducted the interviews in the U.S.; Barker contributed from the U.K.; and Richer pulled it all together in an illuminating text story that also featured a photo gallery of Goldman’s elegantly composed stills, complemented with work from photographers Matt Dunham in London and Brynn Anderson in Atlanta. One Mayflower descendant, 19-year-old Olivia Musoke, whose father is Black, said the pride she feels in coming from people who helped settle this country “gets diminished by the role they played in kind of manipulating and terrorizing people of color, which trickled down to the structures we have today.”https://bit.ly/35tTPMghttps://bit.ly/2TxfKwP
unraveled some messy decisions by Dr. Deborah Birx, head of the White House coronavirus task force, that appeared to contradict the government’s own COVID-19 safety guidelines.When it was first reported that Birx was angling for some kind of role on the Biden administration’s COVID-19 response team, one of her relatives reached out to Madhani and suggested he look into Birx, who spent Thanksgiving weekend at a Delaware beach house with extended family, and who also made many visits to a multigenerational family home in Maryland between her widespread travels to coronavirus hotspots for the government.Madhani and Slodysko contrasted Birx’s activity with her warnings to Americans to “be vigilant” and limit celebrations to “your immediate household,” and with CDC guidelines to avoid travel for the holidays. The two Washington reporters also discovered that while Birx was in Delaware, she conducted an interview with CBS’ “Face the Nation” in which she noted some Americans “went across the country or even into the next state” for the holiday weekend. Birx declined to be interviewed for the story but provided a statement acknowledging she went to her Delaware property, insisting she was there to winterize the property.The story received strong play and reader engagement, and continued to generate discussion on cable TV well beyond its weekend release.Birx has a since said she plans to retire, but is willing to first help President-elect Joe Biden’s team with its coronavirus response as needed.https://bit.ly/38sWmb7https://politi.co/2WFxDeh
delivered textbook coverage with timely and complete all-formats reporting of Kosovo’s election held amid the pandemic, freezing temperatures, an economic downturn and stalled negotiations with wartime foe Serbia.After weeks of planning for Sunday’s election, video journalist Zhinipotoku offered live coverage of the early vote while Kllokoqi and Bajrami had shots of the top candidates casting their ballots at other polling stations. After the polls closed, the video crew and photographer Kryeziu ran from the city’s main square to the headquarters and offered shots of the winners’ celebration. The following day, correspondent Semini and team were rewarded for weeks of contact building, landing an interview with incoming Prime Minister Albin Kurti, which was carried live by AP.https://bit.ly/3aRQbQphttps://bit.ly/3qRXIUJhttps://bit.ly/3sltZULhttps://bit.ly/2O1rHuQ
Through months of patient contacts, Nairobi-based senior producer Khaled Kazziha built trust with an Ethiopian freelancer who promised AP first refusal on video and photos he made as events unfolded in the embattled Tigray region. That promise was fulfilled recently with images that included celebrations as Tigrayan forces retook the regional capital Mekele, prisoners of war in detention and an on-camera interview with Tigray's leader, among other rare scenes.
Kazziha had trained the freelancer and knew he was in Mekele when Ethiopian government forces fled Tigray, allowing the region's former leaders, the Tigray People’s Liberation Front, to return. But with communication and transportation blocked, Kazziha had to wait almost two weeks for the footage to reach him. He then worked tirelessly with colleagues in Addis Ababa to cut multiple video packages that have been widely used by AP’s global video clients and platforms.
“This is a reminder that a journalist never knows whose help might prove critically useful in the future, and training and teaching people wherever one goes ... especially in the world’s trouble spots,” said Andy Drake, deputy director of newsgathering for Africa.
For exceptional collaboration and video production work that led to multiple world exclusives, Kazziha and the video freelancer — unnamed for his security — share AP’s Best of the Week award.
produced an in-depth monthly package for the NBA’s 75th season, taking a unique decade-by-decade look at the league’s role in social issues — without ignoring the memorable moments on the court. While other news organizations centered their coverage on the celebration of the milestone anniversary, AP’s all-formats series explored the impact of issues ranging from segregation at the league’s inception to COVID-19 and Black Lives Matter in recent years.AP’s NBA beat writers and their colleagues in Sports used relationships developed over the years to secure buy-in and exclusive interviews with key figures, including Julius “Dr. J” Erving, Dominque Wilkens, Spencer Haywood and NBA Commissioner Adam Silver. Each month’s package throughout the season featured a main story, an all-decade team, a timeline, AP Was There stories, photos, video and audio, all deftly displayed and regularly updated on an engaging hub.Read more
With extensive preparation ahead of the Supreme Court decision overturning Roe v. Wade, the AP moved at lightning speed, covering the historic ruling comprehensively in all formats. Months of meticulous planning and prep work paid off when the court’s opinion came down Friday morning, enabling AP to get the word out ahead of the competition and then deploy teams of journalists to capture reaction and the broader ramifications of the ruling.
Countless AP journalists in Washington and around the country delivered spot and enterprise coverage in all formats, including live and edited video, insightful analysis, striking photos, state-by-state updates and the stories of people on both sides of the abortion issue.
For exemplifying the news cooperative at its best, covering a pivotal moment with far-reaching consequences for American society, AP recognizes journalists Mark Sherman, Jessica Gresko, Jacquelyn Martin, Steve Helber, Gemunu Amarasinghe, J. Scott Applewhite, Andrew Harnik, Rick Gentilo, Dan Huff, Nathan Ellgren, Mike Pesoli, Kimberlee Kruesi, Lindsay Whitehurst, John Hanna, Matt Sedensky, David Goldman, Rogelio Solis, Rick Bowmer, Eric Gay, Alex Connor, Kevin Vineys and colleagues throughout the organization with Best of the Week — First Winner honors.
set AP up to not just document the first state to enact drag restrictions this year but to deliver a comprehensive look at the effects.Read more.
Hail Mary? Hail Julio. As swarms of players and media surrounded Taylor Swift and Travis Kelce after the Kansas City Chiefs’ AFC championship win, photographer Julio Cortez captured the perfect shot: the couple kissing on the field, Swift’s hand pressed against Kelce’s cheek. It was an intimate moment amid chaos, one that only Cortez — AP’s chief photographer for Texas and Oklahoma, temporarily returned to Baltimore — got. Other outlets made photos of the couple embracing, but Cortez had the singular — and viral — angle.
Before Sunday’s game, the only photos of Swift’s football attendee era were made in tunnels or from afar as she watched in luxury suites. But Cortez knew that if the Chiefs punched their ticket to another Super Bowl, players’ friends and families would end up on the field. With AP’s Matt Slocum, Alex Brandon and Nick Wass in their assigned on-field positions, Cortez called an audible, walking around the stage to find Swift. A believer in being “pushy but professional,” Cortez “sweet-talked” bodyguards to get into unique position. Swift and Kelce’s reunion was, well, swift. As Kelce “gave her the fastest kiss,” Cortez jumped in front of the NFL Films camera, raising his own over a guard’s head. About a minute after the photo was made, photo editor Mike Stewart knew it was the shot of the game, affixing the golden APTOPIX stamp. It was immediately picked up by hundreds, rocketing around the world with usage by customers ranging from The New York Times, People to India’s Hindustan Times and Argentina’s La Voz.
For an image that’s assuredly a first-ballot Hall of Famer, Cortez is Best of the Week — First Winner.
From San Francisco to Kansas City, Tokyo to Las Vegas, the coverage of Super Bowl 58 required a comprehensive effort and coordination between Photos, Video, Digital, Audience, Sports, Entertainment, News and Business unlike any other previous championship game.Read more
excavates pain and patriotism in his family history, in particular his great-uncle’s World War II service, to examine the meaning of Independence Day and reclaim the holiday at a time of national reckoning. Contreras’ first-person story recounts years of racism against his family. But he chooses to focus on his Mexican American great-uncle who was wounded on Iwo Jima, even as the Contreras family was subject to Jim Crow in Texas.That episode in the Contreras family history resonated through the generations, and today family members use it as a cornerstone of their Independence Day celebrations. In the process of his eloquently told tale, Contreras not only redefines the holiday for himself and his family; he makes a valuable contribution to AP’s coverage of inequality, capturing many threads of recent American history in the process. https://bit.ly/38ySUvc
