for an all-formats array of California political stories, beyond the glitz and glamour, digging deep into the parts of America’s most populous state overwhelmed with poverty, high housing costs and turmoil. https://apnews.com/CaliforniaataCrossroads
for leading the way in two formats in Hanoi, asking tough questions of President Donald Trump and then fighting for media access when the White House retaliated. Lemire’s question to Trump about the Michael Cohen hearings prompted the White House to bar reporters – but not photographers – from a dinner for the two leaders. Vucci, recognizing the significance, quickly made a case to his fellow photographers, then approached Press Secretary Sarah Sanders: photographers would not cover the dinner unless reporters were allowed in as well. Sanders conceded to one pool reporter and one TV producer in the room, ensuring that the press – and therefore the public – had access to a historic meeting. https://bit.ly/2H4aSuC
The envelope was opened, “Green Book” was announced as best picture at the 91st Oscars, and entertainment writer Andrew Dalton’s eyes shifted over to Spike Lee.
The director threw up his hands in exasperation and attempted to storm out of the Dolby Theatre before being told to return to his seat. Social media quickly lit up with disdain for the selection by the Academy of Motion Picture Arts and Sciences, and Dalton’s eyewitness reporting quickly fueled the criticism.
In a packed theater filled with actors and other journalists, Dalton reported what few saw and the television cameras didn’t show, giving the AP exclusive material and driving audiences to its comprehensive Oscars coverage.
Later that night, entertainment producer Mike Cidoni Lennox interviewed “Green Book’s” producers outside the Oscars’ official after-party, helping drive the following day’s coverage of the controversial win.
The reaction to the best picture winner capped dominating all-formats team coverage of the Oscars, the result of months of planning and preparation. AP customers received a steady stream of photos, video and stories, including film writer Jake Coyle’s deadline story which was viewed more than 88,000 times. Coyle had crafted prep for all the likely winners, allowing for fast updates when the envelopes were opened.
For their extensive planning, professional expertise and swift work, Dalton, Coyle and Lennox win AP’s Best of the Week award.
From the first blasts, gunfire and panicked phone calls, the Nairobi bureau immediately assumed a terror attack, aggressively mobilizing resources in a textbook example of cross-format journalism that put the AP ahead on every element of a major breaking story: an extremist attack on a hotel complex that left 21 people dead, in addition to the five attackers.
Senior video producer Khaled Kazziha called freelance video journalist Joe Mwihia, who slipped into the scene with Kenyan special forces, filming exclusive footage as officers cleared rooms, guns drawn, and ran down rumors of a grenade. His three hours of exclusive reporting earned him the byline on the text story based on his detailed contributions.
Meanwhile, staff video journalist Josphat Kasire rushed to the scene with a LiveU and quickly scooped competitors with the first live shot showing burning cars, injured people, survivors fleeing in droves and witness accounts. His compelling footage became the heart of the text story, and the live images continued overnight as the attack unfolded.
Contributing to the outstanding video coverage were freelance cameraman Idi Ali Juma, freelance camera assistant Moses Ndungu and freelance producers Geoffrey Kaviti and Desmond Tiro.
“Sheer bravery,” international editor Ian Phillips said later of the team’s work.
Around the same time, Nairobi photographers Ben Curtis and Khalil Senosi captured gripping images of people fleeing the mayhem and security forces aiming weapons at attackers, among their standout photos.
The play for the photos, video and text was off the charts, including major client Sky News running live and packaged videos on a day busy with Brexit news.
For their formidable breaking news coverage across all formats, the Nairobi team of Kazziha, Curtis, Senosi, Mwihia, Kasire, Ali Juma, Tiro, Kavita and Ndungu wins AP’s Best of the Week.
Special Citation
The Best of the AP committee has also awarded a special lifetime citation to Libya freelance photographer and video journalist Mohamed Ben Khalifa, who died Jan. 19 when the military convoy with which he was traveling came under missile fire in southern Tripoli.
The committee honored Ben Khalifa for the body of his work, carried out with integrity and courage for The Associated Press and his other media clients.
for dominant coverage of the eruption of the Anak Krakatau volcano just two days before Christmas, and the ensuing tsunami that hit Indonesia's Sunda Strait. AP was first to go live from the site – and stay exclusively live for a day – with the text story generating more than 200,000 page views in less than 24 hours. https://bit.ly/2s8lqQbhttps://bit.ly/2C39Zxs
for breaking news and follow-up coverage of General Motors’ announcement of a massive restructuring that would include the loss of up to 14,000 jobs and the closure of five North American plants. https://bit.ly/2QfWpRf
for an all-formats effort to tell a little-noticed story of the opioid crisis – how clergy members have become first responders, of sorts, leaving their pulpits to go directly to the streets to help get people into treatment and on a path to recovery. https://bit.ly/2BqB2E6
for comprehensive, innovative all-formats coverage of the Central American migrant caravan as it moved through Mexico, including strong photo galleries, insightful text narratives and drone video footage.https://bit.ly/2Pg7z8hhttps://bit.ly/2PNUqCV
News of a shooting at a Pittsburgh synagogue broke on a Saturday morning with first word of the attack reaching AP at around 10:30 a.m., just as many staffers were still covering the spate of pipe bomb attacks against prominent critics of President Trump.
Within minutes Pittsburgh photographers Gene Puskar and Keith Srakokic rushed to the scene, providing some of the first images and text feeds.
Meanwhile, with spotty early reports on the extent of casualties – and competitors reporting various numbers – Washington law enforcement reporter Eric Tucker and Harrisburg reporter Marc Levy worked sources. Between them, they enabled the AP to break word that at least 10 had died – the final toll would be 11 – in what would become the worst attack on Jews on American soil.
It was just one highlight of a seamless and extraordinary effort by colleagues around the country, resulting in impressive customer engagement with AP text, photos and video. Though the shooting happened on a Saturday, it accounted for three of the top dozen video downloads of the week, highlighted by a chilling interview by New York videographer Robert Bumsted and Philadelphia newswoman Maryclaire Dale with a survivor who hid in a closet.
Photos received wide use as well, including a poignant series of images by Philadelphia photographer Matt Rourke who raced to cover the first vigil for victims that night, while AP’s strong relationship with the Pittsburgh Post-Gazette ensured the hometown paper shared its strongest images from the scene.
For headlining an extraordinary multiformat collaboration that kept the AP in a commanding position on a second straight major breaking story, Puskar, Srakokic, Rourke, Tucker, Levy, Dale and Bumsted share Best of the Week honors.
The disappearance and killing of Washington Post columnist Jamal Khashoggi at the Saudi Arabian consulate in Turkey has been one of the biggest, and most competitive, stories in the world this month, and the AP’s team in Turkey dominated coverage last week with its reporting surrounding a crime scene search of the consulate.
When crime scene investigators arrived at the consulate without notice on Oct. 15, Turkey news editor Ayse Wieting already had one camera fixed on the consulate door for 24-hour live coverage and quickly scrambled two more cameras with LiveU units. The AP beat the competition by more than two hours with the first edit of investigators entering the consulate.
On the text side, Ankara correspondent Suzan Fraser later got a high-level Turkish source to confirm that the consulate search turned up “evidence” that Khashoggi was killed there, a scoop that was cited across international and Turkish media.
And AP’s photo coverage of the story was also dominant, complementing the outstanding the video and text efforts. Photographers worked hard to find new angles on a visually challenging story, where often the only visible activity was people walking in and out of a building.
For impressive efforts and ingenuity in covering a worldwide top story of paramount importance to AP members and customers in all formats, the AP team earns Best of the Week honors.
AP photographers often scramble to the scene of a news story before it’s clear what is happening.
That was the case on a beautiful Halloween afternoon last week when a call came in to the New York City bureau that there was a swarm of police activity near the AP’s lower Manhattan headquarters. News Editor David Caruso ran to the windows and saw an unbroken string of police cars speeding south on the West Side Highway, going down the wrong side of the street. That was enough for him to scramble reporters, photographers and videographers out the door.
At the scene, AP photographer Bebeto Matthews slipped behind police lines and started walking up the street near the west side bike path. He noticed something white on the path and soon realized it was a body covered in a sheet, surrounded by crumpled bicycles and other debris. He began furiously taking pictures, called in what he saw to the desk and then ducked behind some construction equipment to start transmitting his photos on the spot.
Meanwhile, AP photographer Mark Lennihan and stringer photographers Craig Ruttle and Andres Kudacki had also rushed to the scene, making dramatic photos of what would become the worst terrorist attack in New York City since 9/11.
For strong breaking news work that put AP ahead and kept us there, Matthews, Lennihan, Ruttle and Kudacki win this weeks’ Best of the States Award.
An enormous story struck quickly on Sept 28 and unfolded at breathtaking speed – a magnitude 7.5 earthquake followed by a tsunami that washed over the Indonesian city of Palu. Communications collapsed and government reports were sketchy, but the few posts on social media provided the first indications of the enormous scope of the disaster.
The AP team shot into action to move cross-format personnel to the hardest-hit areas, texting details for the wire and squeezing out initial images for photos and video. In the days that followed, the breadth of coverage expanded to include rolling live video of rescues, grim portrayals of the retrieval of the dead, and personal stories of those whose homes and neighborhoods were now rubble.
For impressive work across all platforms despite enormous obstacles, the Best of the Week award goes to the following team:
– Jakarta staffers: office manager Elis Salim, reporter Niniek Karmini, photographers Tatan Syulfana, Dita Alangkara and Achmad Ibrahim, business writer Stephen Wright, newsperson Ali Kotarumalos, medical writer Margie Mason, videojournalist Fadlan Syam and senior producer Andi Jatmiko.
– Bangkok staffers: global enterprise writer Todd Pitman, videojournalist Tass Vejpongsa, video editor Jerry Harmer and special events coordinator Keiko Fujino.
– And: Kuala Lumpur videojournalist Syawall Zain, Manila photographer Aaron Favila, Malaysian correspondent Eileen Ng, Beijing facilities coordinator Xiao Wei Gong and Hanoi producer Hau Dinh.
The two-day sentencing hearing and imprisonment of former TV star Bill Cosby ended a decades-long battle over sexual assault accusations against the comedian once known as “America’s Dad.” An AP team of reporters, photographers and video journalists drew on strong planning and coordination to excel in all formats while fending off a throng of competition.
The AP was ahead at all key moments in the sentencing, from a judge’s decision to label Cosby a sexually violent predator to the moment he handed down a sentence of 3 to 10 years and then denied bail. Staffers moved top photos to the wire almost instantly after they were shot, and provided live video of the scene.
For their excellent work in covering the Cosby sentencing, the team of Michael Sisak, Maryclaire Dale, Claudia Lauer, Pete Brown, Alyssa Goodman, Matt Rourke, Matt Slocum, Jackie Larma, Mike Householder and Joe Frederick share the Best of the Week award.
for securing exclusive, news-breaking interviews with the head of Iran’s nuclear program and a top presidential adviser while dealing with reporting restrictions in the country.https://bit.ly/2QoHsJ9https://bit.ly/2ODvR7Whttps://bit.ly/2DirePqhttps://bit.ly/2O0rd6P
Sometimes it takes a team. And a resourceful photographer.
Phoenix photographer Ross Franklin made a stunning image of Cindy McCain resting her head on the casket of her late husband Sen. John McCain during a family service in the Arizona state Capitol. Getting to this moment was a team effort, starting with great Washington contacts and relationships that gave the AP not one but two exclusive spots in the rotunda in Phoenix.
But given the solemnity of the event, there was no way to shoot the private ceremony using a motor drive to take bursts of frames – it would have been too loud and would have echoed throughout the rotunda. So Franklin agreed to shoot the entire event balanced on a ladder overlooking the scene from the balcony, with his camera in a noise muffling blimp – basically operating a camera that is wrapped in a big pillow.
When Cindy McCain approached the casket, Franklin had just one or two frames to capture the signature moment. He nailed it, and the photo was used everywhere, including a stunning display on the front of the Arizona Republic.
For his exceptional work, Ross Franklin wins this week’s Best of the States award.
San Francisco-based freelance photographer Noah Berger is one of the foremost wildfire photographers in California.
His experience helped put him in the right place to shoot stunning images as the Carr Fire swept into Redding and threatened to devour much of the Northern California city of 92,000. It also made AP the first major news outlet to have boots on the ground in the city, a competitive advantage that produced details other didn’t have, and enabled managers to quickly get Sacramento reporter Jonathan J. Cooper headed to the scene.
Berger described the Carr Fire as one of the most intense fire fights he has ever witnessed. His dramatic images put the AP ahead of key competitors by more than a day.
Cooper's reporting included a key measurement of a wildfire’s destructive force: the number of homes lost. When authorities kept saying 65 structures had been destroyed, Cooper went back to two neighborhoods he had visited and counted all the homes burned to the ground. He found 60 in one and 66 in the other. AP’s figure, and the context that the number would ultimately be much higher, quickly became the headline on the story.
A wildfire is among the toughest assignments for any photographer but Berger gave the AP a significant competitive advantage. Cooper’s savvy gave AP a figure others didn’t have. For their work, they share this week’s Best of the States award.
AP journalists have worked tirelessly across formats and locations to chronicle the stories of immigrant parents and children struggling to reunite after being separated at the border as a result of White House zero-tolerance enforcement policies.
Their work paid big dividends last week with exclusive images, videos and stories about separated families and White House policies by reporters Martha Irvine, Morgan Lee, Michael Tarm and Elliot Spagat, photographers Charlie Arbogast and Matt York and video journalist John Mone.
For compelling multiformat coverage of families affected by immigration policy, and for expanding AP's reach on this closely watched story, Irvine, Lee, Spagat, Tarm, Arbogast, York and Mone share this week's Best of the States award.
It's hard to pull off a truly distinctive photo at a set-piece event with the world's press also gathered there. Russia's Chief Photographer Alexander (Sasha) Zemlianichenko, a two-time Pulitzer Prize winner, did just this with a low angle on the big screen of Putin's face, staring down and dominating the audience at Putin's state-of-the nation address March 1. The photo, which graced front pages and websites around the world, wins the Beat of the Week.
The tears, grief and tension of President Donald Trump’s listening session with shooting victims and families after the Florida high school massacre were profound. Washington photographer Carolyn Kaster’s job was to capture the compelling event in images. That’s no easy task at the White House, where events are tightly managed and photographers’ movements are highly restricted.
But Kaster, working with photo editor Jon Elswick, overcame these obstacles and delivered an image of a hand-written note held by the president that quickly went viral and became one of the most talked-about stories of the day. The image wins Kaster and Elswick the Beat of the Week.
Oil extracted from the tar sands of Canada has contributed to booming production among American refineries, but it also has created a messy legacy: Ton upon ton of a filthy byproduct called petroleum coke. U.S. utilities don’t want it because of its extremely high sulfur content, leaving refineries with one option – getting rid of it – because stockpiling had stirred community outcries. Tammy Webber, a Chicago-based reporter with the environmental beat team, wondered: If refineries couldn’t offload the substance in the U.S., what were they doing with it?
Through a year’s worth of detective work, Webber and her beat team colleague in New Delhi, Katy Daigle, traced the shadowy network that trades in oil refineries' bottom-of-the-barrel leftovers. They found that India was the leading destination of “petcoke” from the U.S., and Indian officials had no idea the amount of petcoke flowing into the country was 20 times more than just six years before. Nor did they know how it was being used in a country already choking on some of the world’s dirtiest air.
Within 24 hours of the story hitting the wire, India’s government announced it would phase out imports of petcoke and had begun working on a policy to end the practice.
For revealing the secretive transport of petroleum coke from the U.S. to one of the world’s most polluted countries, and for drawing an immediate reaction from the government of India, Webber and Daigle win this week’s Beat of the Week.
