Best of the Week — First Winner

Months of planning, smart execution result in dominating Oscars coverage

The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.

The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.

In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.

Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.

The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.

For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.

Beat of the Week

(Honorable Mention)

AP visual journalists lead the way at a one-of-a-kind Oscars

navigated issues of access, multiple locations and complex logistics in covering this year’s one-of-a-kind Academy Awards ceremony, altered from top to bottom by the pandemic.The event was one of the largest photo pools AP has ever run. AP’s remarkable access came as the result of years of relationship building with the film academy, which trusted AP to not only shoot photos of its marquee event, but also distribute those images to news outlets around the globe.Under the leadership of Kaufman, assistant director of photography, and with a workflow developed largely by photo editor Munoz, the team expedited some 1,500 still images to 11 members of the pool. Meanwhile, in London, Jankovic coordinated photographers and editors handling the Oscars’ global satellite locations — from Sydney to Stockholm to Kilkenny, Ireland, and points in between. Success meant assembling a team of AP staffers, including a team of 10 editors — most off-site due to pandemic restrictions — who quickly edited, captioned and transmitted the images. In addition, at the academy’s request, video journalist Turner shot the Oscars’ pool fashion feed – a key position that is highly valuable to clients looking for red carpet looks and unscripted moments.Bottom line: If you saw a photo from the red carpet, or a winner clutching the coveted statuette, chances are it was shot by the AP. The images were used in countless tweets, online stories and on dozens of newspaper front pages, notably above-the-fold play for shots of “Nomadland’s” best picture winners by Pizzello, who also authored a “Virus Diary” with his reflecions on being an entertainment photographer during the pandemic.https://bit.ly/3vpV8HDhttps://bit.ly/3gOI1eY

Beat of the Week

(Honorable Mention)

AP gets exclusive on how Oscars plan to avoid another best picture flub

for obtaining an exclusive walkthrough of new procedures by the film academy and accounting firm PwC to avoid another envelope flub like the one that resulted in the incorrect naming of the best picture winner at last year's Oscars. http://bit.ly/2EywzPo

Beat of the Week

(Honorable Mention)

Standout Oscar photos/coverage of the slap seen round the world

kept AP ahead with fast, definitive all-formats coverage of the Oscars moment that shocked the world: Will Smith’s slap of Chris Rock. As soon as Smith walked onto the stage and struck Rock over a joke about the actor’s wife, the AP Entertainment team pivoted its coverage of the otherwise generally upbeat Academy Awards ceremony, expediting remarkable photos, text and video of the confrontation — quickly but carefully. While other news outlets at first mischaracterized the incident, AP had it right from the start. Read more

Best of the Week — First Winner

Historic presidential race call followed months of prep, hours of analysis

When Election Day arrived, just about everyone in politics had assumed for weeks that Hillary Clinton would soon be the next president. All it would take was California's trove of 55 electoral votes and a series of easy wins elsewhere to push her past the 270 she would need.

Not David Pace, Stephen Ohlemacher and AP's team of race callers and decision analysts.

They had prepared for months for all contingencies _ including a race that wasn't a blowout but a collection of close races that would demand deep analysis of AP's vote count, exit polls and the history of voting patterns state by state. To call the race for president before all others, and to do so with the unfailing accuracy the world expects from the AP on Election Day, would require excellence at calling those tight races that go deep into the night.

They did just that. And their call of the assumption-shattering result earns the Beat of the Week.

Beat of the Week

(Honorable Mention)

US blocks Oscar-nominated cinematographer

for an exclusive report that U.S. immigration authorities made a last-minute decision to block a 21-year-old Syrian cinematographer from attending the Oscars. http://apne.ws/2mCrqMZ

Best of the Week — First Winner

Where’s Comey? Sleuthing skills locate him, leading to exclusive AP photos

When major news breaks – such as President Donald Trump’s firing of FBI Director James Comey – journalism 101 dictates: Find the principals. We knew where the president was. Locating Comey, on the other hand, was more difficult.

The determined, diligent sleuthing efforts of news researcher Monika Mathur tracked Comey, allowing The Associated Press to get exclusive and widely used photos of him. Those efforts earn the Beat of the Week.

Best of the Week — First Winner

Pope responds, in person, after AP scoop on papal letter about Chilean bishop

Holding prominent officials accountable is one of the main missions of journalism, even if it is uncomfortable at times. AP’s Nicole Winfield did just that, politely but firmly pressing Pope Francis on his knowledge of a sexual abuse scandal that has clouded his appointment of a Chilean bishop in 2015 and cast doubt about his commitment to fighting the problem.

AP Santiago correspondent Eva Vergara got the first part of the scoop for AP. She knew a letter she had spent months tracking down was toxic to Francis, to his upcoming trip to Chile, and to the Chilean bishop appointed by Francis and accused of covering up for the country's most notorious pedophile priest.

The letter showed that Francis knew that Bishop Juan Barros was accused of complicity in covering up the sexual abuse by Rev. Fernando Karadima, but appointed Barros bishop anyway. The scandal and Francis' subsequent accusations of slander against abuse victims dominated coverage. It led to Francis trying to explain himself under tough questioning by Winfield on an extraordinary in-flight press conference on his way home.

For Winfield's unflinching questioning of the pope, and Vergara's determined efforts to surface the letter that launched the story, the pair wins Beat of the Week.

Best of the Week — First Winner

Immigration: Back-to-back scoops by investigative teams, Washington reporters

The disturbing stories of more than 2,000 kids caught up in the U.S. immigration system – including babies and toddlers forcibly separated from their parents – dominated headlines and led newscasts around the world.

AP reporters, working across the country, in Washington, D.C., Latin America and along the U.S.-Mexican border led the coverage of the impact of the zero tolerance immigration policy. Their work produced a series of scoops that set the agenda, alerting Capitol Hill leaders to a major White House order, leaving an MSNBC anchor in tears and generating action by politicians.

For their work, the Beat of the Week is shared by investigative reporters Garance Burke, Martha Mendoza, Michael Biesecker and Jake Pearson, and Washington reporters Jill Colvin and Colleen Long. The award also recognizes an outstanding company-wide effort that included reporting from numerous locations and across formats, putting the AP repeatedly in front of a major global story.

Best of the Week — First Winner

Of Peacock and Gypsy: New Australian law helps unite sperm donors and offspring

The best stories sometimes present themselves not in the newsroom but in our personal lives, in the most random of ways. We just have to be paying attention – and thinking like reporters – to notice them.

That’s what Sydney-based enterprise writer Kristen Gelineau was doing when a friend mentioned he’d found out through an Ancestry.com DNA test that his biological father was a sperm donor. The friend then told Gelineau about a new law in the Australian state of Victoria, which gave offspring of long-anonymous sperm and egg donors the right to know who the donors were. Gelineau had missed the news of the law, but immediately started researching it and thought “Wow. Now THIS is a story!!”

She was right – and her multi-format account of one such unique reunion, told in ways both comic and moving, wins Beat of the Week for Gelineau, enterprise photographer Maye-E Wong, NY-based digital storytelling producer Natalie Castañeda and New Delhi-based videojournalist Shonal Ganguly.

Beat of the Week

(Honorable Mention)

Casey Affleck apologizes for unprofessional behavior on movie set

for an exclusive, all-formats interview where celebrity Casey Affleck addressed his Oscars absence and the #MeToo movement, and apologized for the environment on the movie set for a 2010 film. https://bit.ly/2P6JlcZ

Best of the States

25 years after unresolved killings, O.J. Simpson tells AP: ‘life is fine’

Two weeks before the 25th anniversary of the killings that led to O.J. Simpson’s “Trial of the Century,” special correspondent Linda Deutsch was summoned from retirement to try to coax an interview from the fallen football star. Simpson hadn’t submitted to an interview since being released from prison in 2017, and he turned down an interview request from Deutsch last year. But Deutsch tried again, this time by phone. O.J. didn't want to talk, but he relented after Deutsch reminded him that if he spoke to her, AP’s story would reach all media.

Simpson wouldn’t discuss the crime, but he provided a glimpse into a life now very much outside the public eye, telling Deutsch “life is fine,” a quote that stung any who believed he got away with murder.

Deutsch’s story, including two photos of Simpson at home that were exclusive to the AP, was the day’s top-read AP story online, and the centerpiece of a multi-story package looking back at Simpson’s trial, its key figures and its impact.

For a timely, exclusive interview with a man who remains the focus of intense public interest, Linda Deutsch receives AP’s Best of the States award.

Beat of the Week

(Honorable Mention)

Monthlong all-formats coverage of Stonewall anniversary

for a month’s worth of thoughtful all-formats coverage marking the 50th anniversary of the Stonewall Riots and what was believed to be the largest LGBTQ celebration in history, culminating in a Pride parade that lasted 12 1/2 hours. https://www.apnews.com/Stonewallat50

Best of the States

AP analysis: In the US, a centuries-old race war continues to rage against people of color

As AP race and ethnicity writer Aaron Morrison covered the protests that grew out of the 2020 killings of George Floyd and others, he also saw President Donald Trump on TV, trying to undermine the racial reckoning at every turn.

Fast forward to Jan. 6, when a mob of mostly white rioters, upset that Trump wasn't reelected, violently breached the U.S. Capitol. Morrison connected the dots of what he described as a war of white aggression. “A war rages on in America,” Morrison wrote in this analysis piece, “It started with slavery and never ended ...” 

With powerful video by Noreen Nasir, portraits by Chris Carlson and presentation by Alyssa Goodman, the package received prominent play and sparked discussion both online and within the AP.

For a timely, compelling package that looks at the state of race relations with historical context and thoughtful analysis, the team of Morrison, Nasir, Carlson and Goodman earns this week’s Best of the States award.

Beat of the Week

(Honorable Mention)

AP reveals Alaska tribes in crisis as salmon runs disappear

documented the plight of remote Alaska Native tribes facing a lean winter because the once bountiful salmon runs on the Yukon River have all but stopped, likely due to climate change.Freelance photographer Howard traveled to Stevens Village, more than 300 miles north of Anchorage along the Yukon. He made striking images and drone video as hunters tracked moose and caribou, hoping to get enough to replace what would usually be a large bounty of salmon dried and smoked for winter months. The hunters worked nearly around the clock, even cleaning and gutting moose under the northern lights.Flaccus reported from Oregon, describing how tribal members are upset they haven’t received more help from state and federal authorities. Some feel their plight isn’t getting as much attention as farmers, ranchers and others affected by climate change in the lower 48.The pair’s vivid text and photo package led reader engagement for the weekend and was near the top in pageviews for the same period.https://aplink.news/ndm