for revealing the pain of people whose relatives were killed in actual lynchings, as a debate raged among politicians and pundits over President Donald Trump’s use of the word “lynching” to describe the impeachment inquiry.
Combine the capabilities of The Associated Press and the Center for Public Integrity, and this is what you can get: A two-part blockbuster that exposed the efforts of the opioid industry and allied groups to stymie limits on the use of its powerful drugs, and detailed how they spent more than $880 million on lobbying and political contributions over the past decade.
The genesis of the project was a conversation between Tom Verdin, editor of AP’s state government team, and Geoff Mulvihill, a member of that team. Mulvihill, based in Mount Laurel, N.J., has covered the opioid crisis sweeping the nation, and the two hit upon the idea of trying to determine the extent of the pharmaceutical industry’s exerting influence in state legislatures across the country.
gave voice to the intense emotion within communities of Catholic nuns that have experienced devastating losses from outbreaks of the coronavirus. The Felician Sisters alone lost 21 of their own from four U.S. convents, a remarkable blow for a community of about 450 women. This intimate look within the cloister showed the lasting effects of what the pandemic wrought — in this case, the most reverent found themselves questioning faith and how one might continue living when so many nuns didn’t.After initial difficulty connecting with receptive sources, national writer Sedensky found Sister Mary Jeanine Morozowich in Greensburg, Pennsylvania, who had a level of introspection and eloquence that would help drive this story. That opened the doors to St. Anne Home in Greensburg. Sedensky and video journalist Wardarski, both compassionate listeners, encouraged the openness of the sisters, helping introduce the pair to others at the ministry. “By the time Jessie and I paid a visit there, we were able to share moments and conversations with all of them,” Sedensky said. Along the way, a couple of sisters told him that they felt better after their conversations.The package, including Wardarski’s poignant visuals, found a receptive audience. The AP pair received innumerable emails expressing how much the story moved readers. One was headlined: “My tears flowed as I read your article.” Another said: “Your article about the loss of these beautiful women will stay with me always. ... You wrote it so beautifully and with such respect.”https://bit.ly/3g8vYsGhttps://bit.ly/3gdjJeh
for a haunting image of a mother kissing a baby who died in a boat capsizing, drawing attention around the world to the humanitarian crisis of Rohingya refugees from Myanmar. http://bit.ly/2xfJ5lJ
across the United States harnessed the AP’s national, multi-format footprint to produce an exclusive series of evocative personal vignettes portraying the struggle people faced to make their first rent payment since the economic collapse. The enterprise package received strong play and unusually long engagement times with readers. https://bit.ly/2xVvzG3https://bit.ly/2JLZdjF
It was just a coincidence: Emails from 2010, showing that the Atlanta Falcons were worried about the team’s reliance on painkillers, were quietly entered into the court record as the Falcons were making just their second Super Bowl appearance. But AP sports columnist Jim Litke was prepared, and the result was a Super Bowl week scoop.
Litke's story is the Beat of the Week.
Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.
As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.
But AP’s photographers in the chamber remained cool as ever.
Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.
Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.
That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.
How best to capture the story of recovering opioid users?
Chicago-based medical writer Lindsey Tanner and Atlanta-based photographer/videographer David Goldman teamed up to produce an intimate look at a diverse group of people – among them, a lawyer, a businessman and a trucker – who got caught up in the worst opioid epidemic in U.S. history.
Their illuminating package – combining Tanner's powerful text and Goldman's photos with a haunting mini-documentary – earns the Beat of the Week.
exclusively obtained body camera video kept secret for more than two years showing a Louisiana State Police trooper pummeling a Black motorist 18 times with a flashlight, an attack the trooper defended as “pain compliance.”The dramatic footage of the May 2019 beating of Aaron Larry Bowman — who could be heard wailing between blows, “I’m not resisting! I’m not resisting” — was featured with credit to AP on news broadcasts by all three major U.S. networks and in matcher stories by The New York Times, The Washington Post and CNN. AP’s coverage also included exclusively obtained investigative documents on the case and an emotional all-formats interview with Bowman, conducted just a few weeks earlier, in which he recounted the beating that left him with a broken jaw, broken ribs, a broken wrist and a deep gash in his head.The piece by Mustian and Bleiberg shared a theme with several of the week’s top AP stories: They shed light on issues fundamental to democracy that no one would have known about without the AP. This was just latest in a series of AP exclusives on the Louisiana State Police that began with stunning coverage of the deadly arrest of Ronald Greene by troopers from the same headquarters. Greene’s arrest was kept under wraps before AP obtained video and published it earlier this year. Federal prosecutors are now examining both cases in a widening investigation into police brutality and potential cover-ups involving both troopers and state police brass.This week’s story, accompanied by a video package from Stacey Plaisance and photographs by Rogelio Solis, saw strong play online with 225,000 pageviews on AP News and was AP’s most-engaged story of the week with readers.https://aplink.news/tc9https://aplink.video/acm
for thoroughly reading an National Transportation Safety Board report on an Amtrak crash and avoiding the mistake other news outlets made in reporting the engineer involved had testing positive for morphine; in fact, he had received morphine at the hospital for pain from the crash. http://bit.ly/2jnP1TE
At a time when the very integrity of news is under attack in some corners, it is more important than ever that The Associated Press be a key champion of accuracy. This includes not only fighting back against false claims and false reporting, but sometimes simply waiting as we push for more specificity. New York City News Editor David Caruso did exactly that over the weekend, avoiding the missteps of other news organizations by pressing for details of a federal judge's emergency order temporarily staying part of President Donald Trump's travel ban for citizens of seven predominantly Muslim nations.
Caruso demanded, and got, a copy of U.S. District Judge Ann Donnelly's order so the AP could be precise about reporting on its relatively narrow effects, even as other news outlets relied on tweets from advocates who made it seem more sweeping. Caruso’s careful, painstaking work is the Beat of the Week.
In the course of source-building in early 2016, northeastern Pennsylvania correspondent Michael Rubinkam had lunch with a local lawyer. The lawyer mentioned that a member of the U.S. attorney's office had lost a son to heroin but had never spoken publicly about it.
Intrigued, Rubinkam asked the lawyer to approach the then-assistant prosecutor, Bruce Brandler, about an interview. Rubinkam had been looking for fresh ways to write about the scourge of heroin, and saw the prosecutor’s story as a powerful new example of how no family is immune.
But Brandler, he learned, was adamantly against going public with his family’s – and his son’s – story. It was too painful.
for being first to report that an arrest had been made in an arson fire at an African-American church spray-painted with 'Vote Trump'. http://apne.ws/2he8dCo
As soon as the flames were doused on an Oakland, California, warehouse known as the Ghost Ship two things were clear: The death toll would be huge, and telling the story would be complicated. It took a cross-format team effort to tell the story, and the staff in California rose to the occasion, including incoming San Francisco news editor Juliet Williams, who got an early start on her new job, dashing to the bureau from Sacramento to run the story.
The 2012 film “The Avengers” cemented Marvel’s dominance at the box office, but the movie had a secret: A man had died bringing the blockbuster to the big screen. John Suttles died after falling from his truck while preparing to drive it to a set, but his name was not listed in the film's credits. Outside the production and Suttles’ family, the only clue to his death and its connection to the movie was an 84-page investigative file by the workplace safety agency, Cal/OSHA.
That clue was uncovered by AP Entertainment Writer Anthony McCartney, who began investigating set accidents in 2014. After diving into state and federal Occupational Safety and Health Administration records, he discovered that dozens of workers had been killed and more had been seriously hurt on big-name television and film properties. Set accidents remain largely hidden, and the consequences usually amount to mere thousands of dollars in fines paid out of multimillion-dollar budgets, he reported. McCartney also catalogued numerous fatal film-set accidents internationally. His painstaking work wins Beat of the Week.
It’s hard to imagine why anyone would plead guilty to a crime they didn’t commit. But as Richmond-based reporter Alanna Durkin Richer and Miami legal affairs reporter Curt Anderson found, it happens more often than you might think.
Digging through publicly available data on exonerations, they found alarming statistics: More than 300 of the roughly 1,900 people who have been exonerated in the U.S. since 1989 pleaded guilty. So Richer and Anderson set out to explain why anyone would plead guilty to a crime he or she didn’t commit ...
The tragic stories pop up frequently in local media: a curious toddler gets hold of a gun and accidentally shoots himself or someone else. But how often does that happen? Under what circumstances? And what children are most at risk?
In a new investigative partnership, a team of reporters from the AP and USA TODAY Network spent six months seeking answers to those questions and others about accidental shootings involving minors. What they discovered is horrifying: A child dies every other day of an accidental shooting in the United States. What's more, the federal government significantly undercounts the problem.
The down-at-the-heels industrial city of East Chicago, Indiana, made headlines around the world in August after the mayor ordered 1,000 people to get out of a 40-year-old public-housing complex because of lead contamination.
Many residents and observers expressed surprise: How could such a problem go overlooked for so many decades?
The Chicago bureau’s Sara Burnett and Jason Keyser teamed up for several weeks of intensive document and street reporting. What they found was as disturbing as the original news: The hazard shouldn't have been a surprise to anyone – because the housing complex had been built on the former site of a lead-products factory.
The stories of heroin addicts overdosing in unusual places have become numbingly familiar: a McDonald’s play area, inside a children’s hospital, even while driving down the highway.
But it was another odd location -- the restroom of a library -- that drove Columbus reporter Kantele Franko to identify an additional, tragic twist to these stories. Franko learned over several weeks of reporting that the same qualities that make libraries ideal for studying and reading — unfettered public access, quiet corners and nooks, minimal interaction with other people — also make them appealing places to shoot heroin.
Many media were slow to respond to the historic flooding in Louisiana this month, but not The Associated Press. AP journalists provided timely, perceptive and poignant spot and enterprise stories from the very first hours of the torrential rains.
Aggressive cross-format coverage by a staff focused on stories of real people were key to covering the disaster. In text, the reporters included New Orleans administrative correspondent Rebecca Santana; Baton Rouge correspondent Melinda Deslatte; and newsmen Mike Kunzelman in Baton Rouge and Kevin McGill in New Orleans. Freelance photographer Max Becherer and video journalists John Mone of Houston, and Josh Replogle of Miami rounded out AP's team on the ground.
