Best of the Week — First Winner

One shot: AP photographers reflect on covering the pandemic, and the image that most affected them

Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.

So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.  

The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.

For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors. 

Beat of the Week

(Honorable Mention)

Women photographers, editors produce ‘Growing up Female’ gallery

for a thoughtfully produced global photo gallery that shows what it’s like to grow up female in 2018. https://bit.ly/2OwGKw3

Best of the Week — First Winner

AP photographers capture defining images of Tiger and Trump

This week we celebrate two very different, yet equally important photo wins.

David Phillip and the AP photo team assigned to the Masters tournament created some of the iconic images of Tiger Woods’ historic win – the result of strategic planning, teamwork and execution.

And Pablo Martinez Monsivais wins for his startling capture of the media reflected in the eye of President Donald Trump, taking what could easily have been treated as just another ho-hum daily Trump photo op and “seeing” something so different.

For delivering outstanding images from two contrasting but highly competitive assignments – and demonstrating how vital the AP is in the photojournalism world – Phillip and Monsivais share AP’s Best of the Week Award.

Beat of the Week

(Honorable Mention)

AP photographers own story of Mugabe drama, hit numerous front pages

for putting AP ahead in its coverage of the drama in Zimbabwe by gaining crucial pictures of Robert Mugabe long before the competition. http://nyti.ms/2BooWs7http://bit.ly/2isN8Wk

Beat of the Week

(Honorable Mention)

AP photographers capture hidden face of the Tour de France with exclusive photo gallery

AP photographers captured the hidden face of the Tour de France with an exclusive and unique photo gallery — on top of their gripping, treacherous work to cover 21 straight days of the world’s premier cycling race.Read more

Best of the Week — First Winner

AP photographers paint definitive portrait of epic, historic vote for House speaker

Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.

As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.

But AP’s photographers in the chamber remained cool as ever.

Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.

Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.

That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.

Best of the Week — First Winner

AP photographers show the despair, and hopes, of homeless along US West Coast

For three months, Associated Press photographer Jae Hong traveled America’s West Coast to chronicle the region’s exploding homeless crisis and do what many try to avoid: look into the eyes of the people living on the streets, in tents or in their vehicles and get to know them.

His series of intimate portraits focused on the subjects’ eyes and were combined with short text stories to reveal their humanity, whether it was an aging, down-on-his-luck street performer on Los Angeles’ Skid Row or a 9-year-old boy who lives with his family in a rented RV blocks from Google’s headquarters.

The unique portraits were one part of a larger package of images that Hong and his colleagues across the West – Ted Warren, Marcio Sanchez, Chris Carlson and Greg Bull – produced for a project looking at the roots of the homeless crisis in the region and identifying potential solutions.

For their work documenting the lives of the homeless, the team wins this week’s Beat of the Week prize.

Best of the States

A photographer’s unique vision merges past and present for front-line nurses

With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.

To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.

Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.

Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.

For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.

Beat of the Week

(Honorable Mention)

AP’s Trump coverage excels thanks to preparation and flawless teamwork under deadline pressure

When former President Donald Trump was indicted on felony charges Aug. 1 for working to overturn the 2020 election results in the run-up to the Jan. 6 violent riot at the U.S. Capitol, the AP team was ready.Read more

Best of the Week — First Winner

Only on AP: Heartrending images capture children across the globe who lost parents to COVID

Rarely does AP’s Best of the Week award go to an editor. But this week — a particularly strong one for AP with multiple exclusives — the honor is truly deserved by Top Stories Hub photo editor Alyssa Goodman. Goodman was the driving force behind “Kids Left Behind,” an extraordinarily moving photo package that takes an intimate look at children who have lost parents to the pandemic.

Goodman coordinated with photographers around the globe to find the young subjects, get permission to photograph and interview them, then make their portraits in a cohesive style.

The result was one of the most compelling packages AP has done in recent years, the photos complemented by poignant text moving many readers to tears, with stories ranging from a 10-year old in India who lost both parents in a matter of weeks, to video of a California 13-year-old performing the song she composed for her father’s funeral, on the guitar he gave her days before he died.

For generating an inspired and challenging project, handling it with sensitivity and tenaciously seeing it through in collaboration with global colleagues, Alyssa Goodman wins AP’s Best of the Week award.

Best of the States

Years of planning pay off in ‘picture perfect’ coverage of Bush funeral events

For more than a decade, Washington photo editor Jon Elswick has negotiated with the Department of Defense over coverage plans for the funeral of former President George H.W. Bush, while Houston photojournalist David Phillip fostered a relationship with the Bush family and their spokesman to secure AP’s shooting positions for the eventual funeral events.

Those relationships were crucial to arranging and executing coverage, paving the way for more than two dozen staffers to parachute into Washington, Houston and College Station, Texas, where they produced outstanding photos in real time and for the history books.

Among the highlights: Photographer Morry Gash fired a remote-controlled camera that captured a stunning bird’s-eye view of the U.S. Capitol rotunda during visitation and services, and David Phillip negotiated to shoot inside the railroad car carrying the coffin as the funeral train passed through Texas. Phillip called it “the most incredible event I have ever covered.”

The photo coverage was part of an impressive dayslong cross-format effort by scores of AP staff across the country and globe that included hours of live video and spot and breaking text, video, audio and graphics coverage that explored Bush’s life and presidency from every angle.

For exceptional planning and execution on one of the largest news events of the year, this week’s Best of the States goes to the team of photo staff covering the Bush funeral.

Beat of the Week

(Honorable Mention)

Comprehensive coverage of abortion case before Supreme Court

delivered standout all-formats coverage as the U.S. Supreme Court heard oral arguments on Mississippi’s abortion law, a highly charged case with national implications for abortion rights. AP showcased its range and depth with previews of the case, spot coverage and analysis, and context on decades of abortion law. Looking well beyond the case itself, AP reported on the potential impact of the court’s pending decision.AP’s accomplished Supreme Court journalists, Mark Sherman and Jessica Gresko, provided textbook setup pieces ahead of the case, then, once arguments were underway, used the seamless procedure they have perfected to report oral arguments from inside and outside of the court. News associate Parker Purifoy added color from outside the courthouse.At the same time, Washington colleagues Jill Colvin and Hannah Fingerhut, along with New York-based Steve Peoples and David Crary, reported on the legal landscape that will follow any opinion, as well as public opinion and the potential political ramifications of the case. Washington’s Lisa Mascaro delved into the confirmation hearings of the various justices, raising questions over the reliability of those hearings for their future rulings on the high court.On the ground in Mississippi, South Region staffers Emily Wagster Pettus and Leah Willingham, with an assist from Sudhin Thanawala, produced a vivid story of what the day of the arguments looked like at the source.Washington’s Ashraf Khalil rounded out the reporting on what the future may look like with an analysis of the coming battle over abortion laws, while Sherman and Austin’s Paul J. Weber explored what a post-Roe world might look like through the eyes of Texans, where the nation’s most restrictive abortion law is in effect.Visuals elevated the coverage, including still photos from Washington photographers Andrew Harnik and Luis Magana, and video from Nathan Ellgren and Rick Gentilo, as well as scores of others who made AP’s coverage a collaborative effort.https://aplink.news/eo3https://aplink.news/072https://aplink.news/hhghttps://aplink.news/dtkhttps://aplink.news/8kthttps://aplink.news/9d4https://aplink.news/fe3https://aplink.video/m0ehttps://aplink.video/z5z

Beat of the Week

(Honorable Mention)

US didn't track more than $150B in pandemic school aid. AP did.

teamed up on an all-formats project documenting what happened to historic sums of pandemic aid released to the nation’s schools.Congress has sent more than $150 billion to the states to help K-12 schools since the start of the coronavirus pandemic, but the federal government has no accounting of where that money went. Over a period of months, reporter Mulvihill and data journalists Fassett and Fenn did that painstaking work, going state by state to ferret out how multiple streams of congressional funding as used. The result was a massive but granular database shared with AP customers in advance of publication, showing how much federal money each school district in the country received and how it compared to other schools — public, private and charter.With reporting help from Binkley, the team also produced three distinctive news leads: Most school districts do not intend to spend the money in the transformative ways the Biden administration envisions; virtual schools that were already fully online before the pandemic received as much or more as traditional school districts; and some Republican governors used the windfall to further school choice policies that had previously been blocked by legislatures or courts. Householder delivered the video while Krupa and Osorio handled photos in Massachusetts and Detroit respectively.Drawing on AP’s national reach, the work resulted in data that customers could localize as well as two explanatory webinars and sidebars in more than a dozen states by AP statehouse reporters.https://aplink.news/jbehttps://aplink.news/usjhttps://aplink.news/thrhttps://aplink.video/b65

Best of the Week — First Winner

Across formats, across countries: AP dominates coverage of border migrant encampment

AP journalists in three countries had already dominated coverage of the thousands of mostly Haitian asylum seekers who converged on a U.S.-Mexico border encampment when AP had yet another scoop: Despite Biden administration rhetoric, many, if not most, of the migrants were staying at least temporarily in the U.S. under an increasingly chaotic U.S. asylum system.

What followed was another week of outstanding and indefatigable all-formats AP coverage and collaboration, with a steady stream of breaking news and distinctive enterprise, from spot developments at the border, to the Latin American roots of the Haitian surge, to deportees arriving in Haiti amid chaos and violence in a country they barely recognize.

All of it delivered with visuals that brought the stories to life and drove news cycles.

For sweeping, collaborative, win-each-day coverage that earned praise from customers and colleagues alike, this team of more than two dozen journalists, in collaboration across desks and formats, is AP’s Best of Week — First Winner.

Best of the Week — First Winner

Distinctive AP photo project depicts Israelis, Palestinians sharing summer on distant shores

For years, AP’s Khalil Hamra and Oded Balilty have captured the Israeli-Palestinian conflict through their award-winning photography. This summer they turned their lenses away from the violence and onto a place of refuge for both sides: the stretch of beaches along the Mediterranean Sea.

With Balilty making images from Tel Aviv and Hamra from Gaza, the Pulitzer Prize-winning photographers produced an evocative essay showing Palestinians and Israelis basking on the beach, separated by 70 kilometers (40 miles) and free from fear of the next eruption of fighting. The photographers have met just once, years ago, but communicated online about what they were seeing, made pictures, shared them and then set out to find similar ones from their respective sides.

The immersive presentation includes an engaging video revealing more about the photographers and how they applied their craft.

For a strikingly unique, creative collaboration that brought, in Balilty’s words, “something positive” from a part of the world beset by conflict, Hamra and Balilty earn this week’s Best of the Week — First Winner award.

Best of the Week — First Winner

Under the volcano: Stunning photos of ‘slow motion annihilation’ on the island of La Palma

The volcano on La Palma has been active for months — and so have any number of news agencies, documenting with day-to-day images, most often from a distance after authorities declared much of the Spanish island off-limits.

That was the challenge for Madrid-based chief photographer Emilio Morenatti, who wanted a fresh angle. Leaning on contacts, Morenatti gained access inside the exclusion zone. There, while providing daily images for the AP wire, he poured his creative energy into a series of still life photos that cross over into the art world, showing what he describes as “annihilation in slow motion.”

His images show neighborhoods, yards, houses and all the possessions therein buried in volcanic ash. One colleague called the work “shocking and beautiful at the same time.”

The package that was well-received by international clients and Morenatti was interviewed by Spanish television. Even competitor photographers took to social media to praise his work.

For combining determination, access, timing and talent to produce remarkable images that take viewers to the heart of an unfolding catastrophe, Morenatti is this week’s Best of the Week — First Winner.

Beat of the Week

(Honorable Mention)

Collaboration across continents keeps AP ahead on journalist’s release

teamed up to break the news that American journalist Danny Fenster was free from prison in Myanmar and heading home via Qatar.Former U.S. diplomat Bill Richardon had unexpectedly announced the release during a routine call, setting the AP, which had covered Fenster’s detention closely, in motion. Building on close contacts they’d nurtured with Richardson’s team, AP coordinated with its bureaus across continents to meet Fenster and Richardson en route to deliver visuals, video and text in advance of the competition.Bangkok reporter Grant Peck, alerted to the release by Southeast Asia news director Kiko Rosario,broke the news that Fenster was free and traveling with Richardson. Peck and Asian-Pacific correspondent David Rising anchored the fast-moving story, then Asia news director Adam Schreck worked with his Persian Gulf counterpart, Jon Gambrell, who arranged for a freelancer to get comments and visuals of Fenster in Qatar.The Asia team also coordinated with New York. where photographers Craig Ruttle and Seth Wenig captured images of Fenster’s arrival. Reporter Bobby Calvan, with video journalists Ted Shaffrey and Joe Frederick, then secured interviews with Fenster and Richardson after their news conference.https://aplink.news/d62https://aplink.news/5zghttps://aplink.video/21fhttps://aplink.video/7rx

Beat of the Week

(Honorable Mention)

AP: Liberal US cities change course, clearing homeless camps

Sara Cline documented how liberal cities from Seattle to Austin, Texas, to New York, are taking a far more aggressive approach in dealing with homelessness as they emerge from the pandemic.Cities that for years tolerated tent encampments in public parks and public spaces are responding to fed-up business owners and residents who say the levels of street disorder are too high. But people who work with the unhoused say newly elected mayors are targeting a vulnerable population to score political points, rather than dealing with the underlying issues of addiction and housing affordability.Cline, a Portland, Oregon-based Report For America AP fellow, worked with staff photographers Ted Warren in Seattle and Rich Pedroncelli in Sacramento, California, to document the increased camp sweeps and to highlight the issues of people living on the street. Her story was one of only two non-Ukraine stories in AP’s top 10 for reader engagement over the weekend. Read more

Best of the Week — First Winner

AP’s team in Ukraine delivers unparalleled coverage of Russian invasion

From images of a young girl killed by shelling to an eyewitness account of a makeshift maternity ward inside a bomb shelter, AP’s team of more than two dozen journalists across Ukraine documented for the world in vivid detail how the Russian invasion is playing out on the ground.

The all-formats coverage began as Russian troops massed at Ukraine’s borders and has not let up since the assault began more than a week ago.

AP staffers across the world have been vital in explaining the economic, political and social repercussions of the war, but the journalists in Ukraine have been the anchor — setting AP’s coverage apart, delivering memorable images and authoritative text as the story develops by the hour.For tenacity and bravery in chronicling the Russian invasion, the team in Ukraine earns the respect and gratitude of their colleagues worldwide and is AP’s Best of the Week — First Winner.

Beat of the Week

(Honorable Mention)

AP journalists deliver global coverage of dire UN climate report

definitively examined, from six continents and in all formats, the impact of climate change, merging the science behind a major — and sobering — United Nations report with the voices of people who are living it.Weeks before the Feb. 28 release, climate news director Peter Prengaman, reporters Seth Borenstein and Frank Jordans, both veterans of climate coverage, and Stockholm-based video journalist David Keyton brainstormed the plan, putting AP’s global footprint to use: Instead of just one big, all-formats story — the norm for previous reports by the Intergovernmental Panel on Climate Change — AP would use the report as a jumping-off point to explore the state of climate change from each continent. Read more