for quickly getting two exclusive video clips that helped give AP a major edge on the story of Best Actress winner Frances McDormand’s stolen Oscar. The video showed the theft suspect holding up her Oscar up proudly.http://bit.ly/2HF96wehttps://tinyurl.com/y8aecxud
A video beat of 15 minutes on a terrorism story in the heart of a European capital? Footage showing militants in Asia actually plotting an attack? On two continents in the same week, Associated Press journalists obtained these exclusives through remarkable ingenuity and persistence.
Their efforts are rare co-winners of the Beat of the Week.
for quick work that positioned AP to own the international coverage of a deadly train derailment in Italy. https://bit.ly/2IZtEop
The days leading up to Catalonia’s independence referendum pointed toward trouble on the day of the vote. The autonomous region in northeast Spain was pushing ahead with the election despite the country’s constitutional court ordering it to be stopped. In the weeks leading up to the vote, thousands took to the streets, demonstrating for and against independence. The election, set for Oct. 1, was sure to be a defining moment for the region and the country.
It also posed a challenge to those planning AP’s visual report: How best to capture the expected chaos? How to navigate its major city, Barcelona, which would be flooded with demonstrators and police? How to get photographers and video journalists in the right positions, knowing they might be stuck there for hours?
These decisions fell to Emilio Morenatti, AP’s chief photographer for Spain and Portugal. A longtime Barcelona resident, he anticipated those obstacles as he deployed AP’s staff and freelance photographers.
The result was some 200 photographs that captured the violence and passion of a remarkable moment in Spanish history. For planning creatively, making smart in-the-moment decisions and risking personal safety, Morenatti and his team of photographers win this week’s Beat of the Week.
What happens when the state of Nevada announces it intends to use its own photographer to cover the parole hearing of O.J. Simpson, and exclude all others?
The Associated Press steps up, rallies the media and forces the state to backtrack. For their efforts to ensure news photo access to a high-profile story, the team of Stephanie Mullen, Ken Ritter and Tom Tait is awarded Beat of the Week.
It was supposed to be a 15-minute interview. Instead, Associated Press Chief White House Correspondent Julie Pace kept President Donald Trump talking for an hour in a wide-ranging Oval Office discussion that was exclusive, illuminating and full of news.
Pace's sit-down with the president – resulting in multiple stories that others scrambled to follow and a transcript that readers devoured despite its 8,000-word length – earns the Beat of the Week.
“So long, farewell, auf wiedersehen, adieu,” sang the lead to AP’s Jan. 31 story when, after years of divisiveness and debate, the United Kingdom finally withdrew from the European Union.
The sharp and pithy writing was a highlight of AP’s unparalleled breadth of journalism, produced by a staff with the depth of talent, experience and knowledge in all formats that would dominate coverage of the historic withdrawal after nearly 50 years.
Video, text and photos staff were deployed to the U.K., including Scotland and Northern Ireland, and to Belgium, France, Gibraltar, Germany and beyond.
AP’s multiformat package captured the emotion and news developments on all sides – from the final lead-up to Brexit to the ceremonies, celebrations and pro-EU vigils on the night itself. And it included exclusives, like the reunion of the two miners – one French, the other British – who shook hands when they broke through to connect the Channel Tunnel nearly 30 years go.
For standout efforts in a continent-wide team effort in which there are too many to name, Jeffrey Schaeffer, Susie Blann, Jill Lawless, Raf Casert, Danica Kirka, Virginia Mayo, Martin Cleaver and Nicolas Garriga share AP’s Best of the Week honors.
AP’s well-coordinated efforts crushed the competition on coverage of farmers protesting at a crucial moment in European decision-making.Read more
During one particularly bad fire season in the Amazon, as thousands of square miles of rainforest were being leveled so people around the world could eat more beef, the AP Health & Science team decided to step back and tell the larger story of the impact our food choices have on the environment — and what some people are doing about it.
After a pandemic-related delay, the AP Health & Science team enlisted a total of 55 AP journalists from 13 different AP departments to show how farmers, researchers and scientists are trying to make sure we can continue to enjoy the food we love without destroying the planet we need.
Developers and designers Linda Gorman, Koko Nakajima and Peter Hamlin built out a stunning immersive experience that allows the reader a host of different options including videos, photo galleries, data visualizations and even a quiz.
Photographers, videographers, text journalists and data journalists from the Health & Science team and several other global beats and regional teams contributed, including David Goldman, Shelby Lum, Kathy Young, Laura Ungar, Christina Larson and Nicky Forster. A full list can be found here.
For extensive collaboration, planning and work that resulted in eight stories and an immersive digital experience for readers on the future of food, this team of over 50 journalists win Best of the Week — First Winner.
used sophisticated imaging technology, expert analysis and longtime source building to deliver a series of exclusive stories on Iran’s nuclear program and America’s response to it.Read more.
Two years ago, Barcelona video journalist Renata Brito learned of a mysterious boat that had washed up in Tobago with dead men aboard. With that, she and colleague Felipe Dana, a photographer and video journalist, began a dogged quest to find out who the men were, what had happened to them, and what heartbreak and unresolved questions they had left behind. From Mauritania to France and Tobago, they found forensic evidence and built trust with a network of sources. By the end of their exhaustive journey, they knew who these men were and what led them to their deaths. They even confirmed one man’s identity with a DNA test.
Immersive storytelling’s Nat Castañeda worked with Brito and Dana to shape the project, including a 13-minute minidocumentary. Immersive developer Linda Gorman worked up a complex interactive, and an Audience Engagement team led by Sophia Eppolito spent weeks developing a social plan.
For compiling the compelling and tragic story of a group of doomed migrants who would otherwise have been forgotten, Brito, Dana, Gorman, Castañeda and Eppolito earn this week’s Best of the Week — First Winner.
Vatican Correspondent Nicole Winfield's tenacious reporting has already delivered numerous exclusives over a two-decade career covering three popes. Yet an on-camera, sit-down interview with a pontiff had eluded the AP.
That changed dramatically Jan. 24. After years of lobbying, the pope sat down for an historic interview with Winfield, whom Francis has for years called the “prima della classe,” or “first in class,” as a sign of respect for her tough but fair reporting on his pontificate. In fact, during the interview, he mentioned how Winfield’s questions about sex abuse during a 2018 airborne press conference led to his “conversion” moment when he realized that Chilean bishops had been covering up cases of abuse for decades.
For weeks, Winfield prepared the interview with Rome Senior Producer Maria Grazia Murru, who for decades has led the Vatican video operations. They coordinated every detail and prepared the right questions and approach for the interview. Murru designed the video coverage plan and spearheaded the production of social media promotion material. And together, they wrote letters in the most formal Italian to Francis’ private secretaries, until a date was finally arranged — for late January, a time that seemed ripe to make news. It was one week ahead of his planned trip to Africa and just over a month ahead of the 10th anniversary of his pontificate.
Video’s Paolo Santalucia and Photos’ Domenico Stinellis planned the lighting at the venue and sorted out technical details, and photographer Andrew Medichini’s images captured the historic event. Spanish language editor Cristina Fuentes-Cantillana transcribed and translated the full interview, conducted in the pope’s native Spanish.
reported exclusively on 25 Easter Islanders who were stranded far from home for more than six months because their flights had been canceled during the coronavirus. Within two weeks of AP’s story, authorities in France, French Polynesia and Chile repatriated the travelers on a French military plane.Perry in New Zealand learned about the group and their situation on a French Polynesia Facebook page he monitors. He collaborated with colleague Vergara in Santiago, Chile, who was able to conduct interviews in Spanish and provide context from the Chilean side.The repatriation of the islanders was more rewarding than story metrics or a win over the competition, providing a welcome moment of brightness during the global pandemic.https://bit.ly/34L0mSFhttps://bit.ly/3lBwaQz
Russia has been open about its desire to turn Ukrainian orphans into Russian citizens with Russian families — a flashpoint of the war. But whether or not they have parents, raising the children of war in another country or culture can be a marker of genocide, an attempt to erase culture and identity.
This investigative piece, reported from Ukraine, Russia and France, made AP the first news organization to show the disturbing process from beginning to end — and prove that many of the children are not orphans at all. The all-formats story led with the account of a Ukrainian mother who, against the odds, successfully retrieved six children who had been trapped in Mariupol and seized by pro-Russia forces.
The story won wide play online, was a hit on Twitter and was singled out during a State Department briefing.
For documenting a severe breach of human rights with a heart-wrenching story that resonated across audiences, Sarah El Deeb, Tanya Titova, Anastasiia Shvets, Elizaveta Tilna and Kirill Zarubin earn AP’s Best of the Week — First Winner honors.
followed up on their exceptional initial work and continued their record-breaking coverage in the week leading up to the queen’s funeral, delivering outstanding all-formats journalism and giving clients an array of offerings from virtually every event and every perspective.AP’s stories and visuals captured the pomp and ceremony, and the emotions of mourners lined up for many for hours to pay their respects as the queen lay in state. AP’s stories ranged from a first-person account of waiting in that queue to how the queen set the stage for the transition to Charles to an evocative account inside Westminster Abbey during Monday’s funeral — and much more.Coverage of the funeral itself saw stunning usage of AP’s content, while the collective 12-day round-the-clock effort won near-unanimous praise from AP customers.Read more
Over the course of several months, more than 30 AP staffers across five continents teamed up to execute the illuminating and alarming six-part Sacred Rivers series. The ambitious project leveraged all-formats skills to tell lyrical stories, each with compelling images and presentation, engaging audiences with the intersection of spirituality, religion, Indigenous culture, business practices, energy, environmental degradation — even geopolitical conflicts.
The series resonated with AP’s readers and customers worldwide.
For an enterprising, inspiring and unmatched creative collaboration that showcased AP journalism at its best, the Sacred Rivers project team is AP’s Best of the Week — First Winner.
sprang into action on Jan. 8 when violence erupted in Brazil’s capital. Supporters of former President Jair Bolsonaro rampaged through the presidential palace, Supreme Court and Congress.Read more.
London-based medical writer Maria Cheng, drawing on leaked emails, interviews, recordings and her deep understanding of the World Health Organization, revealed that dozens of staffers have accused Dr. Takeshi Kasai, the U.N. agency’s regional director for much of Asia, of racism and abuse, and that his actions allegedly hampered WHO’s efforts to curb the COVID pandemic in the region.
Cheng obtained internal complaints and talked to current and former staffers who said Kasai had engaged in racist, unethical and abusive behavior. Staffers said the departure of more than 55 WHO personnel from this critical region, most not replaced, significantly contributing to a surge in cases in many countries. Kasai was also accused of sharing COVID information improperly with his home country, Japan, for its political gain.
In an email to the AP, Kasai denied charges of racism and unethical behavior and said he had taken steps to communicate with all his staff.
Cheng’s story was explosive. At Saturday’s closing session of WHO’s board meeting, several countries pressured the organization to investigate the allegations reported by the AP. By Monday, the WHO director-general said an investigation had started.
For deeply reported, groundbreaking work that has had an impact, Cheng is AP’s Best of the Week — First Winner.
From images of a young girl killed by shelling to an eyewitness account of a makeshift maternity ward inside a bomb shelter, AP’s team of more than two dozen journalists across Ukraine documented for the world in vivid detail how the Russian invasion is playing out on the ground.
The all-formats coverage began as Russian troops massed at Ukraine’s borders and has not let up since the assault began more than a week ago.
AP staffers across the world have been vital in explaining the economic, political and social repercussions of the war, but the journalists in Ukraine have been the anchor — setting AP’s coverage apart, delivering memorable images and authoritative text as the story develops by the hour.For tenacity and bravery in chronicling the Russian invasion, the team in Ukraine earns the respect and gratitude of their colleagues worldwide and is AP’s Best of the Week — First Winner.
delivered must-read, must-watch stories, adding new layers of depth to AP’s already pacesetting journalism as the Russian invasion of Ukraine grinds into its fifth month.AP journalists in the region, seeking to dispel the notion voiced by Western leaders that global audiences are beginning to experience “war fatigue,” recognized the need for a shift in focus from increasingly incremental developments. They pivoted swiftly to impactful big-picture views of the conflict, all while ensuring competitive coverage of major spot news.Ranging from analysis of the war’s shifting front lines to essential multiformat reporting on longer-term repercussions — the legacy of land mines, the plight of Ukrainian youth, the effect on global food security, among others — and including exclusive video and photos from front-line positions, the AP provided clients and readers with an exceptional body of work over the course of seven days.Read more
