in all formats, for scoring a two-hour beat over the competition with first photos and video from the scene of Italy’s devastating earthquake, and following it with exclusive aerial images of flattened villages from a rented helicopter. They also found and interviewed the nun who became the icon of the devastation.
for providing the first live video and first photos from the scene of a rescue helicopter crash that killed six people in Italy, two hours ahead of Reuters. http://fxn.ws/2k3Wi9H
ensured AP was among the first media to get photos and video from the locked-down Northern Italian town of Codogno, the focal point of Italy’s coronavirus outbreak.https://bit.ly/32Sp69Zhttps://bit.ly/3aw4OWGhttps://bit.ly/32US5df
As sweeping restrictions and lockdown measures rolled out across the world in the wake of the coronavirus pandemic, AP’s team of staff and freelancers in Italy set an example for how to produce compelling and competitive journalism in all formats despite major challenges affecting them both professionally and personally, including the very real risk of being placed in self-quarantine for covering stories in risk zones.
Three weeks into the Italian outbreak, AP produced some of the strongest coverage yet including multiple exclusives and beats across formats. That work included: How the northern town of Codogno greatly reduced the spread of the virus, a first-person account of the lockdown’s impact on families, overwhelmed doctors drawing parallels to war-time triage, rioting at Italian prisons, residents showing solidarity from their balconies, and more.
AP’s coverage throughout the crisis in Italy has consistently won heavy play online and in print.
For resourceful, dedicated and inspired journalism under unusually demanding circumstances, the Rome and Milan bureaus receive AP’s Best of the Week award.
A scathing letter sent in early April by doctors in Italy’s Lombardy region provided the first tangible inkling that something had gone terribly wrong in its fight against the coronavirus.
With Lombardy accounting for roughly half of Italy’s 27,000 deaths, chief Rome correspondent Nicole Winfield set out to document how the virus overwhelmed a medical system long considered one of Europe’s best.
Over the next three weeks, Winfield methodically collected details, conducted interviews, pored over government reports and briefings, and referenced AP’s vast reporting on the pandemic to craft the first explanatory account of the missteps and failures that allowed the virus to become so pervasive in northern Italy.
Winfield’s story quickly became one of the most-read on the AP News and was picked up by outlets globally.
For crafting a thorough, compelling and heartbreaking account of how COVID-19 got a pervasive, deadly grip on Lombardy, Winfield wins AP’s Best of the Week honors.
AP in-depth reporting led to a story of discovery in the worlds of arts and copyright law that trumped breaking and other news on our digital platforms.Read more
With a powerful and evocative photo gallery, AP journalists in Italy captured the heroism of 16 Italian medical personnel on the front lines of the battle against the coronavirus pandemic.
Photo editor Alberto Pellaschiar proposed the idea, and hospitals – reassured by AP’s reputation for professionalism – permitted photographers Antonio Calanni and Luca Bruno and chief photo editor Domenico Stinellis to make photos of the doctors and nurses during breaks or as they finished their shifts.
The intimate portraits conveyed the fatigue and determination of the men and women working round-the-clock to save lives. Chief correspondent Nicole Winfield studied the portraits and interviewed some of the subjects to put their struggle into words.
The impact was tremendous – the stark, understated images and accompanying story riveted audiences around the globe.
For conceiving and executing a brilliant series of images that captures in human terms the battle against the disease, Pellaschiar, Stinellis, Calanni, Bruno and Winfield win AP’s Best of the Week.
for turning exclusive access to the right-wing neo-fascist group Casapound into compelling text and video that explained why the group is gaining political ground in Italy. http://bit.ly/2xXGWJc
continued to provide exclusive, heart-wrenching visuals and text from the epicenter of the coronavirus outbreak in northern Italy, including powerful interviews with doctors and families of victims and exclusive access to hospitals.https://bit.ly/3bteZLThttps://bit.ly/2UGJHus
for quick work that positioned AP to own the international coverage of a deadly train derailment in Italy. https://bit.ly/2IZtEop
They are crises that have received significant attention while playing out in different parts of the world, but the efforts of a trio of AP journalists have shed new light on both the perilous journey of migrants in the Mediterranean and the opioid epidemic in America.
The work of the journalists, Renata Brito aboard the Ocean Viking humanitarian ship sailing in the Mediterranean Sea, and Lindsay Whitehurst and Claire Galofaro in the U.S., tells the respective stories with a captivating clarity that resonated with readers and earned a rare tie in the Best of the Week contest. Each story demonstrated the profound storytelling power the AP can bring to complex stories with ingenuity, smart planning and teamwork.
Barcelona-based Brito wins for a story that she’s still living, and telling, from the Ocean Viking. Embedded with a ship that last week rescued 50 migrants fleeing violence in Africa, her dispatch, “Migrant escaping Libya torture: We will go to Europe or die,” showed in stark terms the journey that for many has ended in death.
Galofaro and Whitehurst, meanwhile, share the win with a very different but no-less-gripping tale: “The rise and fall of an Eagle Scout’s deadly fentanyl empire,” about a millennial who built a million-dollar empire of mail-order fentanyl-laced pills.
For packages that brought new insight and perspective to heavily covered stories with significant global impact, Brito, Galofaro and Whitehurst win AP’s Best of the Week honors.
scored a coveted exclusive: an all-formats interview with Placido Domingo. Barry spent a year convincing Domingo’s team that the singer should sit down and talk to the news agency that broke the story about investigations and sexual misconduct allegations against him. When Domingo’s team finally agreed, Barry was able to negotiate access for photos and video to cover not just the interview, but the concert on the eve of the interview, which for cultural events in Italy is not always the case.Barry conducted the interview in English and Italian, keeping her composure even when her line of questioning prompted Domingo’s family to “swarm” her. The story received wide play with news outlets directly crediting the AP’s interview and previous reporting. Some non-AP customers, including the BBC, were forced to credit the AP in their stories on the interview and Domingo’s denial of abusing power.https://bit.ly/34CurW0https://bit.ly/3ltJKGG
for teaming up in a new investigation into the disgraced Legion of Christ religious order, revealing that the pope’s own envoy knew about a sex abuse settlement offer that is the subject of an obstruction of justice and extortion trial in Italy. AP scored the first-ever interview with the victim’s mother and obtained her wiretapped conversation with the Vatican cardinal running the Legion who was utterly unfazed that the order wanted to pay her son to lie to prosecutors and deny he had been abused.https://bit.ly/2TftYlihttps://bit.ly/2VpMJVI
produced three moving photo essays that intimately portray the daily lives of two nurses and a doctor in northern Italy who agreed to not only let AP into their workplaces, but their homes. The team set out to capture with context and detail what a day was like for health care workers, showing their efforts – sometimes fruitless – to help patients survive the coronavirus, and the sacrifices they must make to avoid bringing the virus home to their families.https://bit.ly/3aBVgc6https://bit.ly/2zuerbfhttps://bit.ly/3eQyLUq
The approach to Vatican Correspondent Nicole Winfield came from a member of a task force that had investigated care at Italy’s foremost pediatric facility, known as “the pope’s hospital.” The contact feared that serious concerns raised by the task force hadn’t been addressed two years later.
That tip, in late 2015, set the AP on a 20-month investigation of the Bambino Gesu (Baby Jesus) Pediatric Hospital. Winfield teamed up with London-based Medical Writer Maria Cheng to reveal a dark chapter in the facility's history. They found that children sometimes paid the price as administrators tried to make the money-losing enterprise turn a profit, and Vatican officials took pains to keep the concerns quiet.
Their work earns the Beat of the Week.
capped AP’s spotless coverage of the Eurovision Song Contest in Turin with an exclusive the morning after the contest as the winning band, Ukraine’s Kalush Orchestra, bid a tearful goodbye to Italy, returning to Ukraine to fight for their homeland.With contributions by reporters in Ukraine, the AP team delivered outstanding Eurovision coverage from Day One, but it was the exclusive day-after coverage that truly set AP apart from the competition, capturing images of the emotional scene outside the band’s hotel, the band members saying goodbyes to loved ones staying in Italy as the men return to war-ravaged Ukraine.Read more
Vatican Correspondent Nicole Winfield's tenacious reporting has already delivered numerous exclusives over a two-decade career covering three popes. Yet an on-camera, sit-down interview with a pontiff had eluded the AP.
That changed dramatically Jan. 24. After years of lobbying, the pope sat down for an historic interview with Winfield, whom Francis has for years called the “prima della classe,” or “first in class,” as a sign of respect for her tough but fair reporting on his pontificate. In fact, during the interview, he mentioned how Winfield’s questions about sex abuse during a 2018 airborne press conference led to his “conversion” moment when he realized that Chilean bishops had been covering up cases of abuse for decades.
For weeks, Winfield prepared the interview with Rome Senior Producer Maria Grazia Murru, who for decades has led the Vatican video operations. They coordinated every detail and prepared the right questions and approach for the interview. Murru designed the video coverage plan and spearheaded the production of social media promotion material. And together, they wrote letters in the most formal Italian to Francis’ private secretaries, until a date was finally arranged — for late January, a time that seemed ripe to make news. It was one week ahead of his planned trip to Africa and just over a month ahead of the 10th anniversary of his pontificate.
Video’s Paolo Santalucia and Photos’ Domenico Stinellis planned the lighting at the venue and sorted out technical details, and photographer Andrew Medichini’s images captured the historic event. Spanish language editor Cristina Fuentes-Cantillana transcribed and translated the full interview, conducted in the pope’s native Spanish.
New York-based health and science reporter Mike Stobbe and Rome video journalist Trisha Thomas delivered two very different exclusives that stood out amid the week’s impressive range of AP coronavirus coverage.
Stobbe was the first to report that the Centers for Disease Control and Prevention wanted to tell a wide swath of Americans that they shouldn’t get on commercial flights because of the virus. But the agency was overruled by the White House. Instead, federal officials settled on softer, less direct language. Realizing the significance, Stobbe pressed multiple sources until he had confirmation of the White House action.
Meanwhile, continents away, Rome visual journalist Trisha Thomas was visiting Padua when she learned the Italian city was about to be locked down. After making frantic arrangements to leave by train, she turned her personal odyssey into a cross-format package, producing a first-person essay and video story that gave a human face to Italy’s virus emergency.https://bit.ly/2TUgQCohttps://bit.ly/2W6dxL8
for breaking the news that executives with the international arm of Purdue Pharma were caught up in a criminal investigation in Italy alleging they paid a doctor to help sell more opioids in the country. It’s the first known criminal case outside of the U.S. involving employees with the pharmaceutical empire owned by the Sackler family, and the the first in an investigative series about the spread of opioids overseas. The reporters found that the doctor wrote scientific studies and organized conferences to promote opioids as safe and effective for chronic pain patients – the same tactics that experts and attorneys general say Purdue and other companies used in the U.S. that laid the foundation for the addiction crisis.https://bit.ly/2EG0sOZhttps://www.apnews.com/GlobalOpioids
for spotlighting the last remaining artifact from the Sept. 11 attacks among thousands preserved and distributed for memorials. http://apne.ws/2cqWmx1