April 23, 2021

Best of the Week — First Winner

One shot: AP photographers reflect on covering the pandemic, and the image that most affected them

Since the start of the pandemic, AP photographers have been on the front lines of coverage, taking on risks to bring the world scenes of struggle, death, comfort and hope. And in many ways the images had a profound impact on the photographers themselves.

So as the world approached another grim pandemic milestone of 3 million deaths, New York photo editor Alyssa Goodman asked a group of 15 photographers from 13 countries to each select the one image from their virus coverage that affected them most, and describe why.  

The resulting package, elevated by the elegant writing of Rome reporter Nicole Winfield, offers compelling insight into the emotional impact of bearing witness and documenting the pandemic.

For adding a new and creative dimension to some of AP’s most deeply moving photography of the coronavirus pandemic, Goodman, Winfield and this dedicated team of photojournalists — representing their AP colleagues worldwide — earn AP’s Best of the Week honors. 

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April 19, 2019

Best of the Week — First Winner

AP photographers capture defining images of Tiger and Trump

This week we celebrate two very different, yet equally important photo wins.

David Phillip and the AP photo team assigned to the Masters tournament created some of the iconic images of Tiger Woods’ historic win – the result of strategic planning, teamwork and execution.

And Pablo Martinez Monsivais wins for his startling capture of the media reflected in the eye of President Donald Trump, taking what could easily have been treated as just another ho-hum daily Trump photo op and “seeing” something so different.

For delivering outstanding images from two contrasting but highly competitive assignments – and demonstrating how vital the AP is in the photojournalism world – Phillip and Monsivais share AP’s Best of the Week Award.

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Nov. 17, 2017

Best of the Week — First Winner

AP photographers show the despair, and hopes, of homeless along US West Coast

For three months, Associated Press photographer Jae Hong traveled America’s West Coast to chronicle the region’s exploding homeless crisis and do what many try to avoid: look into the eyes of the people living on the streets, in tents or in their vehicles and get to know them.

His series of intimate portraits focused on the subjects’ eyes and were combined with short text stories to reveal their humanity, whether it was an aging, down-on-his-luck street performer on Los Angeles’ Skid Row or a 9-year-old boy who lives with his family in a rented RV blocks from Google’s headquarters.

The unique portraits were one part of a larger package of images that Hong and his colleagues across the West – Ted Warren, Marcio Sanchez, Chris Carlson and Greg Bull – produced for a project looking at the roots of the homeless crisis in the region and identifying potential solutions.

For their work documenting the lives of the homeless, the team wins this week’s Beat of the Week prize.

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July 02, 2021

Best of the States

A photographer’s unique vision merges past and present for front-line nurses

With the U.S. slowly emerging from COVID-19, it might be easy to assume that the pandemic will soon be in the past, but for many, particularly health care workers, the trauma of what they experienced while caring for deathly sick patients will be with them for years to come.

To capture the idea that the past can be part of the present, Los Angeles photographer Jae Hong focused on intensive care nurses at a Southern California hospital who had taken care of extremely ill COVID patients and, despite all efforts, had lost many. That ward closed this spring, but the memories endure for these nurses.

Hong’s approach called for a photo technique not typically used in reporting the news: He made multiple exposure portraits of 10 of the nurses in the hospital, resulting in haunting images that show each nurse both in the photo, the present, and seemingly somewhere else in the past.

Accompanied by revealing interviews, the piece played widely in the U.S. and beyond, and attracted attention on social media.

For arresting, interpretive photography that evokes the lingering effects of the pandemic on these front-line medical workers, Hong earns this week’s Best of the States award.

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Jan. 13, 2023

Best of the Week — First Winner

AP photographers paint definitive portrait of epic, historic vote for House speaker

Some likened it to a Renaissance painting – and it certainly belongs in a museum. We’re talking, of course, about Andrew Harnik’s indelible images of a tussle in Congress as a historic House speaker vote threatened to stretch into another week.

As Republicans struggled through 14 fruitless rounds of voting against an internal faction of rebels to elect Kevin McCarthy as House Speaker, the longest such struggle in a century, nerves were fraying.

But AP’s photographers in the chamber remained cool as ever.

Normally, photographers’ access in the House chamber is heavily restricted by the speaker’s office – but with no speaker, the photo team was able to take full advantage of a House with no rules. Able to freely roam the chamber and capture up-close moments, the team shot more than 14,000 images for review and editing. Over the four days of voting, 1,500 images moved to AP’s audiences.

Alex Brandon captured an image of Rep. Matt Gaetz, one of the last anti-McCarthy holdouts, talking tensely with McCarthy after the 14th vote. With most cameras trained on McCarthy, Harnik captured an unbelievable-if-it-weren’t-on-camera near-brawl, as Rep. Mike Rogers started to charge toward Gaetz – only to be pulled back by Rep. Richard Hudson.

That image, which quickly became iconic, and the work of the others in the AP photo team, earns Best of the Week – First Winner honors for Harnik, Applewhite, Brandon, Cortez, Kaster, Rourke and Walsh.

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July 16, 2021

Best of the Week — First Winner

Only on AP: Heartrending images capture children across the globe who lost parents to COVID

Rarely does AP’s Best of the Week award go to an editor. But this week — a particularly strong one for AP with multiple exclusives — the honor is truly deserved by Top Stories Hub photo editor Alyssa Goodman. Goodman was the driving force behind “Kids Left Behind,” an extraordinarily moving photo package that takes an intimate look at children who have lost parents to the pandemic.

Goodman coordinated with photographers around the globe to find the young subjects, get permission to photograph and interview them, then make their portraits in a cohesive style.

The result was one of the most compelling packages AP has done in recent years, the photos complemented by poignant text moving many readers to tears, with stories ranging from a 10-year old in India who lost both parents in a matter of weeks, to video of a California 13-year-old performing the song she composed for her father’s funeral, on the guitar he gave her days before he died.

For generating an inspired and challenging project, handling it with sensitivity and tenaciously seeing it through in collaboration with global colleagues, Alyssa Goodman wins AP’s Best of the Week award.

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Dec. 14, 2018

Best of the States

Years of planning pay off in ‘picture perfect’ coverage of Bush funeral events

For more than a decade, Washington photo editor Jon Elswick has negotiated with the Department of Defense over coverage plans for the funeral of former President George H.W. Bush, while Houston photojournalist David Phillip fostered a relationship with the Bush family and their spokesman to secure AP’s shooting positions for the eventual funeral events.

Those relationships were crucial to arranging and executing coverage, paving the way for more than two dozen staffers to parachute into Washington, Houston and College Station, Texas, where they produced outstanding photos in real time and for the history books.

Among the highlights: Photographer Morry Gash fired a remote-controlled camera that captured a stunning bird’s-eye view of the U.S. Capitol rotunda during visitation and services, and David Phillip negotiated to shoot inside the railroad car carrying the coffin as the funeral train passed through Texas. Phillip called it “the most incredible event I have ever covered.”

The photo coverage was part of an impressive dayslong cross-format effort by scores of AP staff across the country and globe that included hours of live video and spot and breaking text, video, audio and graphics coverage that explored Bush’s life and presidency from every angle.

For exceptional planning and execution on one of the largest news events of the year, this week’s Best of the States goes to the team of photo staff covering the Bush funeral.

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July 29, 2016

Best of the States

BEST OF THE STATES, NO. 241

Former Ku Klux Klan leader David Duke fell one election short of becoming Louisiana’s governor in 1991. In the years since, he has frequently mulled another run for office, but never taken the plunge. So when Duke publicly floated the idea of running for Congress, Louisiana statehouse reporter Melinda Deslatte was cautious.

But Deslatte also knew that if Duke were to actually run, it would be big news, especially in a year where race relations were front and center in the national debate.

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Jan. 26, 2017

Best of the States

Postcards from Trump's America

Following in the wake of the Divided America series, the AP wanted to glimpse the country – the multiple Americas, joyous, dreading and uncertain – that Donald Trump would lead as the 45th president. But how to do it in a way that went beyond traditional text and instead gave customers and readers a visually engaging look at the U.S. in the time of Trump?

The answer: "Postcards from Trump's America."

A specially-selected team of reporters, photographers and videojournalists joined up to report from four distinct corners of the nation, and their work provided a unique window into what Americans are thinking and feeling at this historic pivot point.

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Jan. 27, 2017

Best of the Week — First Winner

Inaugural images: Talent and tech combine in sweeping, instant photo coverage

Remember these images from the Inauguration: The new first couple dancing across a giant presidential seal at a ball? Faces in the crowd cheering or crying in the rain? The instant when Donald Trump took in the scene through an opening door before stepping onto the podium to become the 45th U.S. president?

Credit for those signature images, which appeared across the globe almost as they happened, goes to the skill and artistry of a hand-picked team of AP photographers and photo editors – and also to the cutting-edge, behind-the-scenes efforts of AP technicians working hand-in-hand with them to cover the intensely competitive event.

Their extraordinary work, a stream of 2,000 photos sent from daybreak until well after midnight, earns the Beat of the Week.

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July 26, 2017

Best of the Week — First Winner

AP team leads media fight for photo access at OJ Simpson parole hearing

What happens when the state of Nevada announces it intends to use its own photographer to cover the parole hearing of O.J. Simpson, and exclude all others?

The Associated Press steps up, rallies the media and forces the state to backtrack. For their efforts to ensure news photo access to a high-profile story, the team of Stephanie Mullen, Ken Ritter and Tom Tait is awarded Beat of the Week.

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Aug. 04, 2017

Best of the Week — First Winner

'They kept us as slaves': AP Exclusive reveals abuse claims against church

"They kept us as slaves."

One man's tearful revelation to AP national investigative reporter Mitch Weiss helped unravel a horrible secret – the former congregant of the World of Faith Fellowship sect was among hundreds who'd been dispatched from the church's two Brazilian branches to the U.S., where many say they were forced to work for little or no pay and physically or verbally assaulted.

Dozens of former congregants told similar stories of abuse and exploitation in an exclusive AP multi-format story that earns Weiss, national investigative reporter Holbrook Mohr, and Peter Prengaman, news director in Rio de Janeiro, the Beat of the Week.

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Aug. 10, 2017

Best of the States

Photographer reports exclusive details of Oakland player using gay slur against fan

A photographer needs more than a good eye to do the job.

On Friday night, August 4, Los Angeles-based photographer Mark J. Terrill landed the AP a scoop with sharp hearing.

In the eighth inning of the Angels’ game against the Oakland Athletics, Los Angeles’ CJ Cron made a diving stop of Matt Joyce’s hard-hit line drive, which elicited loud cheers from the crowd in Anaheim. As Joyce ran back to the dugout Terrill heard the Oakland player in a heated exchange with a fan, cursing at the fan using a gay slur.

Terrill's reporting was used by AP's stringer covering the game for Sports, and expanded by Baseball Writer Ron Blum who recognized the importance of the incident. The AP story went unmatched overnight. Even after the A's addressed the incident, most media outlets continued to cite the AP story throughout.

For their enterprising efforts, Terrill and Blum split this week’s $300 Best of the States award.

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Oct. 06, 2017

Best of the Week — First Winner

AP photo team produces unparalleled coverage of Catalonia referendum

The days leading up to Catalonia’s independence referendum pointed toward trouble on the day of the vote. The autonomous region in northeast Spain was pushing ahead with the election despite the country’s constitutional court ordering it to be stopped. In the weeks leading up to the vote, thousands took to the streets, demonstrating for and against independence. The election, set for Oct. 1, was sure to be a defining moment for the region and the country.

It also posed a challenge to those planning AP’s visual report: How best to capture the expected chaos? How to navigate its major city, Barcelona, which would be flooded with demonstrators and police? How to get photographers and video journalists in the right positions, knowing they might be stuck there for hours?

These decisions fell to Emilio Morenatti, AP’s chief photographer for Spain and Portugal. A longtime Barcelona resident, he anticipated those obstacles as he deployed AP’s staff and freelance photographers.

The result was some 200 photographs that captured the violence and passion of a remarkable moment in Spanish history. For planning creatively, making smart in-the-moment decisions and risking personal safety, Morenatti and his team of photographers win this week’s Beat of the Week.

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Oct. 20, 2017

Best of the States

AP shines with cross format coverage of deadliest wildfires in California history

California is used to devastating wildfires but the firestorm that swept through wine country north of San Francisco was unlike any other. The devastation was staggering – at least 42 killed and more than 5,700 homes and other structures burned to the ground.

The series of fires broke out nearly simultaneously late at night and quickly stretched across 100 miles. AP quickly mobilized staffers throughout California and beyond.

San Francisco reporter Ellen Knickmeyer, concerned her Napa County home could fall victim to the flames (it did not, fortunately), never stopped reporting. Her experience living with the flames while reporting on them was turned into a compelling first-person narrative.

Every staffer in the field contributed in multiple formats. Phoenix-based videojournalist Brian Skoloff, and photographers Jae Hong (Los Angeles) and Marcio Sanchez (San Francisco) put themselves in harm’s way to ensure AP could show the fires and their heart-wrenching impact on people and property. Meanwhile, Sacramento photographer Rich Pedroncelli shot stills and video in Napa Valley where two sons returned to the home where their parents – 100-year-old Charles Rippey, and his wife, Sara, 98 – were killed.

For their work in the initial days documenting how the flames devastated people and property, Knickmeyer, Skoloff, Sanchez, Hong and Pedroncelli win this week’s $300 Best of the States award.

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