for an Asia-Mideast collaboration on the discovery of 39 Indians kidnapped and killed by the Islamic State group in Iraq. https://bit.ly/2GWV89R
The scene is dreamlike – or, more precisely, nightmarish. The untethered camera swoops and swerves through a depopulated wasteland of rubble and bombed-out buildings and wrecked vehicles.
This is Raqqa, devastated capital of the Islamic State group’s self-proclaimed caliphate. And this extraordinary footage – the Beat of the Week – was brought to viewers around the world by freelance drone videographer Gabriel Chaim. He shares the prize with Mideast photo editor Maya Alleruzzo.
for getting into an Iraqi terror court and showing that speedy trials were used to convict suspected militants – even if all they did was keep their jobs at the waterworks under Islamic State.https://bit.ly/2rhudhThttps://youtu.be/zlRi_mAgZK8
As tensions between Iran, its neighbors and the United States ratcheted up last week, AP’s staff in Baghdad, Dubai and Tehran turned out aggressive, yet cautious coverage, bringing facts and unique perspectives to the tense and escalating situation in the Persian Gulf, often well ahead of the competition.
Those stories included reports of “sabotaged” oil tankers off the coast of the UAE, and AP broke the news that Iran had quadrupled its uranium enrichment.
Meanwhile, AP’s Tehran team produced an all-formats piece on the mood of people on the city’s streets that could not be matched by competitors, and AP was first to report an FAA warning that Iran could misidentify commercial flights in the region.
AP was also aggressive on related developments, ensuring that clients had video and text coverage of tweets by President Donald Trump and Iranian officials.
For smart judgment, planning and effective use of AP’s resources to break news and bring facts to a region on edge, the team of Jon Gambrell, Qassim Abdul-Zahra, Mehdi Fattahi, Bassem Mroue, Nasser Karimi and Vahid Salemi wins AP's Best of the Week, with the support of their colleagues and contributors in the region.
When President Donald Trump tweeted a warning last week about a possible missile strike on Syria, the AP was well ahead in its planning for what would eventually follow.
An AP cross-format team had applied for visas for Damascus a month ago. Last-minute negotiations and a bit of luck led to them being issued two days before air strikes by the U.S., France and Britain..
And when the missiles started raining down, Hassan Ammar, a Beirut-based photographer, captured the signature image of the Damascus night sky. His photo, which dominated world play, earns the Beat of the Week.
The deafening Tuesday afternoon explosion tore through Beirut and shattered everything in a few terrifying seconds, badly damaging the AP bureau and the homes of several AP employees in the Lebanese capital. Three employees were injured in their homes by broken glass.
But despite the mayhem and injuries, the AP team sprang into action to deliver standout all-formats coverage of an event that killed more than 170 people and injured some 6,000, sending a mushroom cloud over the city.
The remarkable work was magnified by the fact that a large majority of broadcasters and other news organizations didn’t have a journalist in Beirut, relying mainly on the AP and again affirming the value of the agency’s global footprint.
For their stunning coverage and selfless efforts, the Beirut staff wins AP’s Best of the Week award.
Last Saturday afternoon, the AP’s staff in the Gaza Strip received an urgent call: They had less than an hour to evacuate the office before the Israeli military planned to destroy the entire building. Staff and freelancers scrambled to pack up whatever equipment and belongings they could carry, but even as they rushed to safety they continued reporting the news, including smartphone video of the evacuation and a live shot set up on a neighboring building.
Moments later, an Israeli airstrike flattened the 12-story building that had served as a second home in one of the world’s most challenging war zones for the past 15 years. The AP team captured the dramatic scene for all formats, then, despite the stunning turn of events, quickly regrouped to continue their coverage of the ongoing conflict.
The destruction of the building capped a difficult week in which Gaza came under intense Israeli aerial bombing, and thousands of rockets were launched into Israel. AP’s staff on both sides of the conflict rose to the occasion, presenting fast, accurate stories, powerful photography, gripping video.
For extreme dedication in the most difficult of circumstances, and their commitment to covering the conflict even at great personal risk, the Gaza team of Fares Akram, Najib Jobain, Rashed Rashid, Khalil Hamra, Hatem Moussa, Adel Hana, Mohammed Jahjouh and Wafaa Shurafa is the unanimous pick for Best of the Week honors.
For years, AP’s Khalil Hamra and Oded Balilty have captured the Israeli-Palestinian conflict through their award-winning photography. This summer they turned their lenses away from the violence and onto a place of refuge for both sides: the stretch of beaches along the Mediterranean Sea.
With Balilty making images from Tel Aviv and Hamra from Gaza, the Pulitzer Prize-winning photographers produced an evocative essay showing Palestinians and Israelis basking on the beach, separated by 70 kilometers (40 miles) and free from fear of the next eruption of fighting. The photographers have met just once, years ago, but communicated online about what they were seeing, made pictures, shared them and then set out to find similar ones from their respective sides.
The immersive presentation includes an engaging video revealing more about the photographers and how they applied their craft.
For a strikingly unique, creative collaboration that brought, in Balilty’s words, “something positive” from a part of the world beset by conflict, Hamra and Balilty earn this week’s Best of the Week — First Winner award.
What AP’s Lori Hinnant knew, from a conversation with Beirut bureau chief Zeina Karam early this year, amounted to a fascinating mystery: A series of Syrian villages had been emptied and many of their people taken hostage by the Islamic State group, but now most appeared to be free. It was clear that ransoms were paid, but no one would talk about how it happened.
The hostages were more than 200 Assyrian Christians who were rescued through a fundraising effort among the vanishing people’s global diaspora that brought in millions of dollars. These were the broad outlines of the story that Hinnant’s months of reporting confirmed, but even better were the exclusive details she unearthed _ including IS sending one villager with a ransom note to his bishop, the church dinners and concerts held around the world for donations, and the decision, fraught with ethical qualms and legal risks, to pay a ransom.
Hinnant’s resulting “thriller,” as one admirer called it, is the Beat of the Week.
The days leading up to Catalonia’s independence referendum pointed toward trouble on the day of the vote. The autonomous region in northeast Spain was pushing ahead with the election despite the country’s constitutional court ordering it to be stopped. In the weeks leading up to the vote, thousands took to the streets, demonstrating for and against independence. The election, set for Oct. 1, was sure to be a defining moment for the region and the country.
It also posed a challenge to those planning AP’s visual report: How best to capture the expected chaos? How to navigate its major city, Barcelona, which would be flooded with demonstrators and police? How to get photographers and video journalists in the right positions, knowing they might be stuck there for hours?
These decisions fell to Emilio Morenatti, AP’s chief photographer for Spain and Portugal. A longtime Barcelona resident, he anticipated those obstacles as he deployed AP’s staff and freelance photographers.
The result was some 200 photographs that captured the violence and passion of a remarkable moment in Spanish history. For planning creatively, making smart in-the-moment decisions and risking personal safety, Morenatti and his team of photographers win this week’s Beat of the Week.
Prisons in Iraq held thousands of Islamic State group militants, but few outside the government knew exactly how many. Baghdad-based reporter Qassim Abdul-Zahra set out to find out – and he wasn’t going to take a rough estimate for an answer.
With Baghdad correspondent Susannah George and Mideast enterprise editor Lee Keath, Abdul-Zahara analyzed documents he obtained from a Justice Ministry official, finding that the government was holding at least 19,000 people accused of ISIS connections or other terror-related offenses and that more than 3,000 of them had been sentenced to death.
For intrepid source work and analysis to establish the facts around the imprisonment of thousands of Islamic State group militants in Iraq, Abdul-Zahra, George and Keath win Beat of the Week.
When the Taliban overran Kabul on Aug. 15, no one in the city knew if the Taliban would resume the brutal practices that carried them to power in 1996 — or would they show some restraint?
Kabul video journalist Ahmad Seir and photographer Rahmat Gul remember the previous Taliban rule, but like their AP colleagues, they were determined to record history. The pair took to the streets. Despite being beaten with rifle butts at a Taliban checkpoint near the airport, they persisted, eventually gaining the trust of Taliban fighters at a checkpoint near AP’s office. Seir and Gul went on Taliban patrols, delivering unique video and photos of the militiamen now in command of Afghanistan.
Those rare images, along with spot features that included daily life in the capital and an interview with a female activist now in hiding, played at the very top of AP’s offerings for the week and reflected the tireless efforts of everyone in AP’s Kabul office who pushed aside their own fears and personal concerns to continue reporting in all formats.
For their historic and important work, thorough professionalism and unbound bravery, Seir and Gul share AP’s Best of the Week honors.
combined outstanding reporting in all formats and stellar coordination between the Washington and Beirut bureaus to put AP ahead with quick, thorough, vivid on-the-ground coverage of the U.S. raid in Syria’s Idlib province that left the Islamic State group’s leader dead.Source work by AP’s Pentagon staff gave the teams in Washington and the Mideast some advance notice of the operation, and after the raid, AP was quick to the Idlib site, filing photos, video, drone footage and eyewitness accounts. AP was ahead of the competition with its alert and a solid writethrus, as well as reporting of the death toll.Beirut added a substantive biographical piece on the dead IS leader who tried to rebuild IS from its defeat, and Washington put together a compelling timeline of the raid, from planning through aftermath.Read more
AP broke news about a major development in the escalating U.S.-Iran tensions: The Pentagon is considering putting armed Marines and sailors on commercial ships in the Strait of Hormuz to guard against Iranian harassment and seizures.Read more
West Africa correspondent Sam Mednick was in Niamey — by chance to make use of a visa nearing expiration — when mutinous bodyguards launched a coup against their president. But her stellar, singlehanded all-formats coverage is due entirely to her extraordinary multimedia skills and perseverance.
Day after day, Mednick produced live video, photos of demonstrations, WhatsApp clips to colleagues and interviews on and off the record to show the importance of the coup in a country that has long been considered a bulwark of democracy against Islamic extremism and autocracy.
The result: A story that Mednick owned alone among international journalists.
For her tireless, astonishing multimedia coverage in a place where few of our competitors, if any, had a presence on the ground, we are honored to award Sam Mednick the Best of the Week — First Winner.
