for an exclusive interview with the last survivor of the Hindenburg disaster ahead of the 80th anniversary of the tragedy. http://apne.ws/2qUeszf
For source reporting and collaboration that enabled AP to break the story about the Trump administration's plan to open national park trails to motorized bikes. Sharp got a tip that the Interior Department was expected to lift a decades-long ban on any vehicles with motors on National Park hiking and biking trails. He began reporting to get reaction even before the rule change was announced. Meanwhile, Knickmeyer got a tip that evening from a non-profit foundation that Interior Secretary David Bernhardt had without any public notice signed an order lifting the ban immediately and classifying e-bikes as non-motor vehicles.
https://apnews.com/d22c8bb8a83c48c0b421dc0da81efd0b
for finding that the Federal Emergency Management Agency auctioned off disaster-response trailers at fire-sale prices, and then scrambled to find housing for Hurricane Harvey victims. http://bit.ly/2hfpNqo
First, a 7.1 magnitude earthquake rocked Mexico, killing hundreds. Then, a day later, a category 4 hurricane pummeled Puerto Rico, leaving millions of people without power and with little water.
Two major calamities, one sterling response: Staffers of The Associated Press went to heroic lengths to tell the world the stories of two places battered by disaster. Their efforts were led to extraordinary achievements – in text, photos and video – and the Beat of the Week.
Many media were slow to respond to the historic flooding in Louisiana this month, but not The Associated Press. AP journalists provided timely, perceptive and poignant spot and enterprise stories from the very first hours of the torrential rains.
Aggressive cross-format coverage by a staff focused on stories of real people were key to covering the disaster. In text, the reporters included New Orleans administrative correspondent Rebecca Santana; Baton Rouge correspondent Melinda Deslatte; and newsmen Mike Kunzelman in Baton Rouge and Kevin McGill in New Orleans. Freelance photographer Max Becherer and video journalists John Mone of Houston, and Josh Replogle of Miami rounded out AP's team on the ground.
In the wake of Hurricane Harvey hitting Texas in August, Emily Schmall in Fort Worth, Texas, and Michael Sisak in Philadelphia teamed up to report exclusively that the Federal Emergency Management Agency had sold off scores of trailers with little to no damage in the days leading up to the storm. Their reporting had an immediate impact: FEMA said it had halted the auctions and would evaluate whether any of the units could be used for Harvey victims.
Fast forward to November, when Sisak noticed the auctions had resumed. Working with Central Desk editor Jeff McMurray, Sisak and Schmall took a pointed look at government waste, showing how FEMA was selling gently used trailers for pennies on the dollar rather than making them available for disaster victims.
For resourceful reporting that broke new ground, Schmall and Sisak share this week’s Best of the States prize.
produced a comprehensive, multiformat Only on AP package marking 10 years since the fatal Deepwater Horizon explosion and massive oil spill. Three pieces ran over three days: investigative work that showed continued and increasing drilling risks, a personal look at how life has changed along the coast, and the lasting environmental impacts a decade after the disaster. https://apnews.com/DeepwaterHorizonSpill
San Francisco-based freelance photographer Noah Berger is one of the foremost wildfire photographers in California.
His experience helped put him in the right place to shoot stunning images as the Carr Fire swept into Redding and threatened to devour much of the Northern California city of 92,000. It also made AP the first major news outlet to have boots on the ground in the city, a competitive advantage that produced details other didn’t have, and enabled managers to quickly get Sacramento reporter Jonathan J. Cooper headed to the scene.
Berger described the Carr Fire as one of the most intense fire fights he has ever witnessed. His dramatic images put the AP ahead of key competitors by more than a day.
Cooper's reporting included a key measurement of a wildfire’s destructive force: the number of homes lost. When authorities kept saying 65 structures had been destroyed, Cooper went back to two neighborhoods he had visited and counted all the homes burned to the ground. He found 60 in one and 66 in the other. AP’s figure, and the context that the number would ultimately be much higher, quickly became the headline on the story.
A wildfire is among the toughest assignments for any photographer but Berger gave the AP a significant competitive advantage. Cooper’s savvy gave AP a figure others didn’t have. For their work, they share this week’s Best of the States award.
It’s not often you have to write an obituary for a town. Yet that’s what Martha Mendoza and Jocelyn Gecker did, with Gillian Flaccus producing a compelling video component. Their tribute to Paradise, California – leveled by a devastating wildfire that killed so many residents – painted a picture of all that was lost. Paradise was a gold prospector’s town, then a lumber town, and until two weeks ago was the home of 27,000 people “who lived and loved here; they built homes and businesses, schools and houses of worship, parks and museums that proudly honored Paradise's place in American history.”
Mendoza worked from the field, in the ashes of the town, with Gecker in San Francisco tracking down leads, helping to write the finished piece and finding photographs to illustrate “the town’s history and spirit.” Their nuanced reporting, along with that of many colleagues, drew forth tales of town holidays, and residents ruminating whether those staples of small-town America would continue.
The accompanying video by Gillian Flaccus, recorded during a ride-along with a long-time resident, complemented the text piece by showing street after street of utter devastation over the man’s narration.
Paradise is gone, and until it rebuilds in some fashion, Mendoza, Gecker and Flaccus have given the world the definitive piece on what it represented. For their deft depiction of the town behind the headlines, the trio wins AP's Best of the States.
for delivering fast and unmatched video on back-to-back disasters in Japan last week, including user generated content showing the devastating strength of Typhoon Jebi, and for multiple edits, well ahead of video competition, of a powerful Japanese earthquake and deadly landslides. https://bit.ly/2p48SHYhttps://bit.ly/2CUme3hhttps://bit.ly/2MwhWyn
In back-to-back days over the New Year’s holiday, it seemed that the eyes of the world were on Tokyo, as the AP bureau deftly handled a massive earthquake and a fiery plane disaster that rocked the country — two of the biggest stories from Japan in years — and beat the competition in all formats while doing so. Their coverage included exclusive video, print and photos that far surpassed the offerings from our competitors.
The bureau activated immediately once a 7.6-magnitude quake hit western Japan on New Year’s Day, which was followed by more than 100 aftershocks. Business Writer Yuri Kageyama in Tokyo filed alerts and for days wrote stories that explained one of the most quake-prone places on earth. Photographer Hiro Komae and freelance videographer Richard Colombo rushed to the scene, followed by video journalist Ayaka McGill. They braved brutal working conditions — sleeping in their car and navigating wrecked roads, often driving more than 12 hours to reach destinations.
Then, on Jan. 2, another massive story: A Japan Airlines passenger jet struck a coast guard plane on a Tokyo runway. Dramatic video, which AP had faster than competitors, showed the JAL plane bursting into flames as it streaked away from the fireball that engulfed the other plane, where five died. Miraculously, all the JAL passengers evacuated safely. Working off TV coverage, News Director Foster Klug had the first urgents out ahead of competitors, with correspondent Mari Yamaguchi interrupting her holiday to write stories that investigated what went wrong and showed what it was like inside the plane. Business colleagues added invaluable context about the planes.
For dominating the competition on consecutive days in trying conditions on two massive breaking stories, we award the Tokyo bureau Best of the Week — First Winner.
Young Aiden Pham wasn't even awake for his brief moment in the spotlight. But Houston photographer David Phillip was there to capture the toddler in what would become an iconic image of Hurricane Harvey and the historic floods.
The photo of the sleeping 13-month-old, swaddled in a blanket and held in his mother's arms as they're carried to safety, was among the many dramatic rescues of the floods that have inundated southeast Texas.
The image – which appeared on the web and front pages across the country, including the Wall Street Journal – along with others taken by Phillip earn him the Beat of the Week.
For many in the U.S. and around the world, 2020 has been one of the most challenging years in recent memory – and a single wildfire photo by freelance photographer Noah Berger, on assignment for the AP, captured the danger, fear and uncertainty wrought by the pandemic.
The ironic image of a sign, surrounded by flames while urging safety, was widely interpreted as a pointed commentary on 2020. The photo went viral and was among AP’s most downloaded images of the month.
And that was just one of many photos and videos by Berger that helped put the AP ahead of the competition in recent coverage of fires in the San Francisco Bay Area.
For his courageous and committed work, and a remarkable photo that frames much of 2020 in the context of a raging wildfire, Noah Berger wins AP’s Best of the Week award.
Jolted out of bed by the 6.4-magnitude earthquake just before 4 a.m., correspondent Llazar Semini in Tirana knew immediately he was dealing with a major story. Communications networks were shaky, but he managed to reach colleagues in other formats by phone, triggering what would become a virtual sweep of the disaster coverage.
The quick decisions made in the early hours resulted in a compelling all-formats report and gave AP the clear advantage over competitive agencies. Nowhere was that advantage more evident than in live video – AP picked up live video within an hour of the quake, and several hours before any of the competition.
Coverage was just as impressive in text, photo and video edits. AP’s dominance continued with drone video, and all-formats coverage of dramatic rescue efforts and anguished survivors.
For resourceful work that powerfully conveyed the human toll and devastation while delivering a dominant competitive performance, the multinational all-formats team of Llazar Semini, Visar Kryeziu, Hektor Pustina, Amer Cohadzic, Erion Xhiabati, Florent Bajrami, Sylejman Klokkoqi and Petros Giannakouris shares AP’s Best of the Week.
There’s a real difference between straight aerial photography and the bird’s-eye view that AP’s audience had of the destruction after a series of tornados touched down in western Ohio late on Memorial Day. Using a drone, Cincinnati photographer John Minchillo and video journalist Angie Wang provided those images from a rare perspective – both still photos and video – showing residents coping with the wreckage and sorting through their gutted homes.
The resulting video coverage was our overall top U.S. video story for the week, and Minchillo’s still photos were widely played, including front pages of the Washington Post and Wall Street Journal. Two of his photos appeared in NBC’s The Week in Pictures.
From small details to sweeping landscapes of destruction, their dedication, teamwork and speed of delivery make John Minchillo and Angie Wang this week’s Best of the States winners.
The wildfire that consumed Paradise, California, claimed 85 lives while virtually burning the town off the map. But beyond those facts lay a rich narrative of the individuals who perished while calling Paradise home.
AP San Francisco reporters Janie Har and Jocelyn Gecker set out to tell the stories of the victims of the deadly Paradise fire far more comprehensively than was possible in the immediate aftermath: Who were they? Where and when did they die? Did they even have a chance to flee?
To paint a picture of how the tragedy unfolded, the pair spent months tracking down family members – many of whom were wary – to talk about their loved ones, assuring them that AP’s coverage would be more than a recitation of the grim facts. Interviews with California fire officials, a newly available simulation of the fire’s movement on the fateful morning and public records requests enabled AP to produce an interactive graphic giving the exact locations where people died and their approximate times of death.
The result was a riveting package that coupled intimate portraits of the victims with the circumstances of their death. Most never had a chance to flee their homes as the fast-moving fire barreled through.
The moving package was well-received by members throughout California and from coast-to-coast.
For carrying the Paradise story forward with enterprising, sensitive work that focused on the victims’ narratives, Har and Gecker share this week’s Best of the States award.
As the six-month mark approached of Hurricane Harvey hitting Texas, Austin Administrative Correspondent Will Weissert and Fort Worth Correspondent Emily Schmall teamed up to report exclusively that the state’s decision to lead housing recovery – meant to be faster and better than anything the federal government could muster – was actually resulting in backlogs that made the chaotic response after 2005’s Hurricane Katrina look good by comparison.
Acting on a tip, the duo dug into federal records and added field reporting to produce a multi-format report showing that delay by the governor, and the state land office’s steep learning curve, meant temporary shelter and quick-fix home repair programs were rolling out at a startlingly slow pace.
For excellent sourcing and taking a deeper look at Texas’ hurricane recovery process, Weissert and Schmall share this week’s Best of the States prize.
After Guatemala’s Volcano of Fire erupted June 3, sending a fast-moving flow of superheated ash, rock and debris into villages, AP staffers sprang into action. Over the next week, they worked around the clock in difficult and often-perilous conditions to produce all-formats dispatches from the scene and from shelters and funerals. They told the stories of people who had lost dozens of family members in the explosion, authorities’ search for survivors and victims, and relatives’ own return to homes buried up to the rooftops in ash to dig, in many cases with their own hands.
For scoring numerous exclusives that included highly detailed drone video of the disaster and spectacular photos and video, Guatemala-based journalist Sonia Perez, Mexico City-based reporter Mark Stevenson, Bogota camera operator Marko Alvarez, Guatemala photographer Moises Castillo, Peru-based senior photographer Rodrigo Abd, and stringer photographer Luis Soto have earned the Beat of the Week.
Amid the chaos and broken lives after Hurricane Michael, photographer David Goldman was combing for images of how people were coping when he discovered a heartbreaking story in a Walmart parking lot: A newborn baby was spending one of his first nights in the back of a pickup with his parents.
Goldman knew he had a great visual story. And he knew there was a great story to write. Not being in a position to write the story himself, he turned to colleague Jay Reeves, also working in the hurricane zone.
Reeves wouldn’t be able to meet with the family, but Goldman knew the elements Reeves would need to write the text piece. He sent Reeves all his notes and an audio interview via email. From those pieces, Reeves crafted the narrative.
The moving words and compelling photo package resonated. Goldman’s Twitter lit up with responses, and readers hoping to find a way to help “baby Luke” reached out to the AP by email, phone and web. The story was carried by Time Magazine, USA Today, The New York Times and NPR, among others.
For their collaboration and unmatched story that reminded the world that the story of Hurricane Michael is far from over, Reeves and Goldman win this week’s Best of the States.
When tornadoes tore through Middle Tennessee in the early-morning hours of Super Tuesday, AP’s staff deftly pivoted from preparing for the state’s primary to covering a natural disaster.
From first light on Tuesday and throughout the day, Nashville and Memphis staffers delivered compelling all-formats coverage of the devastation that left at least 24 dead statewide. The team also connected the disaster to the primary, monitoring the impact on voting.
Strong aftermath coverage followed, including a presidential visit on Friday and well-received pieces on recovery efforts and a worship service at a damaged church. With out-of-state staffers and the entire South Desk contributing to the coverage, the sustained effort showed the AP at its best.
For proving nimble, responsive and collaborative coverage on a major breaking news story under chaotic conditions, the multiformat Tennessee team of Travis Loller, Kristin Hall, Kimberlee Kruesi, Mark Humphrey, Jonathan Mattise, Adrian Sainz and Teresa Walker shares this week’s Best of the States award.
