for acting on a tip from a trusted source to break the news of the death of opera legend Jessye Norman, leading numerous outlets to credit AP and use its obituary. https://bit.ly/2nxPGFi
obtained exclusively the results of the opera union’s investigation of sexual harassment accusations against superstar Placido Domingo, revealing that 27 people told investigators that they either had been harassed or had witnessed inappropriate behavior by Domingo. AP was also the first to report Domingo’s apology. Gecker’s story moved about nine hours before the union released an extremely brief description of its findings, offering few details. As a result of her reporting, a new accuser came forward to speak to the AP on the record, and a cascade of performance cancellations began among music companies in Domingo’s native Spain, where he previously had been staunchly defended. https://bit.ly/2Io9lOEhttps://bit.ly/2Io9amIhttps://bit.ly/2Q4TER1https://apnews.com/PlacidoDomingo
Jocelyn Gecker’s bombshell investigation of sexual harassment allegations against opera superstar Placido Domingo started with a song.
San Francisco-based Gecker was at a party about 18 months ago when she noticed the beautiful voice of the woman next to her singing “Happy Birthday,” and complimented her. The woman was a former opera singer who confided that the industry had a dark underbelly, offering her assessment that “Placido Domingo is the Bill Cosby of the opera world.”
The discussion sparked months of work by Gecker to publicly reveal what many said had been an open secret in the opera world. In all, Gecker would find nine women who accused Domingo of sexual harassment and a half-dozen more who said the star made them uncomfortable. Getting people to go on the record proved challenging, but a breakthrough came when one of Domingo’s accusers agreed to tell her story on camera. The resulting 5,200-word story – and Domingo’s response – commanded instant attention and heavy engagement in global media.
For finding a major international story in an unlikely setting, and her care in dealing with sources while reporting tenaciously on a sensitive topic, Gecker earns AP’s Best of the Week honors.
for an AP exclusive that unraveled – in real time in a New York restaurant – a dark operation to entrap a cybersecurity watchdog organization. Satter exposed the use of Israeli software to spy on political dissidents around the world, including those close to Washington Post columnist Jamal Khashoggi. https://bit.ly/2FZFgVL
In the weeks after Jocelyn Gecker’s bombshell investigation detailing multiple sexual harassment allegations against Placido Domingo, competitors were out in full force, trying to produce their own stories about women who had encounters with the opera superstar.
But only the AP was able to advance the story, offering the accounts of an additional 11 women who said the legend had behaved inappropriately, including one who said on the record that Domingo insisted on kissing her and later forcefully grabbed her bare breast under her robe. In addition, backstage staff told the Jocelyns – AP’s Gecker and Noveck – how they strove to keep young women from ever being alone with Domingo.
No one could match the pair’s reporting, which produced one of the most-read stories on AP’s platform and formed the basis of stories by many other media outlets. Meanwhile, more opera companies announced they were canceling or reassessing their relationship with Domingo.
For remarkable source building and reporting that continued to give AP ownership of this highly competitive story, Gecker and Noveck earn this week’s Best of the States award.
for breaking the story of how a Texas town was given a federal contract to operate a controversial family detention and in turn gave a hefty management contract to a private prison company, retaining a portion of the money for itself. https://bit.ly/2JjTkJx
for getting the beat that Madison Square Garden, the owner of the WNBA’s New York Liberty, had abandoned plans to sell the women’s pro basketball team and would operate it for at least another season. http://bit.ly/2C1G2Av
Associated Press reporter Elliot Spagat has spent years covering the U.S.-Mexico border, building sources within the federal agencies that enforce the nation’s immigration laws and earning the respect of senior officials.
That source work paid off when Spagat scored an exclusive ride-along as federal agents executed what officials called the largest immigration action against an employer under Donald Trump’s presidency: An early-morning sweep of nearly 100 7-Eleven stories that targeted the stores’ owners, rather than the workers.
One U.S. Immigration and Customs Enforcement official said the operation was “a harbinger of what’s to come” for employers.
For his efforts to put AP ahead of the competition (some news organizations cited AP while their own reporters rushed to confirm the story), Spagat wins this week’s Beat of the Week prize.
for reporting accounts from three opera singers and a classical musician that renowned conductor Charles Dutoit sexually assaulted them, immediately causing widespread tumult and outrage in the classical music world. http://bit.ly/2COFJcQ
When a Minnesota woman was preparing to meet the man who received her dead husband’s face in a transplant operation, the hospital that performed the surgery – the Mayo Clinic – immediately recommended that The Associated Press be the news organization to tell their story.
In early 2016 AP national writer Sharon Cohen, video journalist Teresa Crawford and photographer Charlie Neibergall had been first with the tale of Andy Sandness and Calen “Rudy” Ross. The AP team's sensitive portrayal of two men who had each attempted suicide, with the one who lived (Sandness) ultimately receiving the face of the one who did not (Ross), had been well-regarded by Sandness and by Ross’ widow, Lilly.
In the months following, Mayo was besieged with requests from news outlets to cover the first meeting between Andy and Lilly, but when the pair began making plans to meet in fall 2017, they wanted only AP in the room.
For their exclusive coverage of that poignant meeting, Crawford, Neibergall and correspondent Kyle Potter win this week’s Best of the States award.
Hurricane Harvey inundated homes, flooded freeways and swamped entire neighborhoods. Florida-based reporter Jason Dearen, who was deployed to Houston to help cover the disaster, knew there might be something else submerged beneath the turbid floodwaters. Superfund sites, some of the nation’s most contaminated places, are scattered along the low-lying Gulf coastline, including in the Houston area.
Dearen had been trying to obtain a copy of a federal study about the risks of flooding at those sites from the U.S. Environmental Protection Agency, but had been stonewalled for two weeks. Harvey’s destruction provided new urgency to his request. For help, he reached out to Washington investigative reporter Michael Biesecker, a fellow member of the AP’s environmental beat team.
Through creative reporting that relied on data, collaboration and Dearen’s newfound skills as a boat man, they became the first journalists to report on the extent of flooding at contaminated waste sites in and around Houston. The on-site observations by Dearen and freelance 360-video producer Claudia Prat raised concerns that some of the decades-old toxic stew left over from the oil, gas and chemical industries may have mixed with floodwaters. They also were on the ground – and on the water – before the EPA’s own inspectors. For their efforts, Dearen, Biesecker and Prat win Beat of the Week.
The approach to Vatican Correspondent Nicole Winfield came from a member of a task force that had investigated care at Italy’s foremost pediatric facility, known as “the pope’s hospital.” The contact feared that serious concerns raised by the task force hadn’t been addressed two years later.
That tip, in late 2015, set the AP on a 20-month investigation of the Bambino Gesu (Baby Jesus) Pediatric Hospital. Winfield teamed up with London-based Medical Writer Maria Cheng to reveal a dark chapter in the facility's history. They found that children sometimes paid the price as administrators tried to make the money-losing enterprise turn a profit, and Vatican officials took pains to keep the concerns quiet.
Their work earns the Beat of the Week.
for an exclusive look at a contractor operating in Iraq with alarming security violations and ethical lapses, based on interviews with former employees and documents. http://apne.ws/2q6CT9v
AP Richmond reporter Sarah Rankin learned from a state lawmaker that Chinese coal ash was being imported into Virginia, despite millions of tons of ash already stored near power plants, threatening surface and ground water with contamination by heavy metals. Like other states, Virginia is struggling with how to dispose of its existing waste.
Her story pinpointed where the overseas ash was coming from: China, India and Poland over the past two years. While the foreign shipments of the industrial byproduct were moving through Virginia to Wisconsin and Ohio, interviews with concrete producers and coal ash recyclers and sellers showed more ash was being imported into Virginia from other states.
One environmentalist raised the irony of the situation: "We have millions of tons of this sitting along our riverbanks. Why in the world would we be importing it from other states and countries?"
For exposing a problematic industry practice with statewide environmental and health implications, Rankin's story wins this week's Best of the States.
A face transplant: It’s one of the rarest of surgeries, a medically complex, emotionally fraught procedure – and a challenge to cover as a truly revealing news story and not just a sensational headline.
That’s why AP National Writer Sharon Cohen’s narrative of the first face transplant performed at the renowned Mayo Clinic was so remarkable, combining detailed reporting on state-of-the-art medical science with a unique tragedy-to-triumph human story. The narrative, Andy’s New Face, which engaged readers and commanded front pages for days after its release, earns the Beat of the Week.
for disclosing that a critical and costly operation in the fight against the Islamic State group is beset with incompetence, cronyism and flawed data. http://apne.ws/2kQB4df
As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
for striking images and stories of migrants from a two-week embed on a rescue ship operated by a Spanish volunteer group. http://nyti.ms/2c0ZZIF
Ahead of the Olympics, an AP team in Rio wanted a close look at the city's slums, which have long been plagued with violence, to learn whether high-profile community policing programs are working in areas deemed `pacified.' Braving gunfire in what is considered a no-go area for reporters, AP produced up-close, all-formats coverage showing deadly violence continues to flare.
