AP relied on deep beats expertise to deliver compelling portraits of Homeland Security Secretary Alejandro Mayorkas and South Carolina state Sen. Mike Fanning.Read more
Good instincts and planning allowed Joshua Goodman and Jim Mustian to trounce the competition with the surprising news that a career U.S. diplomat will plead guilty to charges of working for decades as a secret agent for communist Cuba.Read more
AP turned what would’ve been a mundane story into a riveting tale of a family’s longing to have something — anything — to bury of their deceased loved one.Read more
AP tapped into its network of sources in the French soccer world to confirm speculation that Marseille was firing its Italian coach Gennaro Gattuso, a scoop that got picked up by AP clients in both Europe and the U.S.Read more
Sharp beat work and a keen news sense helped AP elevate routine Legislative coverage of a drug bill into an all-formats feature that used the gut-wrenching story of a tribe that’s losing one member a week to opioid overdose to illustrate why readers should care about an obscure bill overlooked by every other media outlet.Read more
AP’s season-long efforts covering Iowa’s star Caitlin Clark and her pursuit of the all-time NCAA scoring record produced exclusive access and big all-formats wins.Read more
Contact-building and planning paid off for the AP at the unveiling of the top-secret design of the Paris Olympic medals.Read more
A year of efforts to cajole Senegalese President Macky Sall to give an interview paid off spectacularly when his team reached out to offer AP the president’s first on-camera interview since controversially announcing the country’s elections would be delayed just weeks before the vote.Read more
AP’s well-coordinated efforts crushed the competition on coverage of farmers protesting at a crucial moment in European decision-making.Read more
AP exclusively obtained a secret memo detailing a yearslong covert operation by the U.S. Drug Enforcement Administration that sent undercover operatives into Venezuela to record and build drug-trafficking cases against the country’s leadership — a plan the U.S. acknowledged was arguably a violation of international law. Read more
Rare reporting and visuals illustrated a fledgling shipping corridor launched after Russia pulled out of a UN-brokered agreement that allowed food to flow safely from Ukraine during the war.Read more
AP journalists combined to produce clear, multiformat explanatory coverage of the complicated electoral process in Nevada, and why it matters. Read more
Hail Mary? Hail Julio. As swarms of players and media surrounded Taylor Swift and Travis Kelce after the Kansas City Chiefs’ AFC championship win, photographer Julio Cortez captured the perfect shot: the couple kissing on the field, Swift’s hand pressed against Kelce’s cheek. It was an intimate moment amid chaos, one that only Cortez — AP’s chief photographer for Texas and Oklahoma, temporarily returned to Baltimore — got. Other outlets made photos of the couple embracing, but Cortez had the singular — and viral — angle.
Before Sunday’s game, the only photos of Swift’s football attendee era were made in tunnels or from afar as she watched in luxury suites. But Cortez knew that if the Chiefs punched their ticket to another Super Bowl, players’ friends and families would end up on the field. With AP’s Matt Slocum, Alex Brandon and Nick Wass in their assigned on-field positions, Cortez called an audible, walking around the stage to find Swift. A believer in being “pushy but professional,” Cortez “sweet-talked” bodyguards to get into unique position. Swift and Kelce’s reunion was, well, swift. As Kelce “gave her the fastest kiss,” Cortez jumped in front of the NFL Films camera, raising his own over a guard’s head. About a minute after the photo was made, photo editor Mike Stewart knew it was the shot of the game, affixing the golden APTOPIX stamp. It was immediately picked up by hundreds, rocketing around the world with usage by customers ranging from The New York Times, People to India’s Hindustan Times and Argentina’s La Voz.
For an image that’s assuredly a first-ballot Hall of Famer, Cortez is Best of the Week — First Winner.
AP’s team in India provided visually compelling, richly reported, all-format coverage of one of the country’s most defining and contentious events, the opening of a controversial Hindu temple built on a razed mosque.
When Indian Prime Minister Narendra Modi opened a controversial Hindu temple, it marked a political triumph for the populist leader under whose watch the line between religion and state has largely eroded in the constitutionally secular country. The temple sits on a site where Hindu mobs tore down a mosque three decades ago, its fraught history still an open wound for many Muslims.
AP’s cross-format team in Delhi and on ground in Ayodhya provided visually rich and nuanced coverage that was both thoughtful and insightful. Photographer Rajesh Kumar Singh was the only international photographer who managed to secure access to the high-security temple complex to exclusively cover the select gathering of invitees and arrival of Modi. AP was first among the global agencies to file self-shot images of the event while other agencies had to rely on handout images.
Singh, senior video journalist Rishi Lekhi, and stringer Biswajeet Banerjee kept the inputs steadily flowing in from Ayodhya, including live coverage from outside the venue, while Shonal Ganguly, Saaliq Sheikh and Krutika Pathi in Delhi helped with a quick turnaround of both text and video edits, enriching them with useful background and voices of ordinary Indians.
For playing a key role in bringing images of this momentous event to global audiences — and putting it in context — Rajesh Kumar Singh, Rishi Lekhi, Biswajeet Banerjee, Sheikh Saaliq, Shonal Ganguly and Krutika Pathi are Best of the Week — First Winner.
The AP Bangkok bureau speedily responded to reports online about a firework explosion in central Thailand that killed 23 by initially utilizing social media to source and verify information for all formats and to beat competitors in reporting the first accident of its kind in the country this year.Read more
After hearing special prosecutors say they’d seek to bring a case against Alec Baldwin before a grand jury around mid-November 2023, AP dived into understanding the process to position itself to break the news.Read more
In back-to-back days over the New Year’s holiday, it seemed that the eyes of the world were on Tokyo, as the AP bureau deftly handled a massive earthquake and a fiery plane disaster that rocked the country — two of the biggest stories from Japan in years — and beat the competition in all formats while doing so. Their coverage included exclusive video, print and photos that far surpassed the offerings from our competitors.
The bureau activated immediately once a 7.6-magnitude quake hit western Japan on New Year’s Day, which was followed by more than 100 aftershocks. Business Writer Yuri Kageyama in Tokyo filed alerts and for days wrote stories that explained one of the most quake-prone places on earth. Photographer Hiro Komae and freelance videographer Richard Colombo rushed to the scene, followed by video journalist Ayaka McGill. They braved brutal working conditions — sleeping in their car and navigating wrecked roads, often driving more than 12 hours to reach destinations.
Then, on Jan. 2, another massive story: A Japan Airlines passenger jet struck a coast guard plane on a Tokyo runway. Dramatic video, which AP had faster than competitors, showed the JAL plane bursting into flames as it streaked away from the fireball that engulfed the other plane, where five died. Miraculously, all the JAL passengers evacuated safely. Working off TV coverage, News Director Foster Klug had the first urgents out ahead of competitors, with correspondent Mari Yamaguchi interrupting her holiday to write stories that investigated what went wrong and showed what it was like inside the plane. Business colleagues added invaluable context about the planes.
For dominating the competition on consecutive days in trying conditions on two massive breaking stories, we award the Tokyo bureau Best of the Week — First Winner.
More than six months after the explosion that destroyed the Kakhovka Dam in Ukraine’s Kherson region, an AP investigation by Samya Kullab and Ilia Novikov found that Russian occupation authorities vastly and deliberately undercounted the dead. The AP inquiry came the closest yet to revealing the real number of deaths Russia tried to hide from the dam’s destruction, which Ukrainians believe was carried out to hamper the Ukrainian counteroffensive across the Dnipro River. Russia has denied it was responsible.
AP Kyiv correspondent Kullab and news assistant Novikov were working on a different story about how residents of the affected town of Oleshky were returning slowly to Ukraine. During their reporting, a source told them of a mass grave. That sent Kullab and Novikov in a fresh direction, and the story of the hidden deaths developed from there. Eventually, the AP spoke to health workers, volunteers, residents and recent escapees who provided invaluable details. Instead of the 59 people Russian authorities said drowned in the territory they control, AP found the real number is at least in the hundreds in just one town.
For dogged pursuit of the facts and allowing victims and their survivors to be heard, Kullab and Novikov earn Best of the Week — First Winner.
A multi-format MidSouth AP team produced a comprehensive report on a grassroots solution to restore a crucial tree species.
Read more
AP spotted word of a shooting at the University of Nevada, Las Vegas, putting into motion resources from near and afar to report on a big story in a city that’s home to the deadliest mass shooting in modern U.S. history.Read more
