for an exclusive report that U.S. immigration authorities made a last-minute decision to block a 21-year-old Syrian cinematographer from attending the Oscars. http://apne.ws/2mCrqMZ
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
How best to capture the story of recovering opioid users?
Chicago-based medical writer Lindsey Tanner and Atlanta-based photographer/videographer David Goldman teamed up to produce an intimate look at a diverse group of people – among them, a lawyer, a businessman and a trucker – who got caught up in the worst opioid epidemic in U.S. history.
Their illuminating package – combining Tanner's powerful text and Goldman's photos with a haunting mini-documentary – earns the Beat of the Week.
"The drug war is a game,” José Irizarry told two AP reporters during his final moments of freedom. “It was a very fun game that we were playing.”
Irizarry’s decision to spend some of his last few hours before beginning a 12-year federal prison sentence with two AP reporters in early 2022 was a moment years in the making that yielded a bombshell bacchanal of a story -- itself months in the making.
Four years ago, just before starting at The Associated Press, New York-based investigative reporter Jim Mustian received a tip about a DEA investigation into one of the agency’s own agents in Colombia. That spiraled into a string of AP scoops by Mustian and Miami-based Latin America correspondent Joshua Goodman on DEA corruption in Latin America, including an exclusive on the arrest of that agent. Irizarry had been accused of conspiring with Colombian drug cartels to divert millions from DEA money laundering stings in what prosecutors called one of the worst betrayals in DEA history.
For a deeply reported and compelling investigation, telling the tale of a former war-on-drugs warrior who crossed multiple boundaries, Mustian and Goodman earn AP’s Best of the Week — First Winner honors.
For the past year, education writer Bianca Vázquez Toness took on the difficult reporting task of finding students who have slipped through the cracks since the pandemic, and looked to Los Angeles, where advocates say the housing crisis is causing students to go missing from school.
She met a homeless mother renting space in strangers’ apartments, sleeping on a twin bed with her two children. The situation had devastated the teenage son Deneffy’s mental health and school performance.
After multiple visits to LA to meet Deneffy’s mother, and eventually Deneffy himself, he confided in Toness, allowing her to capture their narrative.
Photographer Jae C. Hong waited weeks for the family to feel safe having him inside, capturing powerful visuals when he was able to. Illustrations by Peter Hamlin anchored the story’s presentation. Eunice Esomonu put the Spanish version of the story in the immersive design, a first for AP.
Education journalists and readers alike have reached out to share how remarkable and powerful they found Toness’ reporting.
For building trust and cinematic reporting that showed the great lengths homeless kids must go to attend school, Best of the Week — First Winner is awarded to Bianca Vázquez Toness and Jae C. Hong.
