AP photographers captured the hidden face of the Tour de France with an exclusive and unique photo gallery — on top of their gripping, treacherous work to cover 21 straight days of the world’s premier cycling race.Read more
The Paris suburb of Nanterre was at the heart of violent protests after a French policeman killed a 17-year-old at a traffic stop, and AP journalists in Paris worked around the clock and at a competitive disadvantage to document the unrest and its aftermath.
Photographer Christophe Ena was among the first on the scene, taking AP’s first photos and video of flames in Nanterre on the first night and alerting our customers — and competitors — of the gravity of the story. He and a photographer from the European Pressphoto Agency were the only international journalists on the scene at the time and worked together to ensure each other’s safety as tensions rose around them.
Cara Anna, arriving from Nairobi, was among just a few journalists to cover the boy’s funeral and discreetly filmed a brief video of the cemetery where people were gathering to mourn. It was the only footage published of the event, but also respected the organizers’ request not to have cameras at the funeral itself.
For sensitive, honest work in unpredictable, often hostile conditions to show a part of France tourists see rarely and understand even less, Ena and Anna earn this week’s first citation for Best of the Week.
for distinctive, multimedia coverage of the Tour de France. Most notably, they produced an array of video stories despite not having broadcast rights to the race. Those videos, shot on iPhone and iPad, included a daily guide to the gastronomy and history of the regions to be crossed by the racers. https://apnews.com/tag/TourdeFrance
for a series of nearly 20 videos from the Tour de France, using iPhone and GoPro to create short-form, customer-ready products. The videos drove traffic to their comprehensive text coverage of the race itself as well as “Taste of the Tour,” their daily series of entertaining, informative and entirely exclusive cross-format stories exploring the people, places, cuisine and hidden tales in the regions crossed by the Tour. They shot video and interviews in the early morning, before starting long days covering each stage, then edited their video stories in the car as they drove hundreds of miles to the stage finish, where they then leapt back into race coverage. On Twitter alone, the video series racked up close to 300,000 views, more than covering the pair’s modest wine tab.https://bit.ly/2yvemQshttps://bit.ly/2Ktu58Dhttps://bit.ly/2SUr7O2https://bit.ly/2K9dvMihttps://bit.ly/2YvHXbj
Kamil Zihnioglu has seen lots of protests while working as a photo stringer for The Associated Press in Paris, but these campaigns were different, focused on a dark, unreconstructed side of an otherwise progressive France.
Every time a woman is killed by her partner, hundreds of activists take to the streets under cover of night to plaster signs decrying the deaths and pleading for government action.
But Zihnioglu wanted to tell the story behind the protests. He spent weeks gaining the activists’ trust, and he teamed up with visiting video journalist Mstyslav Chernov to tell their story. Meanwhile, reporter Claire Parker and the Paris video team of Catherine Gaschka and Oleg Cetinic produced a powerful all-format package digging into deadly domestic violence in France.
For bringing attention to an issue that is often ignored, Kamil Zihnioglu, Claire Parker, Mystslav Chernov, Catherine Gaschka and Oleg Cetinic win AP’s Best of the Week.
for exposing that French tycoons and companies have failed to pay promised money to rebuild Notre Dame Cathedral. Almost $1 billion was promised by some of France’s richest and most powerful families and companies in the hours and days after the inferno, but a spokesman said none of that money has been seen, as the donors wait to see how the reconstruction plans progress and how their money will be spent. Adamson found that small American and French donors have so far been paying the bills instead. https://bit.ly/2wZFiHB
spent two days chronicling three nursing homes in France’s Haut-Rhin region as the patients and staff all underwent comprehensive testing to determine who must be isolated and who would be allowed the freedom to leave their rooms. One goal: to give patients who are not infected the opportunity to chat face to face, to play board games, to share meals. Badias had rare and exclusive access to the nursing homes, providing compelling photos, video and key text elements for the story he bylined with Paris reporter Lori Hinnant. https://bit.ly/2Y23kAm
Just as a second surge of coronavirus cases peaked in France, Associated Press journalists secured exclusive, hard-won access to an intensive care unit in southern France’s largest hospital for 24 hours, capturing the exhaustion, loneliness and dedication medical workers desperately struggling to save lives.
After a full day embedded with the ICU team, AP freelance photographer/video journalist Daniel Cole and global enterprise reporter Lori Hinnant came away with a searing, intimately reported all-formats account of Marseille’s La Timone hospital, as medical staff tried to keep even one bed open.
For their dogged pursuit of access, tireless reporting and sensitive, compelling and timely storytelling, Cole and Hinnant earn AP’s Best of the Week award.
inspired anti-racism advocates and young people in neglected quarters of France by shining a global spotlight on the National Neighborhoods Cup, an unusual soccer tournament aimed at celebrating the diversity of immigrants and casting a positive light on working-class areas with large immigrant populations that some politicians and commentators scapegoat as breeding grounds for crime, riots and Islamic extremism.AP was the only international media to cover the tournament, and the only media to put it into the perspective of France’s strained ideal of a colorblind republic that doesn’t identify people by race or ethnic background. The story was widely used in U.K. and U.S. media, prompted discussion online and earned praise from tournament participants.Read more
for telling the moving story of the recovery of the remains of an American airman shot down over France in 1944. http://bit.ly/2GeCU2C
used sharp planning and fast election day pivots to put AP well ahead of the competition, delivering unmatched live and edited video coverage of the first round of France's presidential election — a vote with implications for Europe’s future.As the election unfolded Sunday, senior producer Schaeffer recognized leading French broadcasters heavily using AP’s morning live feed from voting stations. Seeing the demand, he and the team quickly committed to live coverage throughout the day. That usage by French broadcasters was particularly telling: They chose AP over their own coverage — and crucially, over AP’s major French competitor, a tribute to the broad, balanced coverage which dominated AP’s live offerings throughout the day.Read more
gave a 94-year-old British World War II veteran a new reason for hope despite the isolation brought on by the pandemic, with an exclusive all-format package about his pen-pal relationship with Normandy teenagers grateful to veterans like him who saved France from the Nazis 75 years ago. AP was the first media organization to cover the uplifting story, which brought Bill Ridgewell attention in his hometown paper, on BBC and around the world. “When he realized he was all over the U.S. and Canada, to say nothing of Sumatra, he was actually lost for words,” read his daughter’s letter to AP. “I think you have probably given him at least another year of life.” https://bit.ly/2zF8oQThttps://bit.ly/2WUIIId
Early in the planning stage for this year’s Cannes film festival, London-based Dejan Jankovic, deputy director of entertainment content, decided to build his photo team with a combination of experience and fresh eyes, including Athens photographer Petros Giannakouris, who had no Cannes experience, and Invision entertainment specialists Ali Kaufman and photographers Joel Ryan, Vianney le Caer and Arthur Mola
The resulting coverage visually captured the glamour and excitement of the event in new ways without sacrificing the traditional elements that have worked in the past. AP won the Cannes Photograph of the Day award five times over the two weeks, impressive recognition in a competition open to every accredited photographer there.
For showing the glamour, fashion and celebrities of Cannes in a fresh and arresting manner, Jankovic, Giannakouris, Kaufman, Ryan, le Caer and Mola earn AP’s Best of the Week award.
employed strategic planning and dogged source building to ensure that AP’s Paris team had unique top shots and close-up access to film and photograph mounting protest violence in France, and capture the scale of a movement increasingly angry at President Emmanuel Macron. Read more.
used determination and ingenuity to make AP the first international news organization reporting on alleged sexual misconduct by France’s most famous TV anchor.The anchor, Patrick Poivre d'Arvor, has previously sued the women accusing him of rape, sexual abuse or harassment occurring from 1981 to 2018. He has also sued media reporting on the alleged misconduct, but when one of d’Arvor’s accusers wrote a book investigating multiple allegations, AP seized on the opportunity to interview the author and others, bringing the “affaire PPDA” to light and potentially marking a turning point in the French #MeToo era.Read more
used contacts he’s built over the past 18 months to secure unique access to an intensive care unit in Marseille, France, documenting how staff, patients and their families were coping during the holidays. His work was front and center of AP’s coronavirus coverage over the holiday period.Freelance photographer Cole spent Christmas and New Year's in La Timone Hospital as medical staff cared for COVID patients and celebrated with their colleagues, not with their loved ones. He also captured intimate moments as family members visited patients.But beyond the outstanding still images, Cole was reporting in all formats: His text piece perfectly complemented the photos, while his Only on AP video saw prominent usage by AP customers in France and internationally.https://aplink.photos/5p5https://aplink.video/qo6https://aplink.news/81p
broke news with an early scoop on the staggering scale — hundreds of thousands of victims — in a long-awaited report on sexual abuse in the French Catholic Church. That was just the start of a week of powerful and delicate AP coverage of France’s first nationwide reckoning with systemic church abuse, cover-ups and decades of trauma.On the eve of the report’s release, Paris-based senior field producer Masha Macpherson and video journalist Alex Turnbull tracked down an abuse victim who had inside information about the findings — notably, an estimated 216,000 children had been abused by clergy over the past 70 years. Their on-camera interview saw massive use.The following day, reporter Sylvie Corbet, senior producer Jeff Schaeffer, Macpherson and other Paris staffers, working closely with AP Vatican authority Nicole Winfield, produced fast-moving, comprehensive coverage on the release of the 2,500-page report. AP had live video, six video edits and two stories, including emotional reaction from victims and bishops; victims’ groups shared AP's stories online. And Schaeffer found a searing, intimate way to tell the victims’ side of the story in all formats: through the eyes of actor Laurent Martinez, who was abused by a priest and is working out the trauma onstage.https://aplink.news/30jhttps://aplink.video/tpthttps://aplink.news/sirhttps://aplink.video/v1t
For several intense weeks, AP’s all-formats Paris team had been contending with the violent street protests of the yellow vest movement. But a new threat to France’s peace suddenly arose when a man opened fire near the well-known Christmas market in Strasbourg.
On the evening of Dec. 11, the gunman shot and fatally wounded five people and injured a dozen more at the market. French authorities soon identified the suspect and said that the attack was being investigated as an act of terrorism. With that, France and Benelux Bureau Chief Angela Charlton and her all-formats crew quickly pivoted from the street protesters to focus on the attack, just as a massive manhunt was getting under way.
After AP confirmed that that police in Strasbourg had shot and killed the suspect on Dec. 13, Charlton scoured online white pages for potential witnesses, reaching a neighbor who, amazingly, was able to share images from directly across the street.
The exclusive video and photos that they negotiated were the result of teamwork and lessons learned from covering past attacks in identifying sources and deploying AP forces. And the close-up images told the story: the shooter’s body is seen slumped in a doorway as police and forensic officers move in.
The content, which had not yet appeared anywhere, was heavily used by broadcast and online clients around the world, both as video and for screengrabs.
For their resourceful, determined efforts to obtain exclusive images on this breaking story, the team of Angela Charlton, Alex Turnbull, Chris Noelting, Mstyslav Chernov, Jeff Schaeffer and Masha Macpherson receives the AP’s Best of the Week award.
teamed up to obtain exclusive video of police confronting a beheading suspect outside Paris.
Macpherson, senior field producer, Paris, was coordinating video coverage Saturday after the horrific news that a teacher had been beheaded the previous day. She was working with AP freelance video journalist Patrick Hermansen, who had been sending live video all morning outside the school where teacher Samuel Paty had held a class discussion about the Charlie Hebdo-published caricatures of the Prophet Mohammed.
Juggling live and edited coverage, Macpherson saw that phone video had surfaced in local French media, shot from a home, on which police can be heard screaming at the beheading suspect to throw down his weapon and get down. A short time later, you can hear, but not see, police shooting the man and killing him.
Macpherson knew instinctively that our best chance to get this video was through old-fashioned shoe leather reporting. She had Hermansen stop everything he was doing to try to pinpoint the the house from which the amateur video was shot. Going house-to-house, Hermansen eventually found the the right one and put the owner of the video on the phone with Macpherson, where they negotiated an agency exclusive for AP.
Dozens of customers used the exclusive video, including some key clients such as EuroNews, Sky News, Al Jazeera and Russia Today. https://bit.ly/3jiJAzghttps://bit.ly/2ITiz9r
To explore the pandemic’s devastating toll on children’s mental health, AP’s Paris team gained extraordinary access to the psychiatric unit at France’s busiest pediatric hospital.
Paris correspondent John Leicester worked for months to build trust with hospital authorities and workers. Once inside, Leicester, photographer Christophe Ena and video journalist Nicolas Garriga discreetly documented activity in the unit while protecting the privacy of the young patients. Told notably through the story of an 11-year-old who starved himself so severely that he required emergency care, the package showed how the mental health of children is affected under the weight of lockdowns, curfews, family upheavals and school closures.
The resulting all-formats package — including evidence of the problem in other parts of the world — was widely used by AP customers.
For a sustained effort to gain access, and sensitive, revealing coverage on this issue touching children and families globally, the trio of Leicester, Ena and Garriga earns AP’s Best of the Week award.
