for one of the first published interviews that Warren Beatty has given in years on the occasion of his new Howard Hughes biopic, "The Rules Don't Apply."
http://bayareane.ws/2cFXsWA
for their Only on AP story that details new accusations from three women of sexual misconduct against filmmaker Paul Haggis. Getting the story required deft interviewing by the two reporters to get the accusers to open up about their assertions against another Hollywood heavyweight. http://bit.ly/2m4YgY4
for his exclusive, wide-ranging interview with George Clooney, in which the actor commented on fatherhood, his new film about racism in America, and Donald Trump’s fitness to be president. http://bit.ly/2w84vNe
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
landed a clean scoop on the death of director-producer Ivan Reitman thanks to her reputation for professionalism on the film beat. Los Angeles-based Bahr received a call from a source during the Super Bowl, saying the 75-year-old Reitman had died and the family trusted her to break the story. That set Bahr and AP into motion on an obit that made news, even on a busy Sunday night. Read more
AP spent months building sources and conducting interviews to trace the declining friendship between Amazonian Indigenous activist Chief Raoni and Belgian filmmaker Jean-Pierre Dutilleux.Read more
AP entertainment video manager Ryan Pearson had interviewed Chadwick Boseman eight times since 2013. He knew the actor and his work well, and he’d worked closely with the actor’s publicist and her company.
That’s why the publicist’s first media call after Boseman’s death was to Pearson and the AP – she wanted the story reported by a responsible news organization. Another outlet, she worried, was getting close.
Pearson immediately alerted colleagues and set out to write an obituary that shocked the world. The AP staff in turn responded with comprehensive all-formats coverage, the story quickly becoming the biggest of the month on AP News and mobile.
For source and beat development that led to a tip on perhaps the biggest entertainment story of the year, and delivered a stream of important work for AP’s customers and audience, Pearson wins AP’s Best of the Week.
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
for sizing up the latest “Star Wars” film and delivering, within hours of seeing it, a review that gave the AP and its audience a thorough take on one of the year’s biggest releases. The story received more than 50,000 views in its first 24 hours. Spoiler alert, Coyle found it “spirited, hectic and ultimately forgettable.” https://bit.ly/2sZRauk
Lindsey Bahr, film writer, Los Angeles, for breaking two entertainment stories during an interview with actor Matt Damon ...
for the only interview with Bollywood star Irrfan Khan about his struggles with a rare form of cancer. He told her he trusted the AP to give an accurate account of his illness, which he does not know if he will be able to beat. https://bit.ly/2KoD7Bm
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
for breaking the news of the birth of the Clooney twins at least a couple of minutes before anybody else, a clear beat on one of the most anticipated celebrity baby births in years. http://apne.ws/2rejy6o
AP scooped the rest of the world with the contents of the highly anticipated report by Chinese and World Health Organization experts on the origins of the COVID-19 virus. The scoop was so significant that it forced our direct competitors to quote AP in their headlines and stories for hours, as they and others scrambled to match it.
How did AP do it?
Tipped that the report was imminent, Geneva chief correspondent Jamey Keaten cast a wide net among trusted sources, seeking a copy whenever it became available — and AP’s repeated scoops on WHO have made it the go-to news organization for reliable reporting on the U.N. agency. That paid off: A source Keaten had cultivated for years sent the report to him electronically early Monday morning. He quickly relayed the file to Greater China news director Ken Moritsugu, launching an urgent multiformat effort. Working with colleagues in Asia, Moritsugu had a carefully worded alert and story on the wire as day dawned in Europe. AP video colleagues followed with a six-minute archive package, footage of the report itself and official on-camera reaction.
For giving the AP a massive lead on the day’s biggest story, and harnessing AP’s global presence to produce news with speed and accuracy, Keaten and Moritsugu earn AP’s Best of the Week honors.
teamed up to trace the elusive origin of Pope Francis’ bombshell comment on same-sex civil unions in a three-day run of stories that broke news.After Winfield reported that Pope Francis had endorsed civil unions in a new documentary, she discovered that the origin of the quote in the film was not clear. When Winfield asked the director whether he had understood at the time that the civil union comment was news, his longwinded and indirect answer was the first hint that something was off – triggering a 36-hour reporting effort.Thomas, who was covering the premiere of “Francesco” in Rome, got a top papal communications aide on camera insisting that the quote didn’t come from an interview for the film, but a 2019 interview Francis granted Mexican broadcaster Televisa. After three days of contradictory claims, the reporters nailed down that the comments were made during a May 2019 Televisa interview that was never broadcast in its entirety. Verza pressed and elicited a sourced confirmation that the Vatican had cut the quote out of the raw interview footage it provided to Televisa.AP’s story with the information from Mexico moved three hours before major newspapers reported the story. The Vatican, meanwhile, has refused all comment.https://bit.ly/3kBGZlyhttps://bit.ly/31R6VCq
AP investigative reporter Jason Dearen received a curious email on Dec. 1, claiming to be from Joseph Moore, a man Dearen had written about months earlier. Moore was an FBI undercover informant who had infiltrated the Ku Klux Klan in Florida and disrupted a murder plot by three klansmen working as prison guards.
Dearen and AP visual journalist Robert Bumsted soon found themselves in Florida interviewing Moore about his years in the klan.
Moore said he’d identified dozens of law enforcement officers who were either sympathetic to the klan, or active members, telling AP, “It is more prevalent and consequential than any of them are willing to admit.” Dearen also came away with details to further challenge Florida officials’ claims that they have no indication of wider klan or other criminal gang activity among their prison guards.
The “must read” story, accompanied by Bumsted's video, lit up online and numerous film producers inquired about film rights.
For chasing the story so long and covering it so well that it brought an underground FBI informant out of the shadows, Dearen and Bumsted earn AP’s Best of the Week — First Winner honors.
interviewed an impressive variety of Latino actors to examine the hurdles Latino subjects have encountered in Hollywood, and how 2021 is shaping up to be a potentially breakthrough year. She worked for weeks to secure high-caliber interviews from Rita Moreno, one of the only Latino performers to ever win an Oscar, and stars like John Leguizamo and Jimmy Smits.Spanish-language entertainment editor Ratner-Arias revealed some of the frustrations Latino stars have faced in getting their stories to the big screen. Moreno told film writer Jake Coyle, who teamed up with Ratner-Arias on some of the interviews, that she didn't expect to live long enough to see Latinos get a proper footing in Hollywood. The story weaved in hopes for a turnaround pinned to “In the Heights” and other films releasing in 2021 with voices from relative newcomers like Anthony Ramos and Charise Castro Smith. https://aplink.news/zdz
“Anyone seeing this?!?!” Within minutes of the message in a group chat, Athens AP staff delivered striking imagery of the southern Greece skies turning orange from dust clouds.Read more
Last Saturday afternoon, the AP’s staff in the Gaza Strip received an urgent call: They had less than an hour to evacuate the office before the Israeli military planned to destroy the entire building. Staff and freelancers scrambled to pack up whatever equipment and belongings they could carry, but even as they rushed to safety they continued reporting the news, including smartphone video of the evacuation and a live shot set up on a neighboring building.
Moments later, an Israeli airstrike flattened the 12-story building that had served as a second home in one of the world’s most challenging war zones for the past 15 years. The AP team captured the dramatic scene for all formats, then, despite the stunning turn of events, quickly regrouped to continue their coverage of the ongoing conflict.
The destruction of the building capped a difficult week in which Gaza came under intense Israeli aerial bombing, and thousands of rockets were launched into Israel. AP’s staff on both sides of the conflict rose to the occasion, presenting fast, accurate stories, powerful photography, gripping video.
For extreme dedication in the most difficult of circumstances, and their commitment to covering the conflict even at great personal risk, the Gaza team of Fares Akram, Najib Jobain, Rashed Rashid, Khalil Hamra, Hatem Moussa, Adel Hana, Mohammed Jahjouh and Wafaa Shurafa is the unanimous pick for Best of the Week honors.
Building on his recent coverage of the collapse of the Super League, AP global soccer writer Rob Harris knew he needed to attend Sunday’s match between two teams that were part of the failed breakaway league — Manchester United and Liverpool — amid rising fan anger at the clubs.
Reporters were prevented from entering the stadium hours before the scheduled kickoff, with most waiting outside the entrance to Old Trafford. But Harris looped around the opposite side of the stadium to get closer to the expected protests.
What followed was a multiformat win. As the the crowd grew unruly, eventually breaking into the stadium and onto the field, lighting flares and lobbing bottles, Harris phoned in text and uploaded video from the melee, including the start of clashes between fans and police. He and a pair of stringers supplemented with photos. On an important day for Premier League coverage, Harris’ video was featured in major networks’ coverage, and AP’s text alert on the postponement of the game beat even Britain’s top agency.
For all-formats command of his beat under difficult circumstances, and significant wins against the competition, Harris earns AP’s Best of the Week honors.
