for one of the first published interviews that Warren Beatty has given in years on the occasion of his new Howard Hughes biopic, "The Rules Don't Apply."
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for their Only on AP story that details new accusations from three women of sexual misconduct against filmmaker Paul Haggis. Getting the story required deft interviewing by the two reporters to get the accusers to open up about their assertions against another Hollywood heavyweight. http://bit.ly/2m4YgY4
for his exclusive, wide-ranging interview with George Clooney, in which the actor commented on fatherhood, his new film about racism in America, and Donald Trump’s fitness to be president. http://bit.ly/2w84vNe
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
landed a clean scoop on the death of director-producer Ivan Reitman thanks to her reputation for professionalism on the film beat. Los Angeles-based Bahr received a call from a source during the Super Bowl, saying the 75-year-old Reitman had died and the family trusted her to break the story. That set Bahr and AP into motion on an obit that made news, even on a busy Sunday night. Read more
AP spent months building sources and conducting interviews to trace the declining friendship between Amazonian Indigenous activist Chief Raoni and Belgian filmmaker Jean-Pierre Dutilleux.Read more
AP entertainment video manager Ryan Pearson had interviewed Chadwick Boseman eight times since 2013. He knew the actor and his work well, and he’d worked closely with the actor’s publicist and her company.
That’s why the publicist’s first media call after Boseman’s death was to Pearson and the AP – she wanted the story reported by a responsible news organization. Another outlet, she worried, was getting close.
Pearson immediately alerted colleagues and set out to write an obituary that shocked the world. The AP staff in turn responded with comprehensive all-formats coverage, the story quickly becoming the biggest of the month on AP News and mobile.
For source and beat development that led to a tip on perhaps the biggest entertainment story of the year, and delivered a stream of important work for AP’s customers and audience, Pearson wins AP’s Best of the Week.
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
for sizing up the latest “Star Wars” film and delivering, within hours of seeing it, a review that gave the AP and its audience a thorough take on one of the year’s biggest releases. The story received more than 50,000 views in its first 24 hours. Spoiler alert, Coyle found it “spirited, hectic and ultimately forgettable.” https://bit.ly/2sZRauk
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
Lindsey Bahr, film writer, Los Angeles, for breaking two entertainment stories during an interview with actor Matt Damon ...
for breaking the news of the birth of the Clooney twins at least a couple of minutes before anybody else, a clear beat on one of the most anticipated celebrity baby births in years. http://apne.ws/2rejy6o
for the only interview with Bollywood star Irrfan Khan about his struggles with a rare form of cancer. He told her he trusted the AP to give an accurate account of his illness, which he does not know if he will be able to beat. https://bit.ly/2KoD7Bm
AP scooped the rest of the world with the contents of the highly anticipated report by Chinese and World Health Organization experts on the origins of the COVID-19 virus. The scoop was so significant that it forced our direct competitors to quote AP in their headlines and stories for hours, as they and others scrambled to match it.
How did AP do it?
Tipped that the report was imminent, Geneva chief correspondent Jamey Keaten cast a wide net among trusted sources, seeking a copy whenever it became available — and AP’s repeated scoops on WHO have made it the go-to news organization for reliable reporting on the U.N. agency. That paid off: A source Keaten had cultivated for years sent the report to him electronically early Monday morning. He quickly relayed the file to Greater China news director Ken Moritsugu, launching an urgent multiformat effort. Working with colleagues in Asia, Moritsugu had a carefully worded alert and story on the wire as day dawned in Europe. AP video colleagues followed with a six-minute archive package, footage of the report itself and official on-camera reaction.
For giving the AP a massive lead on the day’s biggest story, and harnessing AP’s global presence to produce news with speed and accuracy, Keaten and Moritsugu earn AP’s Best of the Week honors.
gave voice to the intense emotion within communities of Catholic nuns that have experienced devastating losses from outbreaks of the coronavirus. The Felician Sisters alone lost 21 of their own from four U.S. convents, a remarkable blow for a community of about 450 women. This intimate look within the cloister showed the lasting effects of what the pandemic wrought — in this case, the most reverent found themselves questioning faith and how one might continue living when so many nuns didn’t.After initial difficulty connecting with receptive sources, national writer Sedensky found Sister Mary Jeanine Morozowich in Greensburg, Pennsylvania, who had a level of introspection and eloquence that would help drive this story. That opened the doors to St. Anne Home in Greensburg. Sedensky and video journalist Wardarski, both compassionate listeners, encouraged the openness of the sisters, helping introduce the pair to others at the ministry. “By the time Jessie and I paid a visit there, we were able to share moments and conversations with all of them,” Sedensky said. Along the way, a couple of sisters told him that they felt better after their conversations.The package, including Wardarski’s poignant visuals, found a receptive audience. The AP pair received innumerable emails expressing how much the story moved readers. One was headlined: “My tears flowed as I read your article.” Another said: “Your article about the loss of these beautiful women will stay with me always. ... You wrote it so beautifully and with such respect.”https://bit.ly/3g8vYsGhttps://bit.ly/3gdjJeh
As the COVID-19 pandemic killed more than a half-million Americans, it also quietly inflamed what had already been one of the country’s greatest public health crises: addiction.
To tell that story, a multiformat AP team — writer Claire Galofaro, photographer David Goldman and video journalist Mike Householder — spent time in Huntington, West Virginia, exploring the resurgence of addiction in a community that had made progress against drug abuse. The AP team embedded with the city’s Quick Response team for a week, providing a unique window into the suffering those with addiction have endured as the pandemic brought despair and cut off access to support systems and health care resources.
The evocative package resonated with readers, and the story’s main subject said she was “ecstatic” over how well the story captured the world she sees every day.
For sensitive and compelling coverage that furthers the AP’s efforts to explore the rippling consequences of COVID-19, the team of Galofaro, Goldman and Householder wins this week’s Best of the States award.
overcame countless obstacles to provide on-the-ground coverage from a remote area of northwest Nigeria after the abduction of 300 students from a school in Katsina state. With perseverance, stamina and resourcefulness, the pair delivered content for a series of powerful stories in all formats, including live video coverage of the eventual release of the students.The pair had been covering Lagos Fashion Week when news of the mass abduction broke. After arranging with local stringers for AP’s first images from the school in Kankara village, Oyekanmi and Alamba flew north, then drove for hours over single-lane roads, dodging trucks and potholes, and talking their way through security checkpoints to reach Kankara, a town now in shock. After making images — captured with difficulty among a populace cowed by fear — more hours of travel followed to reach a safe town where they could file photos and video, and get some sleep.That work pattern repeated over the coming days: six or more hours on the road, then filing late into the night with visuals and reporting that brought detail and color to text stories.When they learned that the release of the boys had finally been secured, Oyekanmi and Alamba rushed to the state capital, staying up all night to wait for the students’ arrival. When the freed boys finally did arrive the next morning, Oyekanmi was ready with LiveU gear, streaming exclusive live coverage of their return, while Alamba filed first photos via Whatsapp. Both formats scored heavy usage by AP global clients.https://bit.ly/3rkaQmxhttps://bit.ly/2WFlKozhttps://bit.ly/2KwM9CDhttps://bit.ly/38uEQTXhttps://bit.ly/3nFUpP3
navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY
Building on his recent coverage of the collapse of the Super League, AP global soccer writer Rob Harris knew he needed to attend Sunday’s match between two teams that were part of the failed breakaway league — Manchester United and Liverpool — amid rising fan anger at the clubs.
Reporters were prevented from entering the stadium hours before the scheduled kickoff, with most waiting outside the entrance to Old Trafford. But Harris looped around the opposite side of the stadium to get closer to the expected protests.
What followed was a multiformat win. As the the crowd grew unruly, eventually breaking into the stadium and onto the field, lighting flares and lobbing bottles, Harris phoned in text and uploaded video from the melee, including the start of clashes between fans and police. He and a pair of stringers supplemented with photos. On an important day for Premier League coverage, Harris’ video was featured in major networks’ coverage, and AP’s text alert on the postponement of the game beat even Britain’s top agency.
For all-formats command of his beat under difficult circumstances, and significant wins against the competition, Harris earns AP’s Best of the Week honors.
teamed up to trace the elusive origin of Pope Francis’ bombshell comment on same-sex civil unions in a three-day run of stories that broke news.After Winfield reported that Pope Francis had endorsed civil unions in a new documentary, she discovered that the origin of the quote in the film was not clear. When Winfield asked the director whether he had understood at the time that the civil union comment was news, his longwinded and indirect answer was the first hint that something was off – triggering a 36-hour reporting effort.Thomas, who was covering the premiere of “Francesco” in Rome, got a top papal communications aide on camera insisting that the quote didn’t come from an interview for the film, but a 2019 interview Francis granted Mexican broadcaster Televisa. After three days of contradictory claims, the reporters nailed down that the comments were made during a May 2019 Televisa interview that was never broadcast in its entirety. Verza pressed and elicited a sourced confirmation that the Vatican had cut the quote out of the raw interview footage it provided to Televisa.AP’s story with the information from Mexico moved three hours before major newspapers reported the story. The Vatican, meanwhile, has refused all comment.https://bit.ly/3kBGZlyhttps://bit.ly/31R6VCq
